Comments on: The Popdose Interview: Marshall Crenshaw http://popdose.com/the-popdose-interview-marshall-crenshaw/ your daily dose of pop culture Sun, 27 May 2012 16:36:00 +0000 hourly 1 http://wordpress.org/?v=3.3.2 By: GetumEdgehttp://popdose.com/the-popdose-interview-marshall-crenshaw/comment-page-1/#comment-82240 GetumEdge Tue, 21 Jun 2011 04:54:00 +0000 http://popdose.com/?p=24291#comment-82240 "Field Day" was a great album and I loved Steve Lillywhite's production.In my opinion, Lillywhite and Don Dixon were the only producers to capture Marshall's live performance sound. I think over the years Marshall has been at a disadvantage because he never used the same producer twice. And even the band. It was a much tighter unit when his brother Robert played drums and Chris Donato played bass. I know many feel Kenny Arnoff is technically a better drummer than his brother. But there is a different vibe when Robert Crenshaw is pounding the skins.. Getting back to 'Field Day" I spoke to Marshall recently after his City Winery 30th Anniversary Show. He said Lillywhite gave him everything he wanted and was proud of the album. I agree... totally. I also know Marshall  has recently had lunch with Steve.... the first time they talked in many years. I think Marshall and Steve have some really unfinished business. One could only hope that Marshall and Steve Lillywhite work together again. A bit of redemption. Get his brother on drums and track down Chris Donato where ever he is.. Chris was such an important part of the band in the early days. I think some Steve Lillywhite  produced music would be a great way for Marshall to launch his subscription website.  Something all his fans would love to hear. And maybe finally putting and end to something that has seems to really brothered Marshall;.  Marshall is truly a great talent....his song writing is incredible. It time for his due... and time for "His Turn". Hey Marshalll. there are bunch of us out there that simply love your music.. Keep Rockin!!!                                                                                                                    “Field Day” was a great album and I loved Steve Lillywhite’s production.In my opinion, Lillywhite and Don Dixon were the only producers to capture Marshall’s live performance sound. I think over the years Marshall has been at a disadvantage because he never used the same producer twice. And even the band. It was a much tighter unit when his brother Robert played drums and Chris Donato played bass. I know many feel Kenny Arnoff is technically a better drummer than his brother. But there is a different vibe when Robert Crenshaw is pounding the skins.. Getting back to ‘Field Day” I spoke to Marshall recently after his City Winery 30th Anniversary Show. He said Lillywhite gave him everything he wanted and was proud of the album. I agree… totally. I also know Marshall  has recently had lunch with Steve…. the first time they talked in many years. I think Marshall and Steve have some really unfinished business. One could only hope that Marshall and Steve Lillywhite work together again. A bit of redemption. Get his brother on drums and track down Chris Donato where ever he is.. Chris was such an important part of the band in the early days. I think some Steve Lillywhite  produced music would be a great way for Marshall to launch his subscription website.  Something all his fans would love to hear. And maybe finally putting and end to something that has seems to really brothered Marshall;.
 Marshall is truly a great talent….his song writing is incredible. It time for his due… and time for “His Turn”.
Hey Marshalll. there are bunch of us out there that simply love your music..
Keep Rockin!!!                                                                                                                   

]]> By: Basement Songs: Marshall Crenshaw, "Right on Time" | Popdosehttp://popdose.com/the-popdose-interview-marshall-crenshaw/comment-page-1/#comment-74541 Basement Songs: Marshall Crenshaw, "Right on Time" | Popdose Fri, 01 Oct 2010 08:31:58 +0000 http://popdose.com/?p=24291#comment-74541 [...] her know this on Saturday night; well, not in so many words. While effusing over a recent discover, Marshall Crenshaw’s “Right in Time,” I told her how much the song reminds me of her. Of course, she’d needed to [...] [...] her know this on Saturday night; well, not in so many words. While effusing over a recent discover, Marshall Crenshaw’s “Right in Time,” I told her how much the song reminds me of her. Of course, she’d needed to [...]

