Posts Tagged ‘XTC’

The Friday Mixtape: All Souls Edition, 10/30/09

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Welcome back.

Are you feeling comfortable? Good. Right about now, you’re sitting casually in your seat, perhaps in a chair staring at the monitor, perhaps bundled up on the couch, wrapped in your Snuggie, your laptop buzzing on your lap with the warmth of its underside providing a pleasant sensation there. Occasionally the hard drive skitters and skates, trying to access some connection inside of this digital field of play.

And it is a field of play, don’t let it fool you otherwise. Take a good long look at the screen, for instance. Sure, your conscious, active mind sees black letters spelling out the very words you’re reading, but let your eyes haze a moment. Don’t think about meaning so much — just see the black squiggles on the expanse of white, amassed like battalions, one paragraph against another, staring each other down, preparing for the moment to bolt in attack, random “s” characters raising their swords against the myriad numbers of “m,” not to mention the machinations of those vowels, so kind to link consonants into those words that spill into your head as you read them but, as we well know, they are Machiavellian, yes they are. Those “A” “I” and “E” shapes poised to kill their counterparts, running headlong with a blood-curdling scream of  “Aiiiieeeeee!!”

You could almost hear that scream as you read it, that “Aiiieeeee…” couldn’t you? It’s amazing the information the brain fills in with the absence of a direct descriptor to clarify it. Take, oh, I don’t know, that voice in your mind as you’re reading. It sounds like your voice, has all the cadence and nuance of your voice and, even, those words you mispronounce in your regular day-to-day speech are mispronounced by the narrator in your mind, the one you think is you — but it’s not you. These are my thoughts, my words, and in truth, at this very moment, it is me who is in your head right now, telling this tale, pulling these strings. Are you wondering perhaps, how long have I been in here?

You should.

Are you feeling comfortable now? Good. Let’s begin.

Metamorphosis by David Eagleman, read by Jeffrey Tambor (2009)

Harvest Moon, Blue Oyster Cult from Heaven Forbid (1998)

Harvest Festival, XTC from Apple Venus Volume 1 (1999)

The Ethics Of Jokes by Garrison Keillor from Horrors! A Prairie Home Companion(1996)

Earth Died Screaming, Tom Waits from Bone Machine (1992)

Prelude, Bernard Herrmann from The Day the Earth Stood Still (1951)

Humanity Part II, Ennio Morricone from The Thing: Original Motion Picture Soundtrack (1982)

Through The Mirror, John Carpenter and Alan Howarth from Prince of Darkness (1987)

Fat Albert, Bill Cosby from The Best of Bill Cosby (1969)

Cold Colours, Neil Gaiman from Warning: Contains Language (1995)

The Hearts Filthy Lesson, David Bowie from Outside (1995)

Vampira, The Devin Townsend Band from Synchestra (2006)

Dark Carnival, Resurrection Band from Lament (1995)

Limbo, Rush from Test for Echo (1996)

The Invisible Man, Marillion from Marbles (2004)

…and we saved the best, scariest and spookiest track for last. It’s buried in the cobwebs, inch-depth dust and dark thickness of a dank, humid night. Beware of clicking on it just in case you’re weak of heart or fearful of mind, for it has the power to instigate nothing less than utter madness.

Happy Halloween!

Mix Six Six Six (’09)

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DOWNLOAD THE FULL MIX HERE

Last year, I was feeling all boo hoo about the fact that no one, and I mean no one comes to our house on Halloween.  Call it fear of strangers with candy (who might shove a razor blade in that Snickers bar, or snap off a hypodermic needle in that family size peanut butter cup), or, more realistically, it’s the fact that I live in a condo complex where the motto is “A place for the newlywed … and the nearly dead.”  Yeah, there really aren’t any kids around here, so we just gave up buying candy for those non-existent trick or treaters.  So, that leaves me with you, dear reader and lover of the ye olde Mix Six, to spoil you with musical treats. So grab a mug of bitches brew and get ready for a Mix Six Six Six for ‘09!

