The Popdose Book Club Presents: Our Favorite (And Least Favorite) Rock Books

Popdose Staff March 16, 2011 17

You might get the impression that all we do is sit around and listen to music. You could not be any farther from the truth. We sit around and read books too… About music… So there.

But, really, there is no shame in enjoying a thick and juicy biography or autobiography about one’s musical heroes. After all, few people in our culture have the variety of experiences a rock star might have, and fewer have the extroverted personalities that would want it all out in the public. Then layer in the books that tell you the fifty, hundred or five hundred songs you should hear before you croak, or the stories of how a classic album came to be, and you just might be sitting in your comfy chair with a cup of tea and a stack of books to last you a month.

Allow us to get you going with your required reading list. Here are some Popdose Staff-approved tomes about yours and our favorite subject, as well as a few stinkeroos to sidestep.

Will Harris – If it wasn’t for Mr. (Jeff) Giles’ contributions to BullzEye.com, I wouldn’t own a copy of The Greatest Music Never Sold: Secrets of Legendary Lost Albums by David Bowie, Seal, Beastie Boys, Chicago, Mick Jagger, and More!, which I’d never heard of until he wrote it up for us – but somehow I feel like the diversity in musical tastes of the Popdose staff, not to mention the amount of time that’s passed since Bullz-Eye’s feature originally ran, would result in a lot of different books being cited.

Annie Logue – Shane MacGowan’s autobiography, A Drink with Shane MacGowan. One of the most amazing tales of addiction ever written. To this day, I will not drink brandy, because Shane says that it will kill you. I also liked Larry Kirwan’s Green Suede Shoes. I’m not a big fan of Black 47, but it’s a great story about trying to navigate the music industry as an also-ran sort of band.

Dw. Dunphy – My favorite, up to this point, is X-Ray: The Unauthorized Autobiography from Ray Davies. It’s told in a quasi-fictional way and if you’re asking Dave, it’s probably complete fiction, but it avoided much of the self-congratulatory “Ain’t I Great” muck most rock books dissolve into.

Tony Redman – I seem to remember that this one was pretty good too: Hollywood Hi-Fi: Over 100 of the Most Outrageous Celebrity Recordings Ever!

Jeff Giles – Whoa, I haven’t seen that one before. Looks like it should come with the collected Golden Throats.

Will – I’ve got it, and it’s fantastic. A lot of great – by which I mean ridiculous – albums and singles, many of which I hadn’t been aware of before reading it.

Tony – I forgot to mention that there’s actually a companion CD to it that was sold separately (and that I also have) that covers some of the songs mentioned in the book.

Jason Hare – I don’t know if anybody else owned this book: Rock Movers and Shakers: An A-Z of the People Who Made Rock Happen. The cover is idiotic, but the book was all business inside. It was subsequently released as VH1 Rock Stars Encyclopedia and I think a version under the Q banner was released in the UK. As a teen, I read (and re-read) this book constantly. Basically, it’s a day-by-day chronology of major events for tons and tons of bands. It was a great reference when I was just getting to know an artist and wanted to sort of get an idea of their place in music. I have one of the newer releases and I still read it from time-to-time.

Will – And I read it obsessively, too.

I could’ve taken that “Rock of Pages” piece from 3 pages to about 10 with no problem if I hadn’t also been running lead on the feature, too. Well, that and having to actually write something about all of the selections, too…

Jeff – I had it too! Wow, I’d forgotten all about that book.

Scott Malchus – This is one of my favorite music related books. For any of you who recall the glory days of rock n’ roll radio, it’s a great read. Radio Daze: Stories from the Front In Cleveland’s FM Air Wars.

Jon Cummings – (One of my) LEAST favorite rock reads, for example, is this one: Positively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Farina and Richard Farina, wherein the author dismisses Dylan as some sort of poseur copycat who built his career on the back of Richard Farina, the motorcycle-rebel-folksinger husband of Joan Baez’s sister Mimi. HATED this book — not least because it was so full of inaccuracies on facts that you could look up on Wikipedia in about 10 seconds.