]]> By: Punjabi Songshttp://popdose.com/the-popdose-interview-marshall-crenshaw/comment-page-1/#comment-63881 Punjabi Songs Wed, 07 Jul 2010 17:50:54 +0000 http://popdose.com/?p=24291#comment-63881 <a href=" <br><br>Free Download (100%) English , Hindi , Punjabi , Pakistani songs , music at pz10<br>="></a><br>Why are you roaming here and there if you can Download (100% Free) , Listen , Watch Videos (of related songs ) all the English , Hindi , Punjabi , pakistani songs , albums , live shows , concerts<br> of all the singers , artists whom you like to listen <br><br>This is an most user friendly Music Portal of WEB <a href=”

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]]> By: Punjabi Songshttp://popdose.com/the-popdose-interview-marshall-crenshaw/comment-page-1/#comment-63882 Punjabi Songs Wed, 07 Jul 2010 17:49:06 +0000 http://popdose.com/?p=24291#comment-63882 <a href=" <br><br>Free Download (100%) English , Hindi , Punjabi , Pakistani songs , music at pz10<br>="></a><br>Why are you roaming here and there if you can Download (100% Free) , Listen , Watch Videos (of related songs ) all the English , Hindi , Punjabi , pakistani songs , albums , live shows , concerts<br> of all the singers , artists whom you like to listen <br><br>This is an most user friendly Music Portal of WEB <a href=”

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]]> By: kjdalehttp://popdose.com/the-popdose-interview-marshall-crenshaw/comment-page-1/#comment-61288 kjdale Wed, 28 Apr 2010 08:02:34 +0000 http://popdose.com/?p=24291#comment-61288 Great interview of an under appreciated artist. Thanks Great interview of an under appreciated artist. Thanks

]]> By: Bootleg City: Marshall Crenshaw | Popdosehttp://popdose.com/the-popdose-interview-marshall-crenshaw/comment-page-1/#comment-33842 Bootleg City: Marshall Crenshaw | Popdose Fri, 31 Jul 2009 20:31:34 +0000 http://popdose.com/?p=24291#comment-33842 [...] one particular photograph attached to a candidate resumé and set up an interview with a guy named Marshall Crenshaw. I didn’t see that second L at the end of his first name. Turns out he’s a musician, [...] [...] one particular photograph attached to a candidate resumé and set up an interview with a guy named Marshall Crenshaw. I didn’t see that second L at the end of his first name. Turns out he’s a musician, [...]

]]> By: robhttp://popdose.com/the-popdose-interview-marshall-crenshaw/comment-page-1/#comment-51496 rob Thu, 30 Jul 2009 07:14:33 +0000 http://popdose.com/?p=24291#comment-51496 One of the all-time best interviews. You did a great job, Jon. I've always liked Marshall Crenshaw. Now I like him even more. <br><br>A few random things:<br>• I actually saw Crenshaw headline his own "arena" show. Not quite a full-sized arena, but it was Georgetown University's McDonough Arena in 1985 during my senior year. The biggest highlight was him covering Jackie Wilson's "Reet Petite." Totally amazing.<br><br>•I'm among those who have publicly knocked "Field Day." Not so much because it's a criticism of Steve Lillywhite, but because I was so impressed with what Richard Gottehrer did with the first record. "Field Day" has grown on me, particularly in light of Crenshaw's quirky career arc. But I still would probably give my firstborn to hear Gotterher's take on "Whenever You're On My Mind."<br><br>•To credit Mr. Lillywhite (who graciously commented on my blog when I did a tribute to him a while back) he was pretty busy in 1983. And I can forgive whatever sins from "Field Day" because of the incredible job he did that same year on Big Country's "The Crossing."<br><br>•Crenshaw's recounting of his visit to the Rock and Roll Hall of Fame in Cleveland brought a smile to my face. Next month, I enter the University of Michigan's School of Information where this ex-journalist will pursue a master's in Archives and Records Management. One of the graduation requirements is that you spend six weeks on a practical internship during the summer – and one of the places that advertises with the S-of-I's career and internship office is the rock hall. No pay, but "FREE PARKING" and discounts on merchandise. I think I'll be going for it. One of the all-time best interviews. You did a great job, Jon. I've always liked Marshall Crenshaw. Now I like him even more.

