Four albums, four winners. Today is a good day.
Chris Difford
I said that if the “taster” single, “Everybody Sometimes” was an indication of how this album would go, then Glenn Tilbrook’s Happy Ending was bound to be as much of…
In a recent thought piece on The A.V. Club, Josh Modell ruminated on the dilemma of bands touring endlessly around the hits that made them famous, even as they continue…
This album, for all intents and purposes, saved my life.
Here’s the back story: I had just graduated from college in the summer of 1991, I was in Connecticut. Girlfriend was in Ohio. I packed up everything I had and boarded a train to move to Ohio to be with her. But she was under tremendous pressure from her parents to break it off, and by the time I arrived, their smear campaign was clearly working. I rarely saw her, even though we worked in the same mall. I got a job at a record store, and one of the promo CDs that had just arrived was Squeeze’s new album Play. I had always liked the band but never bought any of their records. However, the local modern rock station (97X, holler) was giving it some support, so after hearing a couple songs I liked, I took it home with me and played it in the car of my friend Ed, who’s the only person I know who likes Squeeze more than I do. I vented all of my frustrations to him about the ridiculous predicament I put myself in as we blasted “House of Love,” because damn it, I was living that song. She was full of lies and boredom, a very acidic tongue waggled in her head, we seemed the best of friends, life had just begun…but on the roof a tile began to slip. The house of love caved in, and that was it. Fuck.
So I had a great idea. An entire post about fake rock bands — groups made up for your cinematic pleasure that, in spite of not actually being real bands,…
If you’ve been dreading the return of this column ever since Popdose ended its holiday hiatus, then allow me to tell you who you have to blame for my decision…
When you hear the name “Don Dixon,” you’re probably more likely to think of him in terms of his production career than for his accomplishments as a singer and songwriter…