As for my faves, I know it’s cliched, but I’d go back and re-read Mystery Train: Images of America in Rock ‘n’ Roll Music anytime (and often do), and I’m a huge fan of Peter Guralnick’s Feel Like Goin’ Home.

Dave Steed – I recently finished the Limp Bizkit biography. I should call that my least favorite but expectations were relatively low to begin with and it met them dead on.

By the way – if you like rap and haven’t read it, Jay-Z’s Decoded is excellent and very unique.

Jeff – I wonder who’s going to call first dibs on The Worst Rock-And-Roll Records of All Time: A Fan’s Guide to the Stuff You Love to Hate.

Matt Wardlaw – Wow, for a penny, I might have to check that out!

Jeff – You mean you haven’t read it yet? Order it immediately.

Tony – Yes, you should. This is a good one, and if you have more knowledge of some of these artists than I do, you’ll probably enjoy it even more.

And wasn’t #1 Having Fun on Stage With Elvis?

Dw. – (shudders) And on that note, I have to ask it — Steed, what possessed you to read the Limp Bizkit book?

Will – Probably the same thing that possessed me to read Engelbert Humperdinck’s autobiography: whether you like their music or not, everybody’s got stories, and you never know where you find you might find a good one.

On a related note, I absolutely recommend Mr. Humperdinck’s Engelbert: What’s in a Name?: The Autobiography.

Dw. – I suppose now is as good a time to endorse this

Matt Springer - I went through a big Griel Marcus phase in college, which explains why I remained a virgin till after graduation. I’ll always regret not choosing a “big partying phase” or “big promiscuous phase” instead. Oh well.

Love Bye Bye Baby: My Tragic Love Affair with The Bay City Rollers as well, great fan memoir…all of Chuck Klosterman’s music writing is great stuff IMHO…of course, Psychotic Reactions and Carburetor Dung: The Work of a Legendary Critic: Rock’N’Roll as Literature and Literature as Rock ‘N’Roll
is well-worn in the Springer household. The first big music book that grabbed my imagination, for better or worse, was Philip Norman’s book on the Beatles, Shout!: The Beatles in Their Generation

Ken Shane - When it comes to music biography, no one touches Peter Guralnick. His two volume Elvis bio, Last Train to Memphis: The Rise of Elvis Presley, and Careless Love: The Unmaking of Elvis Presley, is not only the best music bio I’ve ever read, but probably the best bio period. Another books of his, Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom, a history of southern soul, is right up there as well.

Jon – I’ll “ditto” Ken’s remarks, just to be Limbaughish — those Elvis books are amazing, and I really like Sweet Soul Music (though not as much as Feel Like Goin’ Home). Looking for Robert Johnson is a nice little book, too. As for Matt’s remarks … I’ll just say I didn’t start reading Greil Marcus ’til after college, and got a few things done in the meantime — though it’s worth asking, is there anybody who didn’t go through a “big promiscuous phase” who doesn’t now wish he/she had? I know I do.

By the way, Shout is a terrific book, extremely detailed, but it’s slightly too serious — and Norman admits in the preface to his much-more- recent John Lennon: The Life that a number of the facts and analyses in Shout were completely bollocksed. I’m something of a connoisseur of Beatles books — I might have (probably not) lost my virginity in high school if it weren’t for them — but if I had to hand a person one Fab Four book to read for his entire life, it would be a magically updated version of Schaffner’s Beatles Forever. I haven’t read another book that so perfectly balances the pop-culture-fandom aspect with the biography and the sociology, all with a light touch that is a much better reflection of the era than the heavier Beatles volumes.

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  • http://www.facebook.com/profile.php?id=1664013440 Lawrence Miles

    I enjoyed “Mansion on the Hill”, a look at how the ethos of rock and roll change as corporate influence began to seep in. At the very least, it is a great alternate look at Bruce Springsteen’s career, as he is one of the main subjects of the book.

  • Anonymous

    Some favorites of mine:

    Guy Pratt’s My Bass and Other Animals – Bass player for hire, played with Bowie, Pink Floyd, et al

    Jacob Slichter’s So You Wanna Be a Rock & Roll Star: How I Machine-Gunned a Roomful Of Record Executives and Other True Tales from a Drummer’s Life – Semisonic’s drummer writes about the music industry in the 90s.

