Axl

Bottom Feeders: The Ass End of the ’90s, Vol. 34

With Bottom Feeders we take a look at the songs on the Billboard Hot 100 that only got a little love. It’s an A-Z look at songs that charted no higher than #41 in the decade. Take a listen, enjoy and comment. And don’t forget, information on the top 40, airplay and bubbling under charts are on pages 2-4.

Section 1: The Ass End

Gravediggaz
“Diary of a Madman” 1994, #82 (7 weeks) (download)

In the tiny rap genre of “horrorcore” there was supergroup Gravediggaz. The Grym Reaper (Too Poetic) was a relative newcomer but he was joined by the Gatekeeper (Frukwan) and the Undertaker (Prince Paul) from Stetsasonic and the Rzarector (RZA) from the Wu-Tang Clan. Their thing was horror, death, blood and gore which sounded really evil and horrific on the surface but if you dug into their albums you’d find a dark sense of humor too. I’m a huge Wu-Tang fan but I’ve never really liked RZA and his lispy screaming so that’s always a turnoff for me.

Horrorcore never really caught on as a genre with Gravediggaz and Geto Boys being the only two artists back in the day to make a name for themselves. At some points Eminem was labeled as it as well. However, sadly there is still a group of artists going today that are carrying the horrorcore torch. The Juggalos!

Gravity Kills
“Guilty” 1996, #86 (20 weeks) (download)

Man, I remember being the music director at WTSR in Trenton, NJ at the time Gravity Kills’ self-titled record came out as well as the blueprint for industrial soundtracks, Mortal Kombat. The genre was really heating up at this time and I was certain that the group that stuck to simple one word titles to their songs was going to be the next big thing. Shows what I know.

Great White
“House of Broken Love” 1990, #83 (5 weeks) (download)
“Call It Rock N’ Roll” 1991