Scott Malchus: This was the album when Keith and Mick supposedly started liking each other again. In truth, I think Mick suddenly realized the money-making potential of a group of ’60s and ’70s icons touring endlessly. “Mixed Emotions” began the endless cycle of soulless Stones albums put out for the sole purpose of trying to make them seem relevant. I have never found much of the current music remotely interesting. However, since Rolling Stone gives every Rolling Stones record five stars, I must be in the minority.

Darren Robbins: Is this a Stones or Fabulous Thunderbirds video? I must say, it is difficult to differentiate between the two, but if the singer is shown in full-on Olivia Newton-John aerobics attire (circa Perfect), it’s a Stones video.

Beau Dure: You’re not the only one with mixed emotions, but you’re the only one who listened to this song more than once. The Stones have some solid material in the MTV era, and this isn’t horrid, but it’s not particularly memorable except that I kept thinking “suction my lips” instead of “button your lip” would be a funny opening line.

Dw. Dunphy: I’d imagine longtime Stones fan breathed a sigh of relief when they first heard “Mixed Emotions.” I’d imagine, just the same, that they had their own on the second listen. Why? Because they realized that from here on out, they weren’t getting anything new from the boys (giggle, tee hee, snort.) Don’t get me wrong, if this or any other song from Steel Wheels comes on the radio, I don’t mind. But this was the clear proof that they were only going to recycle the sights, sounds and smells of Some Girls and Tattoo You from then on.

David Lifton: Everything decent the Stones have put out since, say, Tattoo You is basically a recycling of things that they did better years earlier. We get it by now: Keef with the I-IV on an open-tuned Telecaster, Charlie playing that drum pattern that says that he can’t be bothered to come up with anything interesting. The other single, “Rock And A Hard Place,” was basically “Brown Sugar.” But it works on this song because, well, it’s the Stones, dammit. It’s the musical equivalent of when James Bond says, “Shaken, not stirred,” and you still love it no matter which Bond says it. It helps that it’s got a fantastic chorus.

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