My first exposure to the bizarre genius of U-Men came when I first tracked down a vinyl copy of the scene-setting C/Z Records comp. Deep Six back in the early…
1991
This album, for all intents and purposes, saved my life.
Here’s the back story: I had just graduated from college in the summer of 1991, I was in Connecticut. Girlfriend was in Ohio. I packed up everything I had and boarded a train to move to Ohio to be with her. But she was under tremendous pressure from her parents to break it off, and by the time I arrived, their smear campaign was clearly working. I rarely saw her, even though we worked in the same mall. I got a job at a record store, and one of the promo CDs that had just arrived was Squeeze’s new album Play. I had always liked the band but never bought any of their records. However, the local modern rock station (97X, holler) was giving it some support, so after hearing a couple songs I liked, I took it home with me and played it in the car of my friend Ed, who’s the only person I know who likes Squeeze more than I do. I vented all of my frustrations to him about the ridiculous predicament I put myself in as we blasted “House of Love,” because damn it, I was living that song. She was full of lies and boredom, a very acidic tongue waggled in her head, we seemed the best of friends, life had just begun…but on the roof a tile began to slip. The house of love caved in, and that was it. Fuck.
No one could top the Clash, so Mick Jones didn’t try…instead, he forged his own path with the brainy dance music of Big Audio Dynamite. Robin Monica Alexander looks back at “The Globe.”
Or, to borrow an album title from the Judybats, Pain Makes You Beautiful. In 1990, Joe Jackson had just signed a spiffy new deal with Virgin Records after spending 10…
I’ve written literally hundreds of pieces for various web sites and newspapers, but nothing I have ever written has produced as much reader feedback as the piece I did in…