Posts Tagged ‘YouTube’

Dw. Dunphy On… The New Internet Superstar

I’ll cut to the chase. It’s Hitler. Adolf Hitler.

Yeah, I’m rather shocked myself, but it seems like Herr Fuhrer is YouTube’s latest viral go-to guy. The new black is “reich,” as it were.

If you have no clue, or you’re still digesting the last of Tay Zonday mania (remember him?), then you’ve been away from the Web for a long time. On the sliding scale of the Internet time-space continuum, a long time is equal to the distance between last Wednesday and the Wednesday previous to that multiplied by the rate of your Twitter tweeting frequency, wOOt, and ROFLMFAO, and cubed at the rate of EPIC FAIL.

The specific scene used in these YouTube videos comes from a 2004 German film called Der Untergang, or Downfall, as it’s known in English-speaking countries. Hitler is portrayed by Bruno Ganz in a bit of foam-frothing scenery munching, and in the specifically co-opted scene, he’s being debriefed by his staff. Much to his chagrin, bad news has been delivered. He summons all but his inner circle to leave the war room and, upon their exit, goes absolutely apeshit.

I attempted to find a word that’s more becoming of a respected writer. Something less crude. Something with more imagination and depth. But it can’t be done. Hitler goes apeshit, and that’s all there is to it. And therein lies the fun — I couldn’t find a better word, but because everyone in the film is speaking German, anyone with a video graphics program can find their own words, plop them on-screen as subtitles, and make Adolf into whatever they please.

(more…)

Popdose Interview: The Man Behind Green Lantern’s (Fan-Made) Power Ring

green_lantern_symbol1If you’re a fan of superhero flicks, fan-made films or comics in general, then chances are you’ve seen the phenomenally well-crafted Green Lantern trailer that recently hit the web. In spite of its highly professional look, it was not made or sanctioned by anyone working at Warner Brothers — it’s a fan-made trailer, cobbled together with well-edited scenes from more than two dozen films, by Jaron Pitts.

Jaron is just a married guy living in Texas with his family, minding his own business…one who happens to be highly talented at putting together trailers that spark a nerve in the collective consciousness. His trailer for Green Lantern has many fans of the hero now convinced that his vision will surpass anything Warner Bros. can come up with for their real flick, which is currently in production. I reached out to Jaron recently to find out how in our world–or on Oa–he came up with such an amazing trailer, and here’s what he had to say…

Tell us about yourself. What do you do for a living, and what are your long term goals?

I’m 26 and live in Dallas, TX with my wife and two little girls. I am a multimedia director and worship leader for a church here in town. My long term goals are somewhat vague, but I would say that if I put them into words it might limit them. Who doesn’t dream to work in the movie industry? (more…)

CD Review: Lelia Broussard, “Waiting on the 9″

Lelia Broussard – Waiting on the 9 (self-released, 2008)
purchase this album (Amie Street)

I’m pretty sure I have t-shirts that are older than Lelia Broussard, but even at the tender age of 20, she’s already got a few albums under her belt — none of which I’ve heard, mind you, but having listened to Broussard’s new six-song EP, Waiting on the 9, I’m smitten enough to seek them out.

Broussard received her first major exposure thanks to Joan of Arcadia — the show featured her song “Secrets,” which she recorded when she was 14 — and her music has also appeared on The Hills, but she doesn’t have the wistful acoustic sound shared by most “as heard on TV” artists; her songs are rootsier, with slightly rougher edges, and unlike a lot of indie-pop singer/songwriters, she’s a singer as opposed to merely a vocalist. This distinction is made early on Waiting, with the subdued opening track, “Scared to Feel” — although it doesn’t contain many of the soul ingredients used on some of the EP’s other cuts, it gives Broussard an opportunity to glide from hushed to full-throated in a little over four minutes.

She co-wrote each of the EP’s tracks, and she displays her gift for easy melodies on the second cut, “Don’t Let Go,” a midtempo love song with a nicely layered arrangement and a big chorus, and the shuffling title track, where Broussard cops a Dusty in Memphis vibe without embarrassing herself. Some of the songs are more distinguished than others — “I’m Not Waiting” and “So Far by Far” fade into the background a little more than their fellow tracks — but they’re all eminently listenable, and the closing number, “Grass Is Greener,” is a piano-frosted blues belter that showcases the grittier end of her vocal delivery.

A lot of artists are still trying to figure out how to translate MySpace “friends” and YouTube views into actual, you know, dollars, but Lelia Broussard has done an admirable job of carving a career out of the digital frontier, thanks to talent and plenty of energy for self-promotion (and I do mean self-promotion — she e-mailed me directly to ask about submitting a copy of Waiting on the 9). Check out her video for “Don’t Let Go” (over one million views!) and then sample Waiting’s tracks at the link above.

Reblog this post [with Zemanta]

No Concessions: “The Princess of Nebraska” Greets Her Public on YouTube

Necessity is the mother of invention. I just didn’t make it to the multiplex this week, but, fearing reprimand by my masters here at Popdose, figured I had to come up with something. Salvation arrived on Monday, via press release. “Wayne Wang’s The Princess of Nebraska Enjoys Record-Setting Debut on YouTube,” it read. “165,000+ views in a two-day period is the biggest online opening ever for a feature-length studio film.” My razor-sharp journalistic instincts sniffed a story, a thankfully easy-to-get story I could put together between diaper changes (my daughter’s, not my own).

It got better: Beyond the headline, the release said that had the movie opened in theaters, it would have ranked No. 15 for the weekend, ahead of City of Ember, Religulous, and Lakeview Terrace. And, most important, it was free. Hell, yeah: I could sit in front of my MacBook and enjoy the 15th-ranked movie, for free (I wouldn’t pay 50 cents to watch City of Ember), pop out a few comments, and invite you to watch it, too, giving the whole experience a little of that crazy new-media interactivity the kids are always talking about. Stop reading (assuming you started reading, when you realized Saw V would not be on today’s menu) and click on over to YouTube’s Screening Room, “a new channel dedicated to premium film content,” at http://www.youtube.com/ytscreeningroom. Then tune in, and wait for those red heels to start pacing in the big box on the left side of the screen. Those boots are made for walking, and The Princess of Nebraska is gonna walk all over you.

But, whoa, hit pause, or stop. The main event can wait. Let’s look around. I like the clean, red-draped look, very “theatrical” and less busy than the hectic funhouse that is the rest of YouTube. There’s an archive of short films to explore at the bottom, including an expanded (but still short) version of the 2002 Oscar winner in the live-action category, Thoth. Spend 42 minutes on that one if you’d like—it won an Academy Award, after all—then come back. Or multitask, and read and watch at the same time. (more…)