A duo hailing from Washington, D.C., Broke Royals have an interesting sound and feel – for just two people, they mix in a lush, rich, full cornucopia of sounds. They’ve…
When it takes an hour to come up with a follow-up track to a song…that’s a sign.
To me, one of the coolest things about the convergence of music and video along with the advent of the internet is the ability for artists to truly create amazing,…
Singer-songwriter Drew Kennedy’s eighth album, At Home In The Big Lonesome, was not an easy undertaking. The first day of recording at Sony Tree in Nashville, his manager, Scott Gunter,…
The Poets were classic one-hit wonders but what a hit it was
If you’re the type of person who likes your Halloween to last all year, do I have a music video for you. I doubt that Adam Silvestri, aka Radiator King,…
Radio City with Jon Grayson and Rob Ross: Episode Thirty Seven In a short amount of time, this podcast series has grown in leaps and bounds. Episode 37 is no…
My first exposure to the bizarre genius of U-Men came when I first tracked down a vinyl copy of the scene-setting C/Z Records comp. Deep Six back in the early…
Bodies of Water emerged from L.A.’s Highland Park neighborhood in the mid-00’s with Ears Will Pop & Eyes Will Blink, a winding trip through the most fervent sounds of weird…
Popdose has the exclusive premiere of a track from Kevin Jenkins’ tribute to Joni Mitchell
Radio City with Jon Grayson and Rob Ross: Episode Thirty Six The shows get longer – by demand and some necessity – so Jon and Rob are here to oblige,…
Anybody as active in a scene as Misra Records head and Pittsburgh indie-rock impresario Jeff Betten has to have a soft spot for the music. And, man oh man, does…
Fats Domino’s storied career began with a 1950 hit
Three very different types of recordings, yet connected in an abstract way.
It’s hard not to view Primitive Race’s sophomore outing, Soul Pretender, as the next chapter in Chuck Mosley’s epic comeback story. On the record, out Friday on Metropolis, Mosley is…
So we’ve previewed and interviewed Sean Kelly of A Fragile Tomorrow in anticipation of his solo debut release, Time Bomb, Baby and it can be clearly said this album is…
Daniel Suddes imagines what the sequels to five ’80s cult classics would look like.
Pittsburgh’s The Gotobeds are offering their two cents on a vintage blast of punk energy — and it is mighty good. Dubbed Definitely Not a Red Kross EP, the new…
CLICK HERE FOR THE OFFICIAL METAL DAD HALLOWEEN STRIP ARCHIVE METAL DAD: THE BOOK IS AVAILABLE NOW. COLLECTS YEARS 3 & 4! Click here. METAL DAD shirts! Click here to get…
CLICK HERE FOR THE OFFICIAL METAL DAD HALLOWEEN STRIP ARCHIVE METAL DAD: THE BOOK IS AVAILABLE NOW. COLLECTS YEARS 3 & 4! Click here. METAL DAD shirts! Click here to get…
Once in awhile, a band, a sound, comes along that smushes together the far corners of your musical tastes. For me, that’s the retro sounds of the ’60s/’70s and the…
There’s electronic buzzing, post-something refrains, borderline-tribal heat, and occasional Rhodes-and-bass grooves. There’s also, however, more mutant pop bridges than you could swing a dead cat at, if that’s your idea…
(Archive.) Tuesday, September 6, 2016 Using photos and video from our Happy Hour show as a calling card, Chuck and Tom have been hustling for gigs — and so we…
Popdose hosts the exclusive premiere of the latest video from Sam Huber and director Dylan Mars Greenberg
“Green Acres is the place to be! Farm living is the life for me!” Thus begins what is arguably one of the most recognizable theme songs in television history (written…
In which I come face to face with the fact that I am still ‘Sitting on the Floor Playing with Tapes’ David, and always will be.
He’s going it on his own again and it sounds great. Tomorrow, after a decade-plus at the helm of the thought-rock ensemble/b(r)and Skeletons, Matt Mehlan will strike out on his…
The truth is I had to put aside long-standing biases towards Chris Barron simply by virtue of the fact that I never liked Spin Doctors. I equated them with everything…
In 1965 the Toys scored with a song that had an 18th-century melody