The Friday Five: August 31, 2012

Michael Parr August 31, 2012 34

The Friday Five

Friday Five : |ˈfrīdā – fīv| : On the sixth day of every week, I hit the shuffle button in iTunes and share the first five tracks and thought for each track. Sometimes there is a playlist involved, occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up the media player of your choice and share the first five random track of your shuffle in the comments.

The Five:

“I Guess That’s Why They Call It the Blues” by Elton John (from Greatest Hits 1970-2002, 2002)

I don’t have a single bad thing to say about this song. Despite my overall ambivalence towards John’s career in the ’80s, I quite love this tune. It could very well be the product of over saturation, as my local pop station played this hourly for the better part of the year.

“Greensleeves” by John Coltrane (from The Classic Quartet: The Complete Impulse! Studio Recordings, 1998)

Nearly every time “Greensleeves” shuffles up my wife asks why I’m listening to Christmas music. I blame Charlie Brown. That said, ‘Trane’s take on the standard is perfectly sublime; taking the major / minor tonalities and weaving his lines to form a coherent thought. McCoy Tyner is credited with the arrangement, and plays a significant role in shaping the tune, which I’ll admit gets played a few times more than normal around the holidays.

“Cool It Now” by New Edition (from Gold, 2005)

If there ever was a rollerskating tune, this might be it. Now, I was too damn clumsy to ever strap wheels to my feet and be able to stand upright (unassisted) for more than a few seconds, but I’ll be damned if I didn’t try. I’m certain that this was the soundtrack to a few of my embarrassing turns at the roller rink, and despite that it remains a favorite.

“Some Might Say” by Oasis (from Time Flies… 1994-2009, 2010)

For a moment I was going to suggest that this tune spawned after I stopped caring about Oasis, but a quick fact check proves that this was actually the first single from (What’s the Story) Morning Glory?, which would place it smack dab in the middle of my time with Oasis. I don’t, however, recall this song.

“Miss World” by The Afghan Whigs (from Somethin’ Hot, 1998)

I’m a sucker for Greg Dulli covering anything, really. I normally would draw the line at anyone covering the train wreck called Hole, but the pseudo-after dark jazz vibe actually suits the tune.

What’s on your shuffle today?

  • http://www.clangandclatter.com/ Phil

    Rush – “Limbo” (Test for Echo, 1996)
    Looks like I’m going to open this month-closing Five with … yes, you guessed it … more Rush. Can’t say that’s a bad thing, though. This time it’s the great instrumental from Test for Echo. As much as I love actual Rush songs, I really wish they did more instrumentals.

    Spock’s Beard – “Beware of Darkness” (Beware of Darkness, 1996)
    Rush had been out of its progressive rock period for more than a decade when Spock’s Beard came onto the 90′s music scene to become the official prog-rock flag-bearers. I had heard their name bandied about in music snob circles for some time before I finally checked them out, and am I ever glad I did. I was blown away by the excellent musicianship, stellar vocal harmonies, and most importantly, strong songwriting, even amidst the prog-rock wankery and excess. Ultimately, strong songs always win me over whatever the genre, and while this particular cut is not a favorite, it’s still great.

    Toad the Wet Sprocket – “Brother” (All You Want, 2011)
    This is turning out to be a great Five so far. Up next is a re-recording of a Toad classic for their first reunion album, a best of collection released on their own Abe’s Records label meant to recapture publishing and licensing rights to some of their biggest Columbia hits. Sounds as fresh as it ever did.

    King’s X – “Shoes” (Dogman, 1994)
    When King’s X teamed up with Pearl Jam and STP knob-twiddler Brendan O’Brien to produce their redefining, transitional album Dogman, they were accused by just about everyone of chasing the mainstream success grunge had afforded other bands in the early 90s. What they didn’t realize is that O’Brien had sought out the trio to work with them (rather than the other way around) and that most of the grunge forefathers had actually acknowledged King’s X’s late 80s drop-D riffage as a huge influence on their sound. A new set of ears in the control room, a change in gear for guitarist Ty Tabor, and darker lyrics from bassist Doug Pinnick (who was growing more frustrated with organized religion and would eventually walk away from it completely), combined to create an album that is widely regarded as one of their best works despite its being quite different from anything else in their catalog. If you don’t own this album, you should.

    C’mon Five, one more song. Don’t fail me now.