A few random things:
• I actually saw Crenshaw headline his own “arena” show. Not quite a full-sized arena, but it was Georgetown University's McDonough Arena in 1985 during my senior year. The biggest highlight was him covering Jackie Wilson's “Reet Petite.” Totally amazing.

•I'm among those who have publicly knocked “Field Day.” Not so much because it's a criticism of Steve Lillywhite, but because I was so impressed with what Richard Gottehrer did with the first record. “Field Day” has grown on me, particularly in light of Crenshaw's quirky career arc. But I still would probably give my firstborn to hear Gotterher's take on “Whenever You're On My Mind.”

•To credit Mr. Lillywhite (who graciously commented on my blog when I did a tribute to him a while back) he was pretty busy in 1983. And I can forgive whatever sins from “Field Day” because of the incredible job he did that same year on Big Country's “The Crossing.”

•Crenshaw's recounting of his visit to the Rock and Roll Hall of Fame in Cleveland brought a smile to my face. Next month, I enter the University of Michigan's School of Information where this ex-journalist will pursue a master's in Archives and Records Management. One of the graduation requirements is that you spend six weeks on a practical internship during the summer – and one of the places that advertises with the S-of-I's career and internship office is the rock hall. No pay, but “FREE PARKING” and discounts on merchandise. I think I'll be going for it.

]]> By: robhttp://popdose.com/the-popdose-interview-marshall-crenshaw/comment-page-1/#comment-41846 rob Thu, 30 Jul 2009 03:14:33 +0000 http://popdose.com/?p=24291#comment-41846 One of the all-time best interviews. You did a great job, Jon. I've always liked Marshall Crenshaw. Now I like him even more. <br><br>A few random things:<br>• I actually saw Crenshaw headline his own "arena" show. Not quite a full-sized arena, but it was Georgetown University's McDonough Arena in 1985 during my senior year. The biggest highlight was him covering Jackie Wilson's "Reet Petite." Totally amazing.<br><br>•I'm among those who have publicly knocked "Field Day." Not so much because it's a criticism of Steve Lillywhite, but because I was so impressed with what Richard Gottehrer did with the first record. "Field Day" has grown on me, particularly in light of Crenshaw's quirky career arc. But I still would probably give my firstborn to hear Gotterher's take on "Whenever You're On My Mind."<br><br>•To credit Mr. Lillywhite (who graciously commented on my blog when I did a tribute to him a while back) he was pretty busy in 1983. And I can forgive whatever sins from "Field Day" because of the incredible job he did that same year on Big Country's "The Crossing."<br><br>•Crenshaw's recounting of his visit to the Rock and Roll Hall of Fame in Cleveland brought a smile to my face. Next month, I enter the University of Michigan's School of Information where this ex-journalist will pursue a master's in Archives and Records Management. One of the graduation requirements is that you spend six weeks on a practical internship during the summer – and one of the places that advertises with the S-of-I's career and internship office is the rock hall. No pay, but "FREE PARKING" and discounts on merchandise. I think I'll be going for it. One of the all-time best interviews. You did a great job, Jon. I've always liked Marshall Crenshaw. Now I like him even more.

A few random things:
• I actually saw Crenshaw headline his own “arena” show. Not quite a full-sized arena, but it was Georgetown University's McDonough Arena in 1985 during my senior year. The biggest highlight was him covering Jackie Wilson's “Reet Petite.” Totally amazing.

•I'm among those who have publicly knocked “Field Day.” Not so much because it's a criticism of Steve Lillywhite, but because I was so impressed with what Richard Gottehrer did with the first record. “Field Day” has grown on me, particularly in light of Crenshaw's quirky career arc. But I still would probably give my firstborn to hear Gotterher's take on “Whenever You're On My Mind.”

•To credit Mr. Lillywhite (who graciously commented on my blog when I did a tribute to him a while back) he was pretty busy in 1983. And I can forgive whatever sins from “Field Day” because of the incredible job he did that same year on Big Country's “The Crossing.”

