Test of the Boomerang: Tom Constanten and Friends, “The Tarot Outtakes”

Ben Wiser October 14, 2009 18

In the spring of 1971, Grateful Dead keyboardist Tom Constanten, along with the band Touchstone, produced and performed the music for an off-broadway show at the Circle in the Square in New York City.

The performance was called Tarot and the music was later recorded and released in 1972 on United Artists. The performance and resulting album both fell into obscurity and is now highly sought-after by collectors of rare prog and psychedelia.

On April 28th, 1971, Tom Constanten sat in with his former bandmates at the Fillmore East, and afterwards, Jerry Garcia, Phil Lesh, and Mickey Hart joined T.C. at Electric Ladyland Studios and recorded the following tracks. Called The Tarot Outtakes by tape collectors of yore , they are a true curiosity in the world of Grateful Dead tape collecting.

The pieces are all instrumental and feature baroque string and violin arrangements (performed presumably by Touchstone’s Art Fayer), and some interesting playing by Garcia, Lesh and Hart. A few of the passages skirt themes that resemble “Unbroken Chain” and “Morning Dew” and, according to the Deadhead’s Taping Compendium, some of these pieces would later appear again on Mickey Hart’s lost album The Silent Flute. Phil’s own compositional ideas here (inspired by his old friend Constanten) would later mature into his “Warp Ten” collaborations with Ned Lagin and the Seastones album.

Tarot Outtakes Part One
Track 1
Track 2
Track 3
Track 4
Track 5
Track 6
Track 7
Track 8
Track 9
Tarot Outtakes Part Two
Track 1

Tom Constanten brought a versatile influence to the band during their primal years. He brought in avant garde prepared piano on Anthem of the Sun, but applied a classical flourish to many of the songs on Aoxomoxoa — especially his harpischord work on “Mountains of the Moon.”

T.C. has kept busy, releasing a string of albums through the ’90s and working with other bands such as Terrapin Flyer, Dark Star Orchestra, and his collaboration with Dead digital sound designer Bob Bralove, Dose Hermanos.

Also, here is Touchstone’s 1972 Tarot – Original Cast Recording LP for your listening pleasure.

Enjoy the tunes, and I’ll meet you back here in a couple weeks.

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  • josephlennonmccord

    Tom Constanten did Not write all the music to Tarot. I was the author, lead, & Director of Tarot. My name
    is Joseph Lennon McCord. AKA RUBBER DUCK. Paul Dresher , & Gary ' Chicken' Hirsch, formally from
    Country Joe & The Fish. Please correct your info on Tarot. It was done in PANTOZIQUE= which is the
    Marriage of Music, pantomime, & satire. If you seek any info on the play itself you can reach me at email bellow. In Earnest, Joseph Lennon McCord

  • josephlennonmccord

    Tom Constanten did Not write all the music to Tarot. I was the author, lead, & Director of Tarot. My name
    is Joseph Lennon McCord. AKA RUBBER DUCK. Paul Dresher , & Gary ' Chicken' Hirsch, formally from
    Country Joe & The Fish. Please correct your info on Tarot. It was done in PANTOZIQUE= which is the
    Marriage of Music, pantomime, & satire. If you seek any info on the play itself you can reach me at email bellow. In Earnest, Joseph Lennon McCord

  • benwiser

    Mr. Rubber Duck,
    Thank you so much for your comment and for clearing up that information. Most of the information I had on the Tarot project was gleaned from the internet (which was pretty sparse) and the first volume of the Grateful Dead Taper's Compendium. Thanks again for writing and for your email. We'll be in touch.

  • josephlennonmccord

    Your welcome; By all means stay in touch. Joseph Lennon McCord

  • benwiser

    Mr. Rubber Duck,
    Thank you so much for your comment and for clearing up that information. Most of the information I had on the Tarot project was gleaned from the internet (which was pretty sparse) and the first volume of the Grateful Dead Taper's Compendium. Thanks again for writing and for your email. We'll be in touch.

  • josephlennonmccord

    Your welcome; By all means stay in touch. Joseph Lennon McCord

  • geo

    i have a small poster from the tarot show can anyone help me find out what it's worth or anything about it

  • Leonard Baron

    Greetings, not sure what it's worth but would like to purchase it at a reasonable price &
    one that's comfortable for you. Had it at the time the musical play was in nyc & am a longtime fan of the LP. Whatever I did back then with the poster eludes me still today & would love to have it again. Actually, have been hoping one would surface for decades, but not until coming across this cyber info site has there been a glimmer of hope there may be one anywhere to acquire. It's for the memory of the show & to relive via the poster, the experience. Thank you geo ! My e mail is nightingale.ent and my
    name is Leonard Baron. Writing this to you July 30th, 2010 from the Lower East Side in New York City. If hearing from you,will make a good fair offer for the poster as have missed seeing the artwork on it all these years hence. Always best & many thanks, Len

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  • Martin Obin

    Joseph-

    Sad that they got this all wrong. Saw (experienced) you individually (Euphoroa Ballroom with the Dead) and with Tarot (Brooklyn Academy of Music).
    You and the show are legend to those who were lucky enough to catch it.
    Be well and again, thanks.

    Dr. Obin-wan

  • Anonymous

    Thank you my friend. Thinking of reviving it again with the Edward sharpe & the magnetic zero band. My son is in it. I’ll keep in touch.

  • Josephlennonmccord

    Geo. I am the plays writer, Director, & lead of Tarot. I have one of the original posters of the play.
    I can send you a copy from the master.

  • Martin Obin

    Yes! A Tarot revival (evolution?) or any other pantozique project would certainly get the drums beating.

    Please do stay in touch.

    Dr. Obin-wan

  • Gail

    I saw Tarot in 1971, in Brooklyn I believe, and loved it. It was psychedelic and passionate and seething with life rhythms, and the music was amazing. I really remember the man making passionate love to a tree – at least that’s how it seemed to me! So glad to hear it may be revived. I will look for it – Gail in Morro Bay, Ca

  • Josephlennonmccord

    Hello Gail. Yes it’s true, I made Love to the Tree Of Life every nights performance. I know that many considered the entire play to be a mass hallucination. I can be reached by email at.
    josephlennonmccord Please feel free to write me. That’s an invitation to all of you.