    Def Leppard – “When the Walls Came Tumbling Down” (Live BBC Studio Sessions, 1979)
    And … this Five came tumbling down. Not really—this just isn’t my favorite NWOBHM-era Leppard song. Elliot’s vocals are a bit pitchy (don’t you just love American Idol for bringing that term to the forefront of music critiquing?!), and you can tell the young band were still trying to hone their sound. Still not bad, and quite a bit better than much of the dreck they have produced in the last decade.

    Hope everyone has a great no-labor Labor Day Weekend!

  • http://www.theseconddisc.com Mike Duquette

    We shufflin’! We shufflin’! (I don’t know where that came from.)

    1. Bob Dylan, “Ramblin’ Gamblin’ Willie (Demo)” (from “The Bootleg Series Vol. 9: The Witmark Demos 1962-1964″): do you know how much I know about Dylan, for all my knowledge of popular song? Not much, is what I tell you. This is literally one of two Dylan releases I own (the other is that mono compilation from the same year this came out), and I can’t tell you if Bob recorded this song on a finalized album. But I do have a vaguely-defined weak spot for fast-paced story ballads, and this is one of ‘em.

    2. Big Country, “Big City (Demo)”: a neither-here-nor-there demo from the recent British deluxe edition of “The Crossing,” one of my favorite albums of the ’80s.

    3. Sly and The Family Stone, “Dance to the Music (Mono Single Version)”: WHAT’S UP, LABOR DAY WEEKEND. I will never tire of golden age Sly. Never!

    4. The Clash, “Leader” (from “Sandinista!”): a short little tune from the first third of the triple album. Fine out of context, and I imagine it’s fine where it is on the album. I love The Clash, but I rarely sit through Sandinista! in full without climbing the walls some.

    5. Elvis Costello, “Love for Sale”: from the Rykodisc deluxe edition of “Trust” – a mournful acoustic tune that sounds completely unlike what is probably my favorite Attractions-era album. But it’s a keeper all the same.

    Be safe and drink beer this weekend, in whichever order you prefer!

  • nathan_az

    A typically eclectic 5 for me this Friday.
    “Underground” – Ben Folds Five, Live @ Mountain Jam (Hunter, NY), 6/02/12 (bootleg)
    It’s always fun to hear the Five having a blast live. This take on a favorite from their 1995 self-titled debut album is no exception.
    “The Refused Party Program” – Refused, The Shape of Punk to Come: A Chimerical Bombination in 12 Bursts (1998)
    Classic Swedish hardcore, if you’re into that sort of thing.
    “Light Years” – Sloan, Never Hear the End of It (2006)
    You can never go wrong with Sloan, simply one of the best pop bands of this or any other era.
    “Perhaps, Perhaps, Perhaps” – Doris Day, Baz Luhrmann Presents Something for Everybody (1998)
    Luhrmann featured this track in his 1992 film Strictly Ballroom. It’s Day’s 1964 take on what was originally a Spanish tune called “Quizás, Quizás, Quizás,” by Cuban songwriter Osvaldo Farres from 1947. This song’s been covered by everyone from Nat King Cole to Samantha Fox.
    “Reverend’s Revenge” – The Housemartins, London 0, Hull 4 (1986)
    Fun instrumental track from one of my favorite albums of all time.

    Have a good weekend!

  • http://twitter.com/IrishJava Dennis Corrigan

    I’m in Ireland for tomorrow’s Notre Dame – Navy game, -and like any true music geek, I put together an Irish themed playlist for the trip (you can listen along here: http://open.spotify.com/user/irishjava/playlist/6cO2ee8qxqZwsjaJgiLyI7).  So live from Dublin, here’s my Irish Friday Five:

    1. “Movies” by Hothouse Flowers from The Best of (originally on their second release, Home).  I loved this band’s mix of rock, blue-eyed soul mixed with a touch of traditional Irish. 

    2. “Hike, Notre Dame” by The University of Notre Dame Marching Band from Songs of the Fighting Irish.  I didn’t say the band had to be FROM Ireland. 

    3. “Galway Girl” by Steve Earle from Transcendental Blues.  We’re going over to Galway on Sunday which is why this one made it on here.  ”And I ask you friend, what’s a fella to do, ’cause her hair was black and her eyes were blue”

    4. “Linger” by The Cranberries from Everbody Else Is Doing It, So Why Can’t We? Oi!

    5. “Rosalie/Cowgirl’s Song” by Thin Lizzy from The Definitive Collection, originally from Live and Dangerous.  I don’t believe I made it through the Five without hitting Van Morrison OR U2. I checked out the statue of Phil Lynott off Grafton Street yesterday  this cover of a Bob Seger drops in a few bars of my favorite 
    Lizzy tune, “Cowboy Song”

    Off to dinner and a few pints, Slainté!