    Nick Hornby’s 31 Songs

  • Jack

    I liked Lennon and McCartney: Together Alone: A Critical Discography of the Solo Work, by John Blaney. It’s much more detailed than “Paul wrote sappy love songs and John was a genius and neither were as good as they were when they were Beatles.”

    I’m currently reading In a Big Country: The Stuart Adamson Story by Allan Glen.

  • http://www.wingsforwheels.net dslifton

    That’s one of my favorites, too. And I’ll also recommend Guralnick’s Elvis bios and add his “Dream Boogie,” about Sam Coooke.

  • KingP

    Best: “Catalog of Cool”

    A mid/early eighties omnibus of pop detritus highlighting late-fifties, early sixties hipster culture – with a strong emphasis on punk and garage. At fourteen, this book literally scarred me for life – in a good way. Lenny Bruce, Ernie Kovacs, The Sonics, The Damned, The Cramps . . . who the hell were these people? I simply had to know.

    Worst: Marcus’ “Lipstick Traces”

    A rambling, exhaustive essay linking punk with Situationalists, dada, anarchist and syndicalist factions may have made for some really fun late-night weed/meth-fueled typing sessions on the part of Mr. Marcus, but it is an inconsequential chore to read. It reminds me most of some half-assed term papers I tried to foist off on English teachers back when I was, oh, probably about 14 (see above).

  • Luffy66

    My Faves:

    You Never Give Your Money:the Beatles after the Breakup- Peter Doggett
    John Lennon-The life-Phillip Norman
    And Party Every day/the Casablanca Records Story- larry Harris, Curt Gooch and Jeff Suhs
    Here There and Everywhere:My life recording the music of the Beatles- Geoff Emerick

    And if you really want to be depressed: The Heroin Diaries- Nikki Sixx

  • http://beatlessongwriting.blogspot.com/p/recommended-resources.html Matt Blick

    I found the Norman book so full of terrible errors that it was hard to take it seriously.
    Revolution In The Head by Ian McDonald is a brilliant analysis of every song,
    The Beatles Chronicles by Mark Lewisholn is a day by day account of every recording session, gig etc is brilliant
    The Rough Guide To The Beatles is possibly the greatest single overview of the band (and covers the complete solo discography of each member too)
    I’d also really recommend Dylan’s Chronicles Vol 1 and Appetite For Self Destruction (general music biz)

  • http://beatlessongwriting.blogspot.com/p/recommended-resources.html Matt Blick

    I found the Norman book so full of terrible errors that it was hard to take it seriously.
    Revolution In The Head by Ian McDonald is a brilliant analysis of every song,
    The Beatles Chronicles by Mark Lewisholn is a day by day account of every recording session, gig etc is brilliant
    The Rough Guide To The Beatles is possibly the greatest single overview of the band (and covers the complete solo discography of each member too)
    I’d also really recommend Dylan’s Chronicles Vol 1 and Appetite For Self Destruction (general music biz)

  • http://beatlessongwriting.blogspot.com/p/recommended-resources.html Matt Blick

    I found the Norman book so full of terrible errors that it was hard to take it seriously.
    Revolution In The Head by Ian McDonald is a brilliant analysis of every song,
    The Beatles Chronicles by Mark Lewisholn is a day by day account of every recording session, gig etc is brilliant
    The Rough Guide To The Beatles is possibly the greatest single overview of the band (and covers the complete solo discography of each member too)
    I’d also really recommend Dylan’s Chronicles Vol 1 and Appetite For Self Destruction (general music biz)

  • http://beatlessongwriting.blogspot.com/p/recommended-resources.html Matt Blick

    I found the Norman book so full of terrible errors that it was hard to take it seriously.
    Revolution In The Head by Ian McDonald is a brilliant analysis of every song,
    The Beatles Chronicles by Mark Lewisholn is a day by day account of every recording session, gig etc is brilliant
    The Rough Guide To The Beatles is possibly the greatest single overview of the band (and covers the complete solo discography of each member too)
    I’d also really recommend Dylan’s Chronicles Vol 1 and Appetite For Self Destruction (general music biz)

  • Anonymous

    I thought I was the only one who owned The Worst Rock-And-Roll Records of All Time. That book makes me laugh out loud every time I pick it back up. :) I loved Bye Bye Baby too, and Careless Love.