•Crenshaw's recounting of his visit to the Rock and Roll Hall of Fame in Cleveland brought a smile to my face. Next month, I enter the University of Michigan's School of Information where this ex-journalist will pursue a master's in Archives and Records Management. One of the graduation requirements is that you spend six weeks on a practical internship during the summer – and one of the places that advertises with the S-of-I's career and internship office is the rock hall. No pay, but “FREE PARKING” and discounts on merchandise. I think I'll be going for it.

]]> By: robhttp://popdose.com/the-popdose-interview-marshall-crenshaw/comment-page-1/#comment-33741 rob Thu, 30 Jul 2009 02:14:33 +0000 http://popdose.com/?p=24291#comment-33741 One of the all-time best interviews. You did a great job, Jon. I've always liked Marshall Crenshaw. Now I like him even more. <br><br>A few random things:<br>• I actually saw Crenshaw headline his own "arena" show. Not quite a full-sized arena, but it was Georgetown University's McDonough Arena in 1985 during my senior year. The biggest highlight was him covering Jackie Wilson's "Reet Petite." Totally amazing.<br><br>•I'm among those who have publicly knocked "Field Day." Not so much because it's a criticism of Steve Lillywhite, but because I was so impressed with what Richard Gottehrer did with the first record. "Field Day" has grown on me, particularly in light of Crenshaw's quirky career arc. But I still would probably give my firstborn to hear Gotterher's take on "Whenever You're On My Mind."<br><br>•To credit Mr. Lillywhite (who graciously commented on my blog when I did a tribute to him a while back) he was pretty busy in 1983. And I can forgive whatever sins from "Field Day" because of the incredible job he did that same year on Big Country's "The Crossing."<br><br>•Crenshaw's recounting of his visit to the Rock and Roll Hall of Fame in Cleveland brought a smile to my face. Next month, I enter the University of Michigan's School of Information where this ex-journalist will pursue a master's in Archives and Records Management. One of the graduation requirements is that you spend six weeks on a practical internship during the summer – and one of the places that advertises with the S-of-I's career and internship office is the rock hall. No pay, but "FREE PARKING" and discounts on merchandise. I think I'll be going for it. One of the all-time best interviews. You did a great job, Jon. I've always liked Marshall Crenshaw. Now I like him even more.

A few random things:
• I actually saw Crenshaw headline his own “arena” show. Not quite a full-sized arena, but it was Georgetown University's McDonough Arena in 1985 during my senior year. The biggest highlight was him covering Jackie Wilson's “Reet Petite.” Totally amazing.

•I'm among those who have publicly knocked “Field Day.” Not so much because it's a criticism of Steve Lillywhite, but because I was so impressed with what Richard Gottehrer did with the first record. “Field Day” has grown on me, particularly in light of Crenshaw's quirky career arc. But I still would probably give my firstborn to hear Gotterher's take on “Whenever You're On My Mind.”

•To credit Mr. Lillywhite (who graciously commented on my blog when I did a tribute to him a while back) he was pretty busy in 1983. And I can forgive whatever sins from “Field Day” because of the incredible job he did that same year on Big Country's “The Crossing.”

•Crenshaw's recounting of his visit to the Rock and Roll Hall of Fame in Cleveland brought a smile to my face. Next month, I enter the University of Michigan's School of Information where this ex-journalist will pursue a master's in Archives and Records Management. One of the graduation requirements is that you spend six weeks on a practical internship during the summer – and one of the places that advertises with the S-of-I's career and internship office is the rock hall. No pay, but “FREE PARKING” and discounts on merchandise. I think I'll be going for it.

]]> By: Wings For Wheels » Blog Archive » Some Linkshttp://popdose.com/the-popdose-interview-marshall-crenshaw/comment-page-1/#comment-33634 Wings For Wheels » Blog Archive » Some Links Wed, 29 Jul 2009 01:25:41 +0000 http://popdose.com/?p=24291#comment-33634 [...] Meanwhile, on their site, Jon Cummings has a fantastic interview with Marshall Crenshaw. [...] [...] Meanwhile, on their site, Jon Cummings has a fantastic interview with Marshall Crenshaw. [...]

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