Bottom Feeders: The Ass End of the ’80s, Part 57

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Thanks for joining me for Bottom Feeders, where we take a look at approximately 20 songs each week that charted no higher than #41 on the Billboard Hot 100 chart in the ‘80s. We continue with artists whose names begin with the letter M, in our trek through the ass end of the decade.

Marillion
“Kayleigh” — 1985, #74 (download)

marillionAlthough I believe the album in which “Kayleigh” originates, Misplaced Childhood, is quite good, I never really got into Marillion. So let me instead direct you to their official website which not only is extremely well put together but gives you a wonderful look at the album from the makers themselves.

In a weird one, in May alone, my iPod shuffled to this song six times. So what, you say? Here’s the thing, I probably listen to my iPod on shuffle two hours every weekday — one hour at work and the 30 minute ride to and from work and I listened to the new Marilyn Manson record on that drive for a week straight. So I’m going to estimate that I’ve shuffled for 34 hours that month. I have 9,230 songs on my iPod. Given a generous 12 songs per hour that’s 408 songs played or just a little below 4.5 percent if every song was unique. And “Kayleigh” has come up a whopping six times! Meanwhile I have over 2,000 songs that haven’t ever been shuffled to once even though I’ve owned it for two years. Why this fascinates me, I don’t know, but it does.

Marshall Tucker Band
“It Takes Time” — 1980, #79 (download)

It may sound silly, but I like the Marshall Tucker Band if for no other reason than the fact that there is no one named Marshall Tucker in the band (and yes, as I edit this, this really does sound quite silly). According to their website, Marshall Tucker was actually the man that rented their home right before the band moved in. I’m about to move in the next year or so. I think I’ll leave my name around the house with hopes that the next person will be some aspiring doom metal guitarist with no name for his band. If you see a band from Pennsylvania popping up in the next few years called Electric Steed — I’m that guy!

Eric Martin
“Information” — 1985, #87 (download)

Eric Martin has a great voice, doesn’t he? He started out with the Eric Martin Band (not named after a former tenant obviously) and released one album in 1983 called Sucker For a Pretty Face. After touring constantly for the record, when they finished the group broke up and Martin ended up putting out two solo records, his self-titled release containing the excellent “Information” you hear above. Of course it was 1989 when Eric Martin really made a name for himself when he formed Mr. Big and then had a #1 hit in 1991 with “To Be With You.”

Mary Jane Girls
“Wild and Crazy Love” — 1985, #42 (download)
“Walk Like a Man” — 1986, #41 (download)

mary-jane-girlsHow could you not love Rick James naming his group of “sexy” ladies after the ganja (I put “sexy” in quotes because that’s really quite debatable with these ladies)? In reality it was Rick James that got them a deal and made them successful for a few years, but it was also Rick and his numerous problems in general and with Motown that really caused the breakup of the band. The group was really a spotlight for the lead singer Joanne “Jojo” McDuffie as it’s come out over the years that the other ladies in the band were there for harmonies and show really. Both of these tracks are very good, “Wild and Crazy Love” being the third single from their final album Only For You and their cover of the Four Seasons’ “Walk Like a Man” was on the soundtrack to A Fine Mess.

Dave Mason
“Save Me” — 1980, #71 (download)

This is an impossible oversight by U.S. radio. “Save Me” is a great song from the friggin’ guitarist from Traffic who already had six solo hits to his credit — and it’s a duet with Michael Jackson! I mean, someone went majorly wrong somewhere because everything about this screams major hit record.

Vaughn Mason & Crew
“Bounce, Rock, Skate, Roll” — 1980, #81 (download)

This really isn’t a great song, but it’s pretty damn tough to locate and I know a few DJs who will cream themselves if they can fit this into their retro-roller-skating block almost simply to say, “ha, look what I have.” You can get the same vibe in that block though by choosing better songs from Chic and maybe “Bounce to the Ounce” by Zapp instead.

Wayne Massey
“One Life to Live” — 1980, #90 (download)

Wayne Massey played country music singer Johnny Drummond on the TV show One Life to Live from ’80 to ’84 so, it only made sense for him to record this song. It was hit only solo hit to hit the Billboard Hot 100.

Johnny Mathis
“Simple” — 1984, #81 (download)

This is Johnny’s last Hot 100 single. This is included on his album A Special Part of Me, which is a brutal listen for a non-Mathis fan like me, but I’d assume even a diehard wouldn’t pick this one up too often.

Christopher Max
“Serious Kinda Girl” — 1989, #75 (download)

It’s weird to me that there’s an artist that charted as late at 1989 that I really don’t know anything about. I have no idea who this guy is. I own the album this came from, 1989’s More Than Physical, but the rest of the Christopher Max story will be new to me if any of you know something.