  • JT

    U2: At the End of the World by Bill Flanagan is still one of the best books around about U2 during their Achtung Baby and Zooropa days. Really good book.

    I also enjoyed Rock & Roll: An Unruly History by: Robert Palmer (which had that “doc” video on PBS- which wasnt as good as the The History of Rock ‘n’ Roll video set)

  • http://pulse.yahoo.com/_ACNQHINABNBQ44S7NIACK7YIYE M Rosin

    Philip Norman is a good writer but Shout is a well-written piece of crap. Norman completely inflates Lennon’s role in the band, treats George Harrison as a mediocrity (he even calls him “mediocre” in an updated edition of the book) and barely says a kind word about McCartney and routinely misconstrues his role in the band. The fact is, the book paints a false picture. Norman’s Lennon bio is better except it completely peters out in the post-Beatles section.

    The best Beatles books: Ian MacDonald’s Revolution in the Head, Jonathan Gould’s Can’t Buy Me Love (though it goes into the sociology of the times a lot, which might bore some people), and Mark Lewisohn’s work (for the fact obsessed). Barry Miles’ biography of McCartney, Many Years From Now, is a surprisingly good read. It was dissed a bit when it came out because McCartney cooperated with it and apparently he’s not allowed to defend himself. But if you get away from all that bullshit, the book itself is actually a compelling read for what Miles reveals about the time, and about McCartney and the Beatles’ place in it.

    Finally, I highly recommend Peter Doggett’s You Never Give Me Your Money. It’s shares some harsh truths about all four Beatles but is fair to all four of them. I like that in a book. FYI, I just read that Doggett is writing a Revolution in the Head type book about David Bowie. Ian MacDonald was actually working on such a book about Bowie when he died (committed suicide, sadly). But Doggett is now writing his own version. I hope it’s as good and as interesting as Revolution in the Head.

    I love Peter Guralnick’s two-part Elvis biography. And Keith Richards’ bio is an absolute hoot. I’m not even a huge Stones’ fan and I couldn’t put it down. Perhaps someone like Guralnick could tackle Michael Jackson? Now there’s the potential for a fascinating controversial read.

    Sorry for bleating on here.

  • http://pulse.yahoo.com/_ACNQHINABNBQ44S7NIACK7YIYE M Rosin

    On other comment, about the Beatles Forever book: I’m embarrassed to admit that, while I have this book, I have never actually read it. I bought it years ago — for the photos, to be honest — off a remainder’s table. It’s stuffed away in my basement. I’m going to have to dig it out and give it a go. How nice to get a good recommendation about a book you already own. So thanks.

  • Anonymous

    Thanks very much — as a musician and a librarian, rock books have been my most-read genre since around age 10. I love Bangs (the 2nd collection, MAINLINES, BLOOD FEASTS, AND BAD TASTE is also well worth it) and the aforementioned WORST as well; I have shopping to do for the rest. :)

    BEATLES:
    The first rock book I ever got seriously into was Peter Brown’s THE LOVE YOU MAKE. My Baptist parents would have been appalled at its salaciousness had they investigated, and I know that it’s not wholly factual, but it established the mythos of the Four Who Was Fab perfectly for the mind of a kid born in ’73. SHOUT! was obviously weaker. For my current tastes and my interest in process, Lewisohn’s is the winner, and I enjoy the ANTHOLOGY book too.

    OTHER BIOS:
    * NICK DRAKE / Patrick Humphries. An excellent attempt to construct a picture of the least public performer of his era and level of influence, with no source interviews with the subject available.