    Number 6 was “Streams of Whiskey” by the Pogues

  • http://www.popdose.com/ Michael Parr

    Unlike many other re-recordings, I actually love the Toad one.

  • http://www.popdose.com/ Michael Parr

    I have yet to encounter a version “Perhaps, Perhaps, Perhaps” that I don’t like.

  • http://www.popdose.com/ Michael Parr

    Sláinte!

  • Rock_dawg

    I’m having a perfectly shitty day here at work, so with much relief I call a time out to read and talk about music! The very thought makes me feel better!
    A preface: I haven’t had the time to refresh what’s on my iPod the way I’d like to, so I decided to turn song selection duties over to to iTunes’ “Genius” playlists for the week. About 2000 songs under criteria defined as “Mainstream Rock Mix”, “Country Mix”, “Stoner Rock/Hard Rock Mix”(?) and one called “Adult Contemporary Mix” that seems to be full of classic soul and R&B (must be a glitch). Here we go!

    “American Music” – Violent Femmes, Add It Up (1981-1993)
    Off to a jaunty start. Almost impossible not to sing along with, even if you’re hearing it for the first time.

    “Temporary One” – Fleetwood Mac, The Dance
    Another peppy tune! Probably my favourite of the new songs from this live reunion disc. I really missed Christine McVie when I saw the Mac a few years ago.

    “It’s The End of the World As We Know It (and I Feel Fine)” – R.E.M., Document
    Oh. Hell. Yeah! As Homer Simpson might say: “Urge to kill fading…fading…fading…”

    “Runaway” – The Corrs, The Best of The Corrs
    So much for that streak of toe tappers, we’ve mellowed right out. Oh well, it’s a gorgeous little song and I’m still smiling.

    “Take Me Out” – 54-40, Goodbye Flatland
    Staying kind of melancholy, but still a favourite song. I remember the first time I heard it: The verses and chorus are pretty good and I was enjoying it but then this amazing bridge comes along and all I could do was utter a Keanu-esqe “woah”.

    Well, thanks with the excuse to kill a little time and enjoy my tunes, Mr. Parr. I’m feeling much better and now I just have the afternoon to get through!
    Have a great long weekend, Fivers!

  • Rock_dawg

    Love that BFF tune. Just got my tickets to see them live (for the first time) in October. Can’t wait!

  • http://twitter.com/mordalo Mordalo

    Ah, time for Five, eh? Works for me…

    1) Three Dog Night – Black and White
    Been listening to a good big of 3DN recently, and I’m not sure why. I’m glad this popped up first in my list, though. A bit of a reminder of how a lot of people see the world day…black or white.

    2) Fletcher Henderson – Sugar Foot Stomp (Ken Burns Jazz)
    Wow. Seems like forever since I’ve listened to this. Talk about digging deep in the archives…

    3) Nat King Cole – Orange Colored Sky
    I thought we already decided the world is black or white. Damn you, Nat King Cole, for trying to offer a differing opinion.

    4) Dr. Dre (ft Eminem & Skylar Grey) – I Need a Doctor
    Warning: Checking out my Fives can causes whiplash as we switch genres from one extreme to another. Please don’t view my Fives if you have back or neck conditions, may be pregnant, or as otherwise directed by your doctor. Your results may vary.

    5) The Chieftains – Ottawa Valley Dance
    I’d forgotten I had Chieftains in my collection. Bought this disc so long ago, it’s kind of a forgotten gem in my collection. Also another example of Mordalo’s Friday Five Whiplash (patent pending).

    Have a great weekend!

  • http://www.clangandclatter.com/ Phil

    I went back and listened to the original, and I think this re-recording blows it out of the water.

  • Rock_dawg

    That whiplash is one of the things that makes reading everyones Fives so much fun!

  • http://twitter.com/mordalo Mordalo

    Yeah, but it seems like my Fives have a bit more Whiplash than most.

  • MC_Snocap

    Manic depressive shuffling today …

    1) “Disco Connection” by Lord Rhaburn – Well, THIS wakes ya up. Discovered on Numero Group’s Belize compilation, but also found backing an early fight scene in the underseen “Black Dynamite”.

    2) “Hackensack” by Fountains of Wayne – Non-disco, disconnection. FoW’s ability to put specific short-story detail to pop melodies make them eternal in my book. If you think their precise observations mean they have no empathy for their subjects, listen to this and repent.

    3) “The Night is Still Young” by Pizzicato Five – P5 makes up less than half a percent of my pod, yet here they are, now in 2 of my 4 Friday Fives. Eerie!

