Bottom Feeders: The Ass End of the ’80s, Part 56

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It’s a magnificent day, as we move on to the most monstrous letter we’ve had in a while: M. After a few quick letters in a row, M will take seven weeks to get through, so get settled in. Ready? Good. It’s time to dig into more Bottom Feeders — songs that charted no higher than #41 on the Billboard Hot 100 chart in the 1980s.

Mary MacGregor
“Dancin’ Like Lovers” — 1980, #72 (download)

I listened to this song as I was writing the intro, and even though that paragraph is only four lines long, I got through “Dancin’ Like Lovers” three times. Maybe this is what I need to do for every song I don’t like — listen to it over and over and over again — because the more I listened, the more I enjoyed it.

“Dancin’” was MacGregor’s sixth Hot 100 hit, but her only big hit was also about lovers: “Torn Between Two Lovers,” which went all the way to the top as her first single back in 1976.

Madness
“The Sun and the Rain” — 1984, #72 (download)

Madness was just monstrous in the UK, even before the U.S. got them with their breakout hit “Our House.” “The Sun and the Rain” was the 17th song out of their first 20 to all go Top 20 in England. The States’ first taste was with the release of the Madness album compiling some recently released material with older hits. “It Must Be Love” went to #33 and “Our House” to #7 in ’83. “The Sun and the Rain” was their only other Hot 100 hit in the U.S.

Magazine 60
“Don Quichotte” — 1986, #56 (download)

“Hello, may I speak to Mr. Don Key-Chot, please?” “No, Senior!” Although there’s not much to it, this is really a fabulously catchy number by this French synth-pop group. Their follow-up, “Pancho Villa,” failed to chart.

Mai Tai
“Female Intuition” — 1986, #71 (download)

With no background at all, I would have just assumed Mai Tai was just another failed American R&B group. But no, they are a Dutch group formed by two male producers who grabbed three background vocalists and tried to make them stars. This however, was their only hit.

Melissa Manchester
“Lovers After All” — 1981, #54 (download)
“Nice Girls” — 1983, #42 (download)
“No One Can Love You More Than Me” — 1983, #78 (download)
“Thief of Hearts” — 1984, #86 (download)
“Mathematics” — 1985, #74 (download)

manchesterMelissa Manchester is another artist that I mistakenly plug into my head as a queen of adult contemporary ballads. She’s definitely an adult contemporary artist but of her seven Hot 100 hits in the decade, five of them are upbeat pop songs. As such, I never really go back to listen to her, but I’m happy to visit five of her tracks here. “Nice Girls” is a great tune off her first Greatest Hits record in 1983. “Mathematics” is probably her most underrated song though, a catchy little pop number from her album of the same name. “Thief of Hearts” is the only one I don’t care for, from the soundtrack to that movie, it’s just a little too “Fame”-ish for me. “Lovers After All” is a duet with Bottom Feeders favorite Peabo Bryson.

manhattanManhattan Transfer
“Trickle Trickle” — 1980, #73 (download)
“Route 66” — 1982, #78 (download)
“Baby Come Back to Me (The Morse Code of Love)” — 1985, #83 (download)

Well, if you’ve read this series for a while now, you automatically know that I don’t like Manhattan Transfer. I can deal with them when they had a few R&B numbers around 1983, like “Spice of Life” which is actually a very good song. “Route 66” actually won a Grammy for best Jazz Performance by a duo or group in 1982. None of them deserved a spot on the Hot 100 though, especially the goofy “Trickle Trickle,” which ranks at #18 on my Bottom 80 Songs of the ‘80s list. Maybe I just don’t get it. “Trickle Trickle” sounds like a problem Biz Markie would say you have after catchin’ the vapors.

Manhattans
“Crazy” — 1983, #72 (download)
“You Send Me” — 1985, #81 (download)

The Manhattans had a huge R&B career with charting singles from 1965 to 1990. Singer Gerald Alston helped the Manhattans cross over onto the Hot 100 three times in the decade with “Shining Star” going to #5 in 1980. “Crazy” was their next best song of the ‘80s after that.

