The Cassingle Vault: Was (Not Was), “Walk the Dinosaur”

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Was (Not Was) – Walk the Dinosaur (1989)

Boom boom acka-lacka lacka boom, fuckers!

Yes, yes, I realize it’s become trendy in certain circles to dismiss (or just remain proudly ignorant of) the weird, wonderful bursts of pop genius that Was (Not Was) gave the world during the ’80s.

Of course, this is the band’s fault as much as anyone’s — singles like “Walk the Dinosaur” (download) are made for killing careers — but still, the band deserves better than it’s gotten. Sadly, a Cassingle Vault post isn’t really the place for changing minds about an artist’s work. Perhaps one day, we’ll get around to doing a Pocket Guide on the band. In the meantime, this will have to do.

Anyway. “Walk the Dinosaur.” Let’s just run the video, so we can get all the snark out of the way up front:

Yes, it’s as bad as you remember. And here’s the thing — “Walk the Dinosaur,” dumb as it is, fit right in with the Was (Not Was) aesthetic, but they weren’t a novelty act, per se. What they were is difficult to explain. Try to imagine what you might have gotten if Motown had gotten its start in the ’80s, and Frank Zappa and the Mothers of Invention had been one of the label’s first signings, and you’re sort of in the ballpark, but honestly, they might have been the strangest “mainstream” band of the decade.

The two best-known Was (Not Was) releases — 1988’s What Up, Dog? and 1990’s Are You Okay? — are, like the rest of the band’s catalog, woefully uneven. Don and David Was weren’t above doing stuff just because they thought it was funny, whether it was getting Ozzy Osbourne to rap (I guess he was rapping, anyway), bringing in Kim Basinger to do vocals, or having Frank Sinatra Jr. take the lead for “Wedding Vows in Vegas” (download) (this single’s B-side).

But behind all the silliness lurked a frightening amount of talent, led by the badass soul-singing duo known as Sir Harry Bowens and “Sweet Pea” Atkinson. The band deserves its share of lumps for stuff like “In K Mart Wardrobe,” but they were also making real soul music during an era in which it was desperately needed.

Why Sir Harry and “Sweet Pea” aren’t international superstars with dozens of their own records under their belts is a consistent source of bitter disappointment for me; I can take limited solace, however, in the backing vocals they’ve done for artists too numerous to count. (If your music collection doesn’t feature any Bowens or Atkinson, you need more music.) My personal favorites are the vocals they cut for Brian Wilson’s I Just Wasn’t Made for These Times, the Don Was-produced soundtrack to the Don Was-produced documentary of the same name. (Buy it.)

Given all this, it’s tempting to blame Chrysalis, the label that released What Up, Dog?, for taking a cheap novelty track like “Walk the Dinosaur” to rado — but really, there aren’t many labels that wouldn’t have done the same thing. Was (Not Was) must have given the Chrysalis promotion staff painful headaches, and even if “Dinosaur” spelled immediate doom for the band, it at least made them a few bucks in the process.

Happily, after an 18-year layoff, Was (Not Was) is back — the band’s new album, Boo!, is being released by Rykodisc next month. Brace yourselves for that Pocket Guide…

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  • And in that Pocket Guide, I hope to see a lot of love for Born to Laugh at Tornadoes, one of my favorite albums of the '80s...
  • YES!!! I was working at a record shop when "Born to Laugh" came out. Loved that album. Still do.

    Whenever I put the disc on the turntable, my manager commented, "Man, it sounds like you're flipping the channels on the radio."

    That's how inventive these guys are. BRING ON THE POCKET GUIDE!!!
  • ldp
    Indeed! Pocket Guide, Jefito! POCKET GUIDE!

    *Zaz Turned Blue* ... classic!
  • sweet pea
    You may recall they were on the Club MTV tour with with Milli Vanilli, Paula Abdul, Lisa Lisa, Information Society and Tone-Loc ... somewhere shortly thereafter, the Wases were explaining how aghast they were at how much lip synching was involved, and not just by Rob & Fab.