    4) “Jealous Guy” by LB (Lassigue Bendthaus, not Lyrics Born) – LB’s “robots-doing-karaoke” cover lends a new layer of creepiness.

    5) “The Girl Who Wouldn’t Die” by Tsar – Man, do I wish this band took off. This is the closer for their glam/power-pop first album; don’t quite get it lyrically, but the guitar and melody sell it for me … and that’s without the completely awesome CHIMES. Yes, CHIMES. They’re lovely.

  • Rock_dawg

    Maybe so…maybe so. lol

  • http://twitter.com/steveagain Steve Stetler

    Presented without (almost) comment:

    1. A Flock Of Seagulls – Don’t Ask Me2. Someday Baby – Long Haired Doney – From an amazing delta blues album. You gotta love when they use the tuba for the bassline!3. Black Flag – Wasted4. Norah Jones – Sunrise5. Jethro Tull – My Sunday Feeling
    I love shuffle! :)

  • jhallCORE

    1) “Save Me” – Dave Matthews (Some Devil, 2003).
    2) “Falling Into You” – Kasey Chambers (Barricades and Brickwalls, 2001). New record from Kasey and her hubby Shane Nicholson coming out in late October. Can’t wait.
    3) “In The Garden” – Cyrus Chestnut (Earth Stories, 1995).
    4) “Radio Daze” – The Roots (How I Got Over, 2010).
    5) “Walk Tall” – John Mellencamp (Words & Music: Greatest Hits, 2004).

    Enjoy the holiday weekend.

    Jeff H.

  • http://www.clangandclatter.com/ Phil

    I absolutely love that first Tsar album. Band+Girls+Money isn’t a bad album either, but it’s just a lot different. Glad to see someone else who’s into them.

  • MC_Snocap

    Likewise, Phil! That first CD was inescapable in the dollar bins here for years. I agree with you on Band Girls Money; its sound and lyrics are like the group was roughed up by the debut’s getting ignored, no?

  • http://www.clangandclatter.com/ Phil

    I think the change can be attributed to a couple of factors. The first–and probably the biggest–reason was that producer Rob Cavallo greatly influenced the the sound of that debut in the studio with the intent of making it a huge hit. Secondly, there was a 5-year period between the 2 albums, which naturally played some part in a sonic shift.

    If you can get your hands on The Drugboy Tapes you can hear a big difference between the demos that Jeff Whalen and Daniel Kern had been working on and the end result on the debut album.

    Here’s an excellent interview with Whalen by Michael Butler for his Rock and Roll Geek Show podcast. This is what turned me onto the band. Definitely worth a listen.

    http://www.americanheartbreak.com/rnrgeekwp/classic-albums-revisited-tsar-jeff-whalen-interview/

  • MC_Snocap

    Thanks Phil – will definitely check all that out!

  • Keith

    Aaaaaah Housemartins – I agree completely. That album kicked off a 2-decade love affair with all things Paul Heaton.

  • Keith

    Wow – such good songs in the 5′s today. Hackensack — love, love, love that song (and album — and the hysterical video for Stacy’s Mom).

  • Keith

    Suzanne Sumbundu “Damn U” from Shockadelica — the 5CD Norwegian tribute to Prince. This lovely track sounds like sounds dangerously like Amy Winehouse fronting OMD. This “banned in the USA” album never ceases to surprise.

    M83 “Kim and Jessie (Data Remix) — delicious dance music in a rare instance where the remix improves an already stellar album track.

    PRINCE “Johnny B. Goode” Super Bowl XLI Press Conference — of what I would give to get a soundboard of this jam session that collides into anotherloverholeinyohead

    HOODO GURUS “Show Some Emotion” from the essential Mars Needs Guitars!

    THE GADGITS “Bad Gadjit” — stellar Rancid/Sublime-ish jam from Give Em The Boot Volume #2 one of the best one/two label sampler punches since the Sire “Just Say” series. Rancid’s Hellcat sampler series started going down quality/variety wise with volumes #3-5, but boy do I miss them and wish they would return.

  • http://www.clangandclatter.com/ Phil

    Actually, if you have a Spotify account, you can listen to The Drugboy Tapes here:

    http://open.spotify.com/album/3obpZdehH7C6Y1ifGIQ1rV

  • 10over9

    Heimdalsgate Like a Promethean Curse, Of Montreal. Hissing Fauna, Are You The Destroyer?
    – C’mon, chemicals.
    Price of Gasoline, Bloc Party, Silent Alarm.
    – how apropos.
    Pinball Wizard, The Who’s Tommy.
    – really like this version from the stage production.
    Life, The Impatients, The Impatients.
    – don’t know anything about this group.
    Imagine It, Dirty Projectors, Daytrotter Sessions.