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“Freaks Come Out At Night,” Whodini (Download)

You can’t always start out a mix with a top of the hour cooker.  Nope, sometimes you gotta dig a little deeper and find a song that signals the keynote of the mix in a “deep cut” kind of way. Sure, this tune by Whodini has a pretty long shelf life because, well, the title of this song pretty much guarantees that it’s going to end up on a Halloween mix.  And look: it did! (more…)

Mix Six: “Beatlesque”

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Call this mix the postscript of Beatles Week at Popdose … a postscript that’s a couple of weeks late! But better late than never, right?  There’s been a lot of talk about the marketing savvy of Beatles merchandise, and it’s pretty damn impressive. I mean, getting people to buy remastered recordings they’ve probably had in their collections for years (and I’m talking about vinyl, cassette, 8 track, CD, and mp3s) is no easy feat – unless the product really is superior to what came before.  And yes, the remasters did live up to the hype.  But if I may start a second sentence with a conjunction, what also lives up to the hype is the long shadow of the Beatles’ style of music on popular recording artists.  Billy Joel, Andy Partridge, Roland Orzabal, Jeff Lynne, Neil Finn, and the Gallagher boys must have all, at one point or another, fantasized about being “The 5th Beatle” while singing along to one of the Fab Four’s songs.  So much so, that they all wrote songs that were unabashedly Beatlesque.

“Scandinavian Skies,” Billy Joel (download)

Billy is certainly a singer/songwriter who doesn’t need to copy the style of musical giants since, well, he’s in that pantheon.  I’m not a big fan of his music, but The Nylon Curtain was, for me, the most impressive of his catalog.  The sappy love songs were absent and the themes tackled were certainly a step up from what came before and after this album — and having several nods to the Beatles only added to the depth of this album. (more…)

Basement Songs: “Hey, Hey, Julie!” … A Mixtape

Hey Hey JulieTwo years ago, when I was working on this column’s debut, I wrote about Bruce Springsteen’s “Book of Dreams” and what the song means to Julie and me. During the first month of our courtship I created my first mixtape for her, entitled HEY, HEY, JULIE! On that tape was the Springsteen song, one that’s grown to have profound meaning in our relationship.

We began dating in August of 1992, and soon thereafter, I threw this tape together in a flurry of inspiration, wanting to give Julie something that came from my heart. I don’t recall the actual minutes spent in my parents’ basement picking the songs or laying them down on a Maxell cassette (my brand of choice), but looking back on the list of songs, I’m happy to see they still add up to 90 quailty minutes of music.

Before Nick Hornby wonderfully wrote about what makes a good mixtape in High Fidelity, I assembled exactly the right combination of hip, well known and somewhat obscure songs from my small music collection. Combining big hits like “Learning to Fly,” “What I Am,” and “All This Time” with lesser-known songs by popular artists such as “Until the End of the World,” “Shining Star,” and “Getting to Know You,” while tossing in some hard to find (at the time) songs like “Baby Mine” and “Wild Night” made this tape eclectic, but still enjoyable to listen to and quite accessible. (more…)

CD Review: The Duckworth Lewis Method, “The Duckworth Lewis Method”

61D9kn-ws3L._SCLZZZZZZZ_[1]Two of pop’s most studious classicists, Neil Hannon (The Divine Comedy) and Thomas Walsh (Pugwash), converge on what could only be considered a monumental summit for UK pop fans, bestowing on the listening public a concept album – about cricket. Not about some girl named Cricket, but the veddy European sport thereof.

This could be very bad.

Fortunately it isn’t; in fact, it’s very good, and good news for anyone who likes their music tasty on the ear and cheeky with the tongue. The very notion of a conceptual album devoted solely to cricket as being a ridiculous idea is not lost on the boys, but at the same time, they are respectful and reverent to the whole thing, playing it less like a Monty Python farce and more like a Rutlesian good-natured poke in the ribs. They came not to bury but to praise. The Rutles inference is apt as both Hannon and Walsh have appropriated the Beatlesque in the past, and the opening “The Coin Toss,” for all of its minute and eight seconds, knocks your guard down straight away. After that, “The Age of Revolution” slips into a fine groove complete with a skiffle-jazz sample and a treatise on how the upper-crust sport of cricket opened up to the common man and the fields at Lord’s were never the same. (more…)

Lost in the ’90s: Sam Phillips

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In 1988, Leslie Phillips turned her back on a successful career as a Christian Contemporary artist, changed her performing moniker to “Sam,” and recorded her first mainstream pop album, The Indescribable Wow, with producer and soon-to-be husband T Bone Burnett.  It was a bold move that paid off critically, if not commercially.  The album sold a fraction of Phillips’ Christian work, but her inventive songwriting and unique voice won her a new cult of fans.

