David Mamet can’t commit. His latest Broadway show, November, is an almost-farce in need of bigger laughs. Despite its definitive title, his film Heist couldn’t quite bring itself to be…
Bob Cashill
517 Articles
An Editorial Board Member of Cineaste magazine, Bob is also a member of the Drama Desk theatrical critics society in New York. See what he's watching on Letterboxd and read more from him at New York Theater News.
Like Hillary Clinton, Helen Hunt has always bugged me. I was never crazy about Mad About You, and while I don’t think she deserves the barbs thrown at her for…
I’ve been tasked with preparing a summer movie guide for Popdose. I haven’t done one of these since I was at the Daily Northwestern, cramming dozens of titles into a…
Thirty years from now, My Blueberry Nights may be considered a good film. It may even be considered a great film. Let me explain. Some years ago, I selected for…
Arthouse meets grindhouse in Funny Games, and the results are no fun at all. Writer-director Michael Haneke, the Austrian provocateur behind The Piano Teacher (2002) and Caché (2005), is a…
Look. I know. I hear you. You’d rather be reading about 10,000 B.C., that caveman-and-saber-tooth-tigers thing opening today. Listen: I’d rather be writing about it. Cavemen (cavewomen), saber-tooths, mastodons —…
It’s fitting that Chicago 10, a Roadside Attractions release, is opening February 29. It’s a weird, once-every-four-years day, and Chicago 10 is a weird, out-of-time movie. Here we have a…
