Blatant Pop Attempts: Ministry, “With Sympathy”

There are those artists who get a couple releases into their career before they feel the pressure from the suits at the label to “have a hit,” and then there are those artists who sell out right from the get-go.

Ministry certainly falls into the latter category and their debut longplayer smacks of blatant commerciality…blatant, misguided, and downright silly commerciality.

Hailing from the urban mecca of Chicago, Alain Jourgenson and Steven George formed Ministry in 1981 as a funk-tinged synth duo, scoring a couple minor dance hits before inking a deal with Arista Records.

Despite a pedigree that included a stint in the hard-edged alt-rockers Special Affect (a band that also included future My Life With The Thrill Kill Kult founder Groovy Mann), Jourgenson’s vision on With Sympathy was single-mindedly aimed at the charts.


(Ministry circa 1983: Al Jourgenson, left, and Steven George)

How else does one explain such tracks as “Work For Love” and “What He Say?” — the latter a laughably kitschy blend of synth-pop and, uh, world music…I think.

The album actually gets off to a promising start, with pulsating hard-synth rockers “Effigy (I’m Not An)” and “Revenge” setting the scene for what I had initially hoped was a synth record with some backbone to it. While those two tracks were a perfect combination of Jourgenson’s brash persona and knack for creating aggressive synth grooves, each song thereafter seems created for the sole purpose of prostrating himself before the synth-pop crowd.

No wonder Jourgenson has spent the better part of three decades trying to live this one down, putting on one helluva “tough-guy” act in the process.

Granted, the bad taste this album’s failure left in Jourgenson’s mouth would lead him to adopt quite the devil-may-care attitude, taking his music underground. The resulting album, Twitch, was both groundbreaking and unrelenting in its singular vision and remains one of the most influential industrial rock recordings of all time…for what that’s worth.

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  • I used to DJ back in New York and I spun a lot of older synth-pop. Whenever I would play "Revenge," people would go nuts! I know Al has turned his back on this era of the band but synth-pop fans love that song.
  • "Turned his back" is putting it mildly. According to a number of not-necessarily-reliable sources (like http://en.wikipedia.org/wiki/Ministry_(band)#Ea... ), Jourgensen has referred to With Sympathy as "An abortion of an album".
  • mojo
    With the benefit of hindsight, this music almost seems Weird Al-ish, doesn't it?
  • Still my wife's favorite Ministry record. "Jesus Built My Hotrod" doesn't exactly speak to her the way "Work for Love" does.

    Please, please, please tell me a future installment of this column will be Underworld's Underneath the Radar.
  • Maybe Al's "Buck Satan" country music moniker will rise from the ashes of Ministry. The closest we ever got was their stunning, acoustic, harmony-filled take on the Dead's "Friend of the Devil" on the first Bridge School Benefit Album. But you gotta hand it to him - the first four proper Ministry records (and the 12" singles collection) are among the best albums to ever throttle the genre.
  • Holy cow, I would love to hear that Dead cover. Anyone?
  • i've got that if you want. email me powerslave_666 at yahoo
  • I love this album. WLIR played Effigy, Work For Love and Revenge all the time.
    This is seriously overdue for a remastered expanded release
  • thefxc
    Ah, here's an album that will never be reissued, so long as Uncle Al has anything to do with it. Keep in mind when he whines about this record that he recorded "Halloween" and "Nature of Love" just after this, so he was a synthpopper at heart without the record company's help.

    There are tons of outtakes floating around the internets for the album that was supposed to follow this ("I See Red", "Same Old Madness" etc) that suggest he would have gone in a more Fad Gadget-y direction...but Twitch is spectacular, and I like most of Ministry's stuff even after they went metal (but see below...).

    American's weren't very good at making synthpop in the early 80s, and this is one of the better 'murican takes on the genre...You're dead-on right that the first two cuts sorta point to later Ministry--"Here We Go" points in this direction too, especially the attempt at mixing pop and politics-- but there's some decent popcraft too..."Say You're Sorry" is a cool breakup ballad, "She's Got a Cause" as well.

    Actually, we may see this reissued--I think even Al thinks Filth Pig is the most embarrassing thing he's done...my god that's a bad record.
  • d
    Funny ... I heard that Al made this album with his boyfriend and the time and when they split he had such bad feelings about the whole thing that he disowned it. Too bad 'cause it'll always be my favorite Ministry album. lol
  • tenohtwo
    Believe it or not, this one is getting re-issued with 3 bonus tracks on August 12, 2008 by American Beat Records. The extras: extended mix of "I Wanted To Tell Her", a remix of "Revenge", and the unreleased track "A Walk In The Park".
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