Barry Manilow
“Lonely Together” — 1981, #45 (download)
“I’m Your Man” — 1986, #86 (download)
“Hey Mambo” — 1988, #95 (download)

To each his own I guess, but here’s another artist that I just don’t understand the popularity of, especially enough to get him hits straight through the decade. I suppose I can deal with “Hey Mambo,” his collaboration with Kid Creole & the Coconuts, but you have two evils here with “Lonely Together” and “I’m Your Man.” I think the reason you have to give the nod to “I’m Your Man” as the worst track here is because at least “Lonely Together” was his style. The club banger for Barry is just pathetic, to the tune of the #20 position on my Bottom 80 Songs of the ‘80s list.

Teena Marie
“Square Biz” — 1981, #50 (download)
“Jammin’” — 1985, #81 (download)
“Ooh La La La” — 1988, #85 (download)

teenaTeena Marie was the awesome protegée of the late Rick James. Beginning with 1980’s Irons in the Fire, “Lady T” wrote all her own material. As you can see here she could write some great funk tunes, like “Square Biz” and smooth ballads like the excellent, “Ooh La La La.” Her songs have been sampled a ton of times, probably none as big as “Ooh La La La” being reworked for the Fugees’ “Fu-Gee-La” in 1996. Unfortunately, her new music has been hit-or-miss. She had a nice little comeback in 2004 with La Doña, but 2006’s Sapphire was trying a bit too hard to be gangsta. She just released an album last week called Congo Square, which is mostly ballads and collaborations with people like Faith Evans, George Duke, and Howard Hewitt. You’re a funk goddess, Teena — let’s not abandon what got you here in the first place.

QUICK HITS
Best song: Teena Marie, “Ooh La La La”
Worst song: Manhattan Transfer, “Trickle Trickle”

Next week we get another Rick James protegé, a rare roller-skating anthem, and a guy who I was once told I looked like.

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  • Rob
    Was a record just set for the number of A/C artists in a week?The subtitle for this week's BFTAEOTE should be "Artists Only Your Parents Love."

    Madness got ripped off in my opinion. Though top notch, "Sun and the Rain" wasn't even the best song on the album. That honor goes to the perfectly ridiculous "Michael Caine" ("My name … is Michael Caine"), which I believe was a big hit in the UK.
  • Michael Caine hit Number 11 in UK in early 1984.

    I heard "Pancho Villa" recently on Vox FM in Warsaw. This DJ (he's called Marek Sierocki and he's also responsible for music in the popular TV news broadcast "Teleexpress") obviously has got a soft spot for French disco and 80s dance, and rightly so. He even played the musical efforts of...Stephanie, Princess of Monaco once.
  • God, I love Madness. Just got their new album the other day. Pretty good, though slightly less wacky than their earlier stuff.
  • Manhattan Transfer's "Morse Code of Love" came out in the wrong decade. Ten years earlier, at the height of the 1970s, it would have fit better on the radio. I'm betting it would have been a smash, since the "Happy Days"/"Laverne and Shirley"-inspired 50s nostalgia wave was just starting to crest.

    I was going to say more, but I'm distracted by that picture of Teena Marie.
  • JonCummings
    I'm a big Madness fan, too. With my street cred thus established, I can now work out which of the following I'm less embarrassed about -- my sadness that you don't share my enthusiasm for the Manhattan Transfer, or my happiness to add "Lonely Together" and "I'm Your Man" (which never appear on GH collections) to my Manilow library.

    You're right that Manhattan Transfer stuck out like a sore thumb on the pop charts in the '80s, but that doesn't make "Trickle Trickle" a bad song. (I didn't know til just now that it was originally a minor doo-wop hit in '58 for a group called the Videos, which won Amateur Night at the Apollo, got an indie record contract and recorded "Trickle Trickle" -- only to have two group members die before they could record a follow-up.) Anyway, the MT songs that made the Top 40 were pretty awesome. Their version of "Boy from New York City" cuts the original to shreds, and "Soul Food to Go" is just great, if nonsensical.
  • Rob
    "Soul Food to Go" is nonsensical because they rewrote the lyrics to a classic Djavan song called "Sena" that was a partial tribute to Caetano Veloso. The only word the two songs have in common is "jazz." You can hear two Brazilian versions of the song, plus the cool Claymation video of "Soul Food to Go" at my blog: http://playitandbedamned.blogspot.com/2008/02/m...

    By the way, Doug Fieger of the Knack contributed lyrics to "Soul Food…" So blame him.
  • Ray
    Speaking of Doug Fieger, even if you didn't need more ammunition for your arsenal I'd suggest seeking out the cheesy 1971 drive in flick PRIVATE DUTY NURSES. He's part of a band called "Sky", which not only contributed most of the music to the movie but they actually appear as the house band at the local bar.
  • I can't believe you're happy to add "I'm Your Man" to anything. My lord, what have I done.
  • Longtime listener, first time caller. I have been addicted to this feature and dutifully download and listen to all the songs every week, then usually delete 90 percent of them - there is a reason most of these songs charted so low, and that is because they are terrible. But Magazine 60, hoo buddy. That's good stuff.
  • Every time I listen to the song I think I like it more. It's a shame it doesn't get a whole lot of airplay these days. Thanks for "calling".
  • No love for "Thief Of Hearts" with that killer Giorgio Moroder production and Melissa looking like a super swank "Dynasty" character in the video? Ah well.
  • hearing that Moroder produced it led me to actually go back and listen to it(because really, why would I voluntarily listen to Melissa Manchester otherwise?). I'm glad I did. This is great. That guy can do no wrong.
  • Curt
    Old enough to actually remember the "Thief of Hearts" video playing every two hours on VH1 -- the channel debuted right around the time the song came out (early 1985). At that time, VH1 was the AC version of MTV, and it was nothing but videos.

    Still trying to figure out how Teena Marie charted just five times in the decade.

    By the way, first time caller, and really wish I had found this site a year ago -- I'm also putting together as many chart hits as possible from the '60s, '70s, and '80s, and this helps fill in a lot of gaps.
  • Well, you've still got plenty of letters to fill more gaps - and of course the holy grail of '80s music is going to appear in a few weeks - so you'll fill the biggest hole you have. And now I'm going to stop talking about filling holes.
  • Whoa - you're gonna bust out some Shamus M'Cool? Impressive.
  • um...I like Madness.


    :/
  • kingofgrief
    Another epic weigh-in...

    "The Sun and the Rain": love, love, LOVE. And I only heard it for the first time in the past year due to a cruel twist of fate. For all their whimsy, those Nutty Boys do possess a brilliant melancholy streak (see also "Grey Day" and "Primrose Hill"). Looking forward to the new album, it comes out Stateside next Tuesday.

    "Don Quichotte": by coincidence, I spun this during yesterday's Classic Club Hour*. Never had the 7" edit, so thank you for this. When I first heard it in '86, I thought it was a new Tom Tom Club single (the female vocals are rather reminiscent of the sisters Weymouth). A few months later, I thought I heard the new Magazine 60 single: a cover of the Shocking Blue's "Venus". Foiled again.

    "Female Intuition": the backstory reminds me of the single that led me to this blog in the first place, Curtie and the Boombox' "Black Kisses (Never Make You Blue)". Who knew that Holland was such a hotbed of New Wave-flavored R&B in the mid-80s? I get a Grace Jones/Annie Lennox vibe from the vocals here.

    "Thief of Hearts": ganked this one since it's not available on iTunes. I hear "Fame" with a touch of "Maniac".

    Manhattan Transfer: I like them enough to own the Down in Birdland anthology from Rhino. Someday I'm going to attempt "Chanson D'amour" at karaoke if I'm drunk enough.

    Manhattans: dig "Crazy", but "You Send Me" withers in the shadow of Sam.

    "I'm Your Man": Let's agree to disagree here. I'm almost tempted to bust this out during the Club Hour* and see if anyone can identify the artist. Remember, if Barry didn't kick the tempo up a few notches here and there, we wouldn't have "Copacabana".

    *http://myspace.com/soundawakeradio
  • Dude - kicking up the tempo and "I'm Your Man" are totally different. I'm astonished at the responses to that song - I've gotten e-mails expressing love for it. In many cases I'd concede that maybe it's just me not "getting it" or having weird taste...but I concede nothing here. I will maintain that it's crap, to my grave. I'd be shocked if anyone remembers it - but then again, I'm shocked at a lot of things in this post, so who knows.
  • kingofgrief
    Remember, this is the guy that got excited about stumbling upon that Band of Gold album. One man's trash and all that.
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