    The remake of "Papa Was a Rolling Stone" inspired by The People's Court theme song was pretty sublime. Funny how they were reduced to a cover act in an effort to sell them to radio: a cover of "Listen Like Thieves" was the last attempt to try that. Bring on the pocket guide...
  • I'm sorry, but I still think this is a great song... It even got covered by Mr Funk himself: George Clinton! Okay, on second thought, that was for the dreadful Super Mario Bros soundtrack...
    Anyway, one of the best examples of Was (not was) backing vocals are on Bonnie Raitt's version of Baby Mine, from the Disney tribute album Stay Awake. Really beautiful...
  • Don't forget, on the Pocket Guide, to include (or at least make mention of) "Where Did Your Heart Go?" from the debut album, which ended up being covered as the final offical British single by Wham!(!) A great track.
  • "What Up Dog" was in high rotation on my CD player back in the day. And, to be honest, "Walk the Dinosaur" was a monster hit on the dance floor when I was doing the mobile DJ thing back in the day. It was one of those songs I could count on to get the dance floor packed after playing some lame request.

    And "Wedding Vows in Vegas" is just sublime. "Buffet dinners/nothing but the best/and check in to some Strip love nest."
  • Jim
    It may have killed their career, but a guiltier pleasure is not to be found in my collection.
  • J
    I loved What Up, Dog. Great album. Loved "Wedding Vows in Vegas", "Somewhere in America There's a Street Named after My Dad", "Spy in the House of Love"...heck, even "Earth to Doris" was good. I mean, I didn't like the ending, and it's not a dance number, but we still quote it around here, in Paul Lynde voices, "I laughed anyway"....

    But while I thought "Dad, I'm in Jail" was a funny song, the scene in "Pump Up the Volume" where they're driving along 'singing' to it? Dumb.
  • David Was's ramblings in "Earth to Doris" and "Dad I'm in Jail," plus the "Elvis landed in a rock-rock-rocket ship ..." part in "Walk the Dinosaur," made me wish he'd been locked out of the studio. I got "What Up, Dog?" for Christmas in seventh grade, and I still like "Somewhere in America There's a Street Named After My Dad," the "I Can't Turn You Loose" cover, and "Walk the Dinosaur," but it's not an album I wish I still had in my collection.
  • Hey -- I already sniped at Stereogum for making fun of my buddy the one-stick percussionist:
    http://mostlymodernmusic.blogspot.com/2007/04/o...

    But in general, I can defend this song as a great experience on so many levels. My dinosaur-crazed kid loves it, though I usually cough over the smoking reference in the first verse that keeps this from being a They Might Be Giants-style children's classic. And the Atkinson-Bowen duo rocks. Let's see anyone else wring so much out of "and a mighty lion's roooooar."
  • Good Lord, so you did -- and you linked to me and Jason in the post!
  • I inexplicably, and perhaps indefensibly, love this song.
  • Bob
    Inexplicably, and perhaps indefensibly, me too.
  • I actually love "Walk The Dinosaur" as well, though I won't be the one to defend it very much as I can see why a lot of people don't.

    I think you've hit it right on, Jeff. Was (Not Was) had really good bursts of creativity but were plenty scattered at points.

    I like Don's son (I think) in Eve 6 quite a bit though.
  • JohnHughes
    To give Chrysalis a little credit, wasn't the less obvious choice "Spy In The House of Love" actually the first single off the album?
  • You are correct, sir.
  • GG
    Back in the late 90's I was involved in setting up some music for the Tupelo T-Rex, a hockey team in the WPHL (look it up on Wikipedia). Everything was dinosaur-themed, so "Walk The Dinosaur" was the obvious choice for a goal song. Every time the team scored, a tyrannosaurus roar went out over the speakers, followed by "Boom Boom Chaka Laka Laka Boom..."
  • One of the most brilliant, and certainly one of the most under-rated American bands of the last forty years? Hell yes. I was fortunate enough to be in the room (the BBC TV Later With Jools Holland studio, in fact...) when Don, David and the band were singled out for praise by Eartha Kitt, when they appeared on the show in late 2008. Ms Kitt had very much enjoyed the live versions they'd played of two tracks from the current album, and went out of her way to say so.

    The kind of people they are, I'd be willing to bet a week's wages that that moment meant more to them than a whole closet full of Grammies would have...

    Thanks, Jeff. Your profile of the band is insightful and comprehensive. I would just add that if you haven't seen 'em playing live and in full effect, having the time of their lives, then your musical education is incomplete. Love 'em, love 'em, love 'em.

    P.S. What do you think 'Walk The Dinosaur' is really all about? Think Zappa and you're half-way there. It is by no means the empty-headed novelty hit that people think it is... not at all.
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