Maze
“Love Is the Key” — 1983, #80 (download)
“Back in Stride” — 1985, #88 (download)

There’s a lot of people that can claim to have been a member of Maze at one point or another, but Maze was really a project of Frankie Beverly. Forget about “Love Is the Key” here, as “Back in Stride” is the signature Maze song. It spent two weeks at #1 on the R&B charts and if I had a top 80 funk songs of the 80s list, this would definitely be somewhere near the top. (Hmmm, that sounds like something I need to work on.)

Mac McAnally
“Minimum Love” — 1983, #41 (download)

mac-mcannalyFirst, I must apologize for the bad recording of the song posted here, I’ve just never been motivated enough to go find a better version. So if you’re on disc 100 or something of your Bottom Feeders box set, you might want to locate this one yourself. Mac McAnally will always be at the back of my mind, not for any of his music mind you, but because a former employee once sent around a picture of Mac’s debut album cover and claimed it was me as a kid. Now, I may have the red hair and the beard but it ain’t knowhere near as mountain man-ish as what you’re seeing here, nor does my pretty face come close to his ugly mug. Hmpf.

Paul McCartney
“Tug of War” — 1982, #53 (download)
“Stranglehold” — 1986, #81 (download)
“This One” — 1989, #94 (download)

There’s this guy named McCartney that seems to be nominated every single year now for a Grammy and consistently doesn’t win. This appears to be the same guy. Seriously now though, these are probably three of the lesser known singles from Sir Paul, but aren’t they still just awesome? I think “This One” is the best of the three here, from his album Flowers in the Dirt and “Stranglehold” is one of the highlights from Press To Play, an album that didn’t sell a whole lot and wasn’t that well received but actually grew on me over time.

Delbert McClinton
“Shotgun Rider” — 1981, #70 (download)

Honestly, I wasn’t even aware that Delbert McClinton had a follow-up hit to the totally awesome “Givin’ It Up for Your Love” in 1980. “Shotgun Rider” is actually going to appear again in this series later on as Joe Sun missed McClinton’s peak by one spot, taking his version to #71 a year earlier.

Michael McDonald
“I Gotta Try” — 1982, #44 (download)

Ha!

Ralph McDonald and Bill Withers
“In the Name of Love” — 1984, #58 (download)

This is a really smooth, laid back song from McDonald and Withers, who won a Grammy a few years prior for writing the very similar sounding “Just the Two of Us” performed by Withers and Grover Washington Jr.

McGuffey Lane
“Long Time Lovin’ You” — 1981, #55 (download)
“Start It All Over” — 1982, #97 (download)

We end this week on a couple of decent country songs. I would have assumed the poppier “Start It All Over” would have been the bigger hit of the two as it’s a much better song than “Long Time Lovin’ You.” From what I know about McGuffey Lane it seems they never made it bigger because the label and band wanted to go in different directions. The band wanted to be marketed more towards the country charts, while the label wanted to exploit the pop side and push them to the Hot 100. They did end up having four more minor hits on the country charts before breaking up.

QUICK HITS
Best song: Maze, “Back in Stride”
Worst song: Wayne Massey, “One Life to Live”

Next week, tell your friends — it’s the Holy Grail.

Tags: , , , , , , , , , , , , , , , , , , ,

  • Elysium
    “Bounce, Rock, Skate, Roll” was used as the theme song for the Bow Wow film, Rollbounce a few years back, not too hard to find now.
  • Ah, now see - that might explain why I've heard it more than I should have. I wish I had known that when I was trying to find it for my collection - it was kind of tough to find an afforable 12" of it.

    You watched a Bow Wow movie?
  • Elysium
    My girlfriend is a fan of the film. Period piece about a teens and their roller disco, full of late 70s/early 80s disco/funk tracks.
  • Just for the funk tracks I may have to put that down at #115 on my Netflix list.
  • jack
    Mac McAnally = you as a kid will now stay with me forever too.
  • If I hadn't just shaved my head - I would have taken a current shot and posted it along side for comparison.
  • Steve
    > Next week, tell your friends — it’s the Holy Grail.

    Do I sense a Shamus M'Cool sighting??
  • David_E
    Geez, did Michael McDonald and Kenny Loggins just trade album tracks every six months?
  • Oh God, I wish. I love both versions of "I Gotta Try." Kenny's goes in a rock direction, McD's in a soul direction, yet both feature each others' vocals. Love 'em both.
  • David_E
    I think I like Kenny's version a bit more, m'self. And I wasn't really complaining – it just struck me as funny that these guys really did write songs together, then run off and record different versions of the same tune on what seems like every other release.