    MEMOIRS:
    * Marianne Faithfull (FAITHFULL) – again, factual or no, the mythos is built, and Marianne’s personality shines through brilliantly in her writing voice. Reading this, you are clearly in the presence of one bad-ass motherfucker.
    * Bill Bruford (BILL BRUFORD: THE AUTOBIOGRAPHY) – dry, pungent, one unexpected crack after another — just like his signature snare sound. (See also Sid Smith’s IN THE COURT OF KING CRIMSON to get a full and a fair but Frippier side of the story, well written.)
    * Frank Zappa (THE REAL FRANK ZAPPA BOOK) – classic and hilarious, if not especially in-depth. Knowing his particular fan base, he knew he could leave the heavy stuff to somebody else (Ben Watson, Barry Miles, dozens of others).
    * John Lydon (ROTTEN: NO IRISH NO BLACKS NO DOGS).
    * Julian Cope (HEAD-ON and REPOSSESSED).

    HOW-TOS:
    * HOW TO MAKE AND SELL YOUR OWN RECORDING / Diane Sward Rapaport. This started me on a 25-year (and counting) journey of self-releasing music.

    LISTENING GUIDES:
    * THE TROUSER PRESS RECORD GUIDE / edited by Ira Robbins (all editions). It brings back lots of good memories, such as toting a copy of the 2nd edition with me to the Coconuts store in Dayton OH and snagging loads of tasty $1 cassettes from its recommendations.
    * SONGS IN THE KEY OF Z / Irwin Chusid.
    * LISTEN TO THIS! / Alan Reder & John Baxter. Dozens of great musicians across a wide scope are interviewed and asked about what records they love most.

  • Anonymous

    Thanks very much — as a musician and a librarian, rock books have been my most-read genre since around age 10. I love Bangs (the 2nd collection, MAINLINES, BLOOD FEASTS, AND BAD TASTE is also well worth it) and the aforementioned WORST as well; I have shopping to do for the rest. :)

    BEATLES:
    The first rock book I ever got seriously into was Peter Brown’s THE LOVE YOU MAKE. My Baptist parents would have been appalled at its salaciousness had they investigated, and I know that it’s not wholly factual, but it established the mythos of the Four Who Was Fab perfectly for the mind of a kid born in ’73. SHOUT! was obviously weaker. For my current tastes and my interest in process, Lewisohn’s is the winner, and I enjoy the ANTHOLOGY book too.

    OTHER BIOS:
    * NICK DRAKE / Patrick Humphries. An excellent attempt to construct a picture of the least public performer of his era and level of influence, with no source interviews with the subject available.

    MEMOIRS:
    * Marianne Faithfull (FAITHFULL) – again, factual or no, the mythos is built, and Marianne’s personality shines through brilliantly in her writing voice. Reading this, you are clearly in the presence of one bad-ass motherfucker.
    * Bill Bruford (BILL BRUFORD: THE AUTOBIOGRAPHY) – dry, pungent, one unexpected crack after another — just like his signature snare sound. (See also Sid Smith’s IN THE COURT OF KING CRIMSON to get a full and a fair but Frippier side of the story, well written.)
    * Frank Zappa (THE REAL FRANK ZAPPA BOOK) – classic and hilarious, if not especially in-depth. Knowing his particular fan base, he knew he could leave the heavy stuff to somebody else (Ben Watson, Barry Miles, dozens of others).
    * John Lydon (ROTTEN: NO IRISH NO BLACKS NO DOGS).
    * Julian Cope (HEAD-ON and REPOSSESSED).

    HOW-TOS:
    * HOW TO MAKE AND SELL YOUR OWN RECORDING / Diane Sward Rapaport. This started me on a 25-year (and counting) journey of self-releasing music.

    LISTENING GUIDES:
    * THE TROUSER PRESS RECORD GUIDE / edited by Ira Robbins (all editions). It brings back lots of good memories, such as toting a copy of the 2nd edition with me to the Coconuts store in Dayton OH and snagging loads of tasty $1 cassettes from its recommendations.
    * SONGS IN THE KEY OF Z / Irwin Chusid.
    * LISTEN TO THIS! / Alan Reder & John Baxter. Dozens of great musicians across a wide scope are interviewed and asked about what records they love most.

  • http://thetorg.com William Torgerson

    Just reading Rolling Stone 90s “The Inside Stories from the Decade that Rocked.” It’s a 90s title but some good stuff from back in the 80s. My favorite essay so far was on Prince.