A digital compilation memorializes one of the metal community’s biggest supporters, Relapse Records’ Pat Egan.
rock music
Following the death of Ian Curtis, the remaining members of Joy Division decided to embark on an entirely new project, although it would take some time for the group to find its own voice. Formed in 1980, New Order augmented the trio of Sumner (guitar, vocals), Hook (bass), and Morris with keyboardist Gillian Gilbert (Morris’ then-girlfriend and now-wife). The band went on to have a fairly prolific career, although the stream of releases slowed significantly by the mid- 1990s, partially […]
As we at Popblerd passed around the latest list of new releases to divvy up albums for review, one particular album stood out like a sore thumb: Buckcherry, the band you’d always hoped was dead, is gearing up to release a new record. This is a moderately startling development, precisely because it’s not that startling: as we all know, rare is the past-its-prime band that has the self-awareness and decency to call it a day when they cease to be […]
Seems like it’s been an eternity since Paramore released anything. A quick look at Wikipedia reveals that the release date of their last album was 2009. So, yeah…an eternity. And Paramore doesn’t seem like one of those bands that can successfully return from a four-year layoff (translation: their fans are still likely maturing in musical taste and in all likelihood are listening to something else now.) Nevertheless, Hayley Williams and her rotating cast of sidemen have returned with a self-titled […]
At first listen, Jim James’ first proper solo album might sound a bit alien to fans of his daytime gig, My Morning Jacket. It’s an intangible thing to pin down — vocally, James sounds as dynamic and distinctive as he ever has on record, and musically, Regions of Light and Sound of God bears a few particularly distinctive earmarks of his other band’s inimitable style. The vast, canyon-scaling vocals, the slow-burn funk that seeps into ambient soundscapes… it’s all there. It’s […]
Um, so I really like this. If you didn’t know it already, Fall Out Boy are back! They have a new album due in May, a full blown tour ready to roll, and a whole new sound. I’ve been a casual fan since F.U.C.T. exploded all over the place but my attention span usually never went past the stage of getting their albums. I will say that I’ve always respected how FOB’s sound continued to evolve regardless of how their […]
Every Wednesday, music nerd and serial list-maker Drew brings you a small, highly specific, pop culture-related list to either enjoy or inspire debate. He remains the only Popblerd staffer pretentious enough to name a column after himself. First things first: these aren’t necessarily the most underrated albums of all time. That’s a different column for a different day, and for my money, would probably be populated with a fairly tiresome amount of Boston bands (still the liveliest music city I’ve […]
Free Energy’s latest is unpretentious, and every now and then that’s all you need.
With an onslaught of great MA bands set to release new material this year (Killswitch Engage, Summoner, Jack Burton vs. David LoPan), it helps to be the first out of the gates and that’s just what Gozu has done with their latest, The Fury Of A Patient Man. Take a mixture of Kyuss, The Desert Sessions discs, Hermano, and mix it with some good old fashioned rawk and roll and you’ll know what Gozu’s The Fury Of A Patient Man […]
Two words I was fairly certain I would never see again: “New Bowie.” He hasn’t released any new music since 2003′s Reality. And aside from a very few one-off appearances, he’s pretty much evaded media attention since the closing of the Reality tour in 2004 (which incidentally, was the highest grossing tour that year). In fact, the last leg of the tour had to be canceled due to the discovery of a clogged artery that required an emergency angioplasty. That […]
The very existence of blink-182′s new EP, Dogs Eating Dogs, might be surprising for several reasons. For one, it was rather quietly released online the week before Christmas. For another, it’s the band’s first independent release since splitting from longtime label DGC/Interscope several months ago. But most surprising is that, in five songs across 19 furious minutes, Mark Hoppus, Tom DeLonge and Travis Barker have finally delivered upon the promise of their most mature and affecting album, 2003′s self-titled effort. Their last full-length, 2011′s Neighborhoods , was […]