Pittsburgh has never been known, particularly, as a hub for post-rock, that fluid genre of ”music for people who read books” that flirts with everything from shoegaze to math-rock. (We…
Justin Vellucci
143 Articles
Justin Vellucci is a former staffer at Punk Planet and Delusions of Adequacy. His music writing has appeared in national magazines like American Songwriter and PopMatters, alt-weeklies such as Brooklyn Rail, Pittsburgh CityPaper, and San Diego CityBeat, blogs Swordfish and Linoleum, and the Gannett publication Jetty. He lives in Pittsburgh.
Let me call it early: anybody who’s anybody who considers themselves a devotee of punk rock will consider Hunk, the recently announced third full-length from Reno quartet Elephant Rifle, to…
Tom Waits never has sounded better, at least in terms of fidelity, than he does on the new, re-mastered versions of Alice and Blood Money — which were released, to…
Yeah, yeah, putting the final nail in the coffin of 2017 is a little premature, seeing as there’s still more than 30 days left in the year. But, I’m the…
The Sun Machine certainly has its musical reference points down pat. On its evocative Turn On to Evil LP, which was released two days ago through Electric Church, the Austin…
I feel largely under-qualified to review abcdf, the new EP and accompanying visual experience from Montreal duo DF. While tenor saxophonist Dustin Finer employs some of the same looping methods…
Chuck Mosley — who died unexpectedly yesterday, age 57 — was a mess of contradictions. He was an L.A. rock star and a Midwestern underground icon. He was audacious, yet…
My first exposure to the bizarre genius of U-Men came when I first tracked down a vinyl copy of the scene-setting C/Z Records comp. Deep Six back in the early…
Anybody as active in a scene as Misra Records head and Pittsburgh indie-rock impresario Jeff Betten has to have a soft spot for the music. And, man oh man, does…
It’s hard not to view Primitive Race’s sophomore outing, Soul Pretender, as the next chapter in Chuck Mosley’s epic comeback story. On the record, out Friday on Metropolis, Mosley is…
Pittsburgh’s The Gotobeds are offering their two cents on a vintage blast of punk energy — and it is mighty good. Dubbed Definitely Not a Red Kross EP, the new…
There’s electronic buzzing, post-something refrains, borderline-tribal heat, and occasional Rhodes-and-bass grooves. There’s also, however, more mutant pop bridges than you could swing a dead cat at, if that’s your idea…
He’s going it on his own again and it sounds great. Tomorrow, after a decade-plus at the helm of the thought-rock ensemble/b(r)and Skeletons, Matt Mehlan will strike out on his…
Dreamy, ethereal, other-worldly — all could be used to describe Keep the Ocean Inside, Pittsburgher Maureen ”Maux” Boyle’s engaging sophomore outing as The Seven Fields of Aphelion and her first…
Watter — a Louisville post-rock band that’s high in promise due to its parentage, if nothing else — simply fails to deliver on the oft-disjointed but occasionally ambitious History of…
When Chad Beattie, a 24-year-old from Baltimore, first told me about his bedroom project Yes Selma — a Dancer In The Dark nod — he referenced a lot of the…
The antique-garde is rearing its head again. After seven years of silence, Pinataland founder David Wechsler — whose bizarre orchestrette once emanated from near the epicenter of a NYC micro-scene…
The songs are sparse exercises in stoicism at times, but — like most Loscil recordings, it seems — there’s a lot percolating beneath the surface. Perhaps less than usual —…
Twenty-five years ago today, the beat was born. It was the sound of young adults from Louisville — a sprawling collection of collaborators, most of them close friends since childhood…
Five days ago, David Grubbs released one of the best records of his storied career and a real contender, especially in avant-indie circles, for Record of the Year. The LP…
It’s starting to become the definition of stasis. Godspeed You! Black Emperor released a new LP, Luciferian Towers, the band’s sixth, today on Constellation Records and, while it’s certainly far…
It starts with the guitar and the guitar alone, amplified slightly but not distorted, its complicated figures as crystalline as frosted glass. It advances, carefully, with the occasional pitter-patter of…
For the better part of the last two decades, The National has been providing me and others like me with the soundtrack for our adulting. Now, I’m not talking, necessarily,…
Black Wine is dead. Long live Black Wine! Everyone’s favorite New Jersey punk trio played its final show Aug. 13 at Brighton Bar in Long Branch, N.J., bringing to an…
Captain Beefheart devotees, rejoice! Shape-shifter Don van Vliet might be deceased but his spirit — and that of his ever-evolving Magic Band — is alive and well in Pittsburgh. Local…
Man, that’s devastating! If the reverb-drenched guitar on this record’s second track doesn’t move you to tremble with tears, then the soaring strings on “M1” surely will. Pianist/composer Rachel Grimes…
Indie writer/musician Adam Gnade is a lot like Neutral Milk Hotel’s beautific, canonical ”Oh Comely;” he makes you feel resilient and centered as life and all its context tries to…
Much pomp and circumstance has been made about Sam Beam returning in 2017 to the form of his early years. But while Iron & Wine’s Beast Epic, out today on…
Portland’s Taylor Malsey presents listeners with some warbled tunes and an inviting, warm blanket of melancholia on the excellent Wilt debut Hand Mirror, out now on Good Cheer Records. And,…
There’s this moment on Envy — the new six-song EP from Rotterdam’s The Lumes, out soon on Crazysane Records — that you’ve gotta hear. It’s ”Discharge,” the third song, and,…