But it was her third secular album that saw Phillips come closest to breaking through to the pop charts.  1994’s Martinis & Bikinis was packed with Beatles-esque hooks, clever wordplay, and sterling production by Burnett and XTC’s Colin Moulding on key tracks.  Lead single “I Need Love” got some Modern Rock radio love, but it was the second single, “Baby I Can’t Please You” (download) (one of the Moulding tracks, a fact that becomes quite obvious upon listening), that got the most attention.  Besides a video that made regular rotation on MTV’s 120 Minutes and Alternative Nation, it was also featured on the Melrose Place soundtrack compilation that sold quite a few copies. (more…)

The Popdose Interview: Andy Partridge

He denies being the man who murdered love, but he is one of the men who served as a member of XTC. That’s right, he’s Andy Partridge, and this upstanding musical legend was kind enough to take on the daunting task of answering the questions of the Popdose readership…questions which, it must be said, ranged from the obscure to the ridiculous and hit virtually every spot in-between. Mr. Partridge was a gem throughout the conversation, however, and endured them all with great aplomb, never failing to come back with a witty retort.

(”You bastard” still counts as witty, right?)

Join us now as we enter into the Popdose Interview with the one and only Andy Partridge… (more…)

Mix Six: “Spell It!”

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First off, let me say that “Y.M.C.A.” didn’t make the cut on this mix. Yeah, it’s a fun song, but chances are you’ve heard it a million times, and it’s such an earworm that it really belonged on last week’s mix — but I didn’t have the heart to do that to you. Clearly, I did have the heart to foist Billy Joel and Neil Diamond on you, but that’s because I have so much love in my heart.

This week, we’re spelling it! Yep, for some reason songwriters will often spell words in their songs, and sometimes it works, and other times, well … no so much.  Oh, and for those of you who actually listen to the full mix  you’ll get some humorous drops culled from the wilds of You Tube that just helps me state the obvious in this mix.


“C.I.T.Y.,” John Cafferty and the Beaver Brown Band (download)

This is the tune that started me thinking about songs where spelling seems to count for something.  (more…)

Who’s Got a Question for Andy Partridge, Then?

Popdose is proud to announce that, in the wake of Ape Records reissuing the Dukes of Stratosphear’s 25 O’Clock EP and their subsequent full-length, Psonic Psunspot, the artist occasionally known as Sir John Johns…we’re speaking of Andy Partridge, of course…has agreed to answer questions posed to him by Popdose readers.

The date of the actual interview has yet to be set, but until it takes place, the floor will be open for your queries to Mr. Partridge…and by “floor,” we mean the Reply section below.

Curious about the origins of your favorite XTC song? Anxious to get an update on the status of his long-discussed collaborative album with Robyn Hitchcock? Wondering if there’s any truth to the Wikipedia claim that he provided the voice of a cricket commentator in an episode of “Family Guy”?

Here’s your big chance to pose your questions to a true musical legend. Take advantage of it!

Dw. Dunphy On… Fake Deux!

No time for love, Dr. Jones. The fakes await! As I mentioned last week, this post is devoted to the cinematic musical alter egos (and some non-cinematic ones as well) and as Jon Cummings mentioned last week, he did it first. Undaunted, I’m sending my posse over to his abode to knock ‘im into shape. Yes, my posse consists of a penguin, a rabbit and a cat that has used up one too many lives.

So Opus, Bill and all the rest never made it to the movies, but they should have, and considering how bankrupt Hollywood is for ideas, they may yet get there someday. In the meantime, we have volumes of Berke Breathed’s Bloom County comic strips and a flexi-disc with two of Billy and the Boingers’ (formerly Deathtongue) “hits.” “I’m a Boinger” is rather hard on the ears, the kind of sledgehammer comedy fans used to send to the Dr. Demento show after listening to too much “Weird Al” Yankovic.  “U Stink But I Love U,” on the other hand, is obnoxious, but was performed by the very real hardcore band Mucky Pup. They even got the tuba in, so big points for that.

Last week, I gave credit to Bill Nighy for singing his parts in the film Still Crazy. This week, I’m doing the same for Hugh Grant. What an insane world we live in. Having never seen the film Music and Lyrics (2007), all I knew about it was that Grant played a former pop star from a band (loosely modeled on Wham!) called PoP! His forte was the music, but now as a writer for hire, he’s contracted to create a hit tune for rising pop music starlet and he’s in need of a lyricist. Enter Drew Barrymore, a lyricist on the rise. The rest is rom-com history. Now, there was no need for Grant to sing on the soundtrack, as I think an audience would have given him that latitude. I mean, it’s Hugh Grant. He’s not a singer and nobody really expects anything at all from him. To my shock, “PoP Goes My Heart” is a rather faithful approximation of ’80s synth-pop and I have to offer my apologies. What I will not apologize for is a Wiki blurb indicating David Hasselhoff covered the song and had a hit in Germany with it. I’m calling Bravo Sierra on that one… (more…)