    OK, I have to admit cheating a little. Fortunately I have a short commute to work so I can usually only get four songs and into a fifth before I get there. So I skipped these songs, the first one because it’s long, the second one because I wasn’t in the mood.
    The Number One Song in Heaven, Sparks.
    Gigantor, Helmet.

  • http://twitter.com/IrishJava Dennis Corrigan

    Indeed! And that’s a fine five yourself!

  • BRock

    Juliana Hatfield – “Ready For Love” (Juliana Hatfield)
    I’ve stated my love for Ms. Hatfield on several occasions, but for the life of me I can’t understand the need for a covers record from someone as prolific as she. And an overplayed Bad Company cover at that. “Evil Wind” may have been a better choice.
    The Beatles – “If You’ve Got Troubles” (Anthology 2)
    Ringo on the mic! “Rock on, anybody.”
    Patterson Hood – “12:01″ (Heat Lightning Rumbles In The Distance)
    Drive-By Trucker Hood has always had his own way with a story, but this tale of hard-core alcoholics waiting for the liquor store to open at 12:01 AM Sunday night is a masterpeice.
    Jay Ferguson – “Thunder Island” (Billboard 100 – 1978)
    Now this brings back the bad memories of high school.
    Levon Helm – “When I Go Away” (Electric Dirt)
    “The suns gonna shine through the shadows when I go away.” Yes it will, brother Levon, yes it will.

  • RoyBatty

    Never done one of these but always wanted to. These are from my 5K mix, so most are suitably upbeat/aggro.

    1. Kiss Me Deadly – Generation X – Generation X
    Okay, so this one begins slowly, but man, after that guitar kicks in this one’ll getcha going. Even if you’re now too old to dig pinball.

    2. Summer of Hate – Therapy? – Teethgrinder EP
    From the greatest Irish rock band no one’s heard of. “Fuck Woodstock,” indeed.

    3. Dirty Window – Metallica – St. Anger
    From the much maligned 2003 headcase album. I really think St. Anger will be re-evaluated and appreciated for what it is in 10 years time. You know, like Showgirls.

    4. Head Crusher – Megadeth – Endgame
    Wonderfully thrashy outing from everyone’s favorite born again-right wing-Ilumi- lizard fearing nut job. Santorum/Christie 2016! (kidding, didn’t feel good even typing it)

    5. Feel Good Hit of the Summer – Queens of the Stone Age – Rated R
    Hey, two Summer songs in the 5! Heatwave, Smeatwave. I was very late to the party with these guys, but I think I now own all their albums, with this one and Songs for the Deaf being my favs.

    Hey, this was fun. Have a great Holiday everyone!!

  • http://www.discoskonfort.com/artists/drxl/ drxl

    You are completely right about Give Em The Boot Volume #1, it is amazing… and i miss those “Just Say’ records as well.

  • http://www.discoskonfort.com/artists/drxl/ drxl

    Oh, “Hackensack” always makes me wanna cry. Such a gorgeous song!

  • Ernie G

    1. Teenage Dirtbag – The Ukulele Orchestra of Great Britain
    2. The Confession – Laura Nyro
    3. Hetz – Kliche (Danish new wave from 1982)
    4. Abengi Ngai Depasse – Les Choc Stars (Congolese soukous from 1986)
    5. A Pair of Brown Eyes – The Pogues

  • http://twitter.com/jcb7472 jcb7472

    A little late but here we go…

    1) R.E.M. – “Cuyahoga” (live 2007) – a live version of a great 1986 R.E.M. tune

    2) Moneypenny – “Destroy” (Midnight Conspiracy Remix) – (2010) I didn’t even know I had this. I don’t listen to electronic/techno music much, but this is pretty decent.

    3) Delroy Wilson – “Run Run” (1969) – one of the best reggae songs ever by the late legend

    4) Wolf Parade – “Secret Knives” (2003) – sad these guys announced a break-up this year, but their members have formed several other awesome bands

    5) Patsy Cline – “Crazy” (1961) – LOL, I have very little Country music in my library, much less anything this old, and it’s the only Patsy Cline song I own, but I must say this is a classic!

  • MC_Snocap

    Hey, man, never too old to dig pinball. It deepens upon repeated indulgence. Kinda, again, like Showgirls.