    BFFs!
  • JonCummings
    "Save Me" is one of those things that sounds great ON PAPER -- and then sounds like a dog's breakfast when you drop the needle (How's that for an obsolete reference?), so much so that you don't question why it didn't crack the Top 40. My favorite such examples are "Pops, We Love You," the all-star tribute to Berry Gordy (featuring Diana Ross, Marvin Gaye, Smokey Robinson and Stevie Wonder) that stalled at #59 in 1979, and that Aretha/Whitney duet you featured awhile back, "It Isn't, It Wasn't, It Ain't Ever Gonna Be," which stopped at #41 in '89.

    As for McCartney, I'll just shamelessly plug the column I wrote nine months ago about his '80s chart decline: http://popdose.com/jesus-of-cool-paul-mccartney....
  • Jonathan
    Been waiting patiently to see if Marillion would make this series...happy to see their sole US hit make an appearance.

    Curious thing about the iPod Marillion shuffle preference...
  • Not really. If the iPod is shuffling with even a remote sense of alphabetical order, you have M-A for the band, M-I for the album title and K-A for the song title.
  • Jacko
    I gotta say - "Electric Steed" is a great band name.
  • kingofgrief
    "Information": one of those songs I must have heard at least once or twice since the chorus rings a bell. Judging from the year, I'll guess that I saw the video on our low-power video channel, TV5, which debuted that summer. (TV5 later went regional under the name Hit Video USA. Any other remembrances?)

    Vanity 8...sorry, Mary Jane Girls: I'm surprised these cuts got as close to Top 40 status as they did, particularly "Walk Like a Man". That song was not meant to be sung in the second person, and it works on my nerves as much as Toni Basil's "x = nothing" postulate.

    "Save Me": file under You Learn Something New Every Day. I'm amazed this didn't pick up any recurrent steam post-Thriller. (Do I detect the presence of the Family Guy guest star on backing vox?)

    "Bounce, Rock, Skatecetera.": By coincidence, I've been toying with the idea of hosting a retro-roller-boogie party at one of the rinks in town. This cut begs to be in the mix alongside "Good Times" and "Rapper's Delight", but the jam I most want to bring with me is Yarbrough & Peoples' "Don't Stop the Music".

    "Simple": Al Jarreau. That's all I got.

    "Minimum Love": This must be a toughie to track down. On one of my personal YouTube Bottom Feeder odysseys last year, I went searching for a video only to find someone's home clip of their own voice-piano performance. Not as deliciously Yacht-Rocky as the original. I'll keep my feelers out.

    "This One": #94? Criminal. One of his prettiest melodies in years and it barely squeaks in. Maybe the coda was too heavy in comparison, but "Press" gets better mileage than this? No wonder Macca stopped trying in the 90s.

    McGuffey Lane: Good songs. Great name. It's a name you can't say without a slight smile on your face. McGuffey! :) See?
  • NOTHING works my nerves like "x = nothing".

    I have the 45 of "Minimum Love" which sounds better than this - but no way of ripping it right now. If you find a better MP3 send it my way - I'd love to get one that doesn't fade in an out.

    "Don't Stop the Music" is a great one - it's always been a little weird for me though because it's a much slower pace than you'd expect - almost sounds like you're playing the music at 33 1/3 when you should be playing it at 45.

    If you're thinking about doing that - you should sign up for the roller boogie song of the day.

    http://morebounce-oz.com/

    Unfortunately, the lady that ran this blog is no longer doing it - but the Roller Boogie Audio Accessory of the day is still up and running. You get 1 roller staking anthem in your inbox every day - no spam, just the song - signed up in November and have 115 boogie songs in my inbox. It's pretty cool. I must thank The Fed for starting my morning right.
  • kingofgrief
    Subscribed! Thanks for that heads-up! Any way I can grab some of the backlog from you?

    If you're trusting enough, I can rip "Minimum Love" for you, unless there's closer access to such means in your future. Maybe Electric Steed's engineer can lend a hand.
  • I'm trusting but the collection doesn't leave my house - if that's what you're suggesting.
  • kingofgrief
    I hear ya. Guess I'll have to keep an eye out at the day job...
  • A reader sent me a clean version! Yeah! I do appreciate the offer though.
  • kingofgrief
    Anytime. Care to share the new file?
  • It's up now - but if you listen to the end this seems like a remastered version rather than the original (though I don't know for sure and I can't imagine why anyone would be remastering Mac McAnally tunes anyway)
  • I have to admit something here. I really can't stop listening to this damn song. It's much finer than I gave it credit for.
  • kingofgrief
    A clean mp3 will do that to a person. Now let's tweak your opinion about "I'm Your Man". ;)
  • Brian
    That Shamus M'Cool song is going to be terrible, just terrible, but I can't wait!
  • Having listened to it like 1 billion times at this point - it's grown on me.
  • McGuffey Lane did an in-store at the record store I worked at in the summer of 1988. Total Spinal Tap moment. No one came to see them. I felt sorry for them.
  • Nowadays one hopes that someone named "McAnally" would be clever enough to change their name to something that's not quite so indecorous after removing the "Mc".
  • kingofgrief
    I only hope he never tours with CeCe Peniston.
  • Mac McAnally = THE WORST Happy Meal configuration on the menu.
  • BTW Dunphy - I'm still laughing today over this comment. I wish I had thought of this.
  • "There’s a lot of people that can claim to have been a member of Maze at one point or another...."

    Are you trying to tell us something here, Dave?
  • I was a member of Maize once. We played all the best pow-wows.
  • JonCummings
    I remember those days! The self-titled debut album was fantastic, but the follow-up sucked. What was the title? Oh yeah -- "What You Call Corn."
  • Yeah. Except you have to spell it with a "K" because we were all downtuned and evil then... like Geronimo after too many hits off the peace pipe.
  • I've been a big fan of Bottom Feeders ever since I've discovered it, but I was a little worried that you'd end up saying bad things about McCartney's solo stuff. Whew! Yeah, "This One" is tremendous--I even recall it getting requests at the top 40 station I was working at at the time, but it never did much nationally. "Stranglehold" to me is one of the weaker moments of Press To Play, actually, but it's pretty good--Pearl Jam could do nice things with it.

    Downloading some of the other stuff now--there's a Dave Mason/Michael Jackson duet? Really? Wow!
  • Eric S.
    I'm not a huge Marillion fan, but I do think "Kayleigh" is a great song. Prog rock didn't get a lot of love in the 80s (unless you count somebody like Asia), but this song is really pure pop. To me, it also sounds a lot like what Phil Collins/Genesis was doing at the time. Other than that, there's a ton of really forgetable music in this week's list. I don't think I've heard any of these others more than a handful of times.
  • I kinda disagree on this. Yeah, traditional Prog was not to be seen, but not since the 80s could you imagine Yes, Asia, Genesis and even Emerson Lake and Powell getting open shots at the charts. It was one of the biggest decades for Rush and the Adrian Belew era of King Crimson made good strides in the modern and college rock charts.

    Now, this is not to totally upend your opinion since almost every one of these groups altered their sound considerably to get there... But the 90s wound up being horrible for the dinosaurs, and the 2000s have relegated them to second-class indie citizenry. I miss the days in high school when hot chicks wore the Asia dragon t-shirts. You think I kid, but it happened! I swear!
  • Eric S.
    I get your point, but I don't remember hearing any King Crimson on 80's radio. As for Rush, I agree they were a group that altered their sound considerably. Not many people considered them "prog" after 1980.
  • We had a "modern rock" station around here that regularly played almost everything from side one of Three Of A Perfect Pair (even used "Sleepless" in a promo as background) so my perspective might be skewed... But this station regularly played early U2, The Cure, Joe Jackson's punk-pop albums, so there's that.
  • as massive as the letter M is going to be for this series, I find it hard to believe that there's only one song in this week's list that gets me, that being "Kayleigh"

    I've never given Marillion's prog stuff a shot; and it's funny, first time I heard this song, I was like "wait, what? THIS is Marillion?" I was expecting something completely different (as, I reckon, so were the band's fans when this came out?) Definitely am a big fan of this song though, and would probably be more into Marillion if the rest of their catalog was of this caliber. Is the rest of the album this one comes from similar, or was this a total "hey, let's write a hit single and quietly continue our normal routine on the rest of the record" moment?
  • I'm not really familiar enough with Marillion material as a whole to compare - but I'm listening to the record again right now - and Eric S.' comparison to what Genesis was doing at this time is not far off.

    On its own "Kayleigh" does sound very pop-ish, but I don't feel that so much when I listen to it within the context of the record. But I definitely get the vibe of the prog songs that Genesis was putting out through say, Invisible Touch. For me, "Kayleigh" fits in quite well but there clearly are no other singles on the record.
  • ZoSoDef
    Ta-Daa: [url=http://www.myspace.com/christophermaxband]Christopher Max[/url]. He's apparently heard a Lenny Kravitz tune or two.
  • ZoSoDef
  • Thanks - I wasn't aware he was still making music. And man, if those were dreads in his main picture - I might have thought that was Lenny.
  • Ron
    Kayleigh should have charted much higher. It is a great song. I think it was #1 in many places in Europe. First time I heard it I knew I would name my future daughter after it, and I did 13 years later.
  • Here's info on Christopher Max. ;)

    http://www.isound.com/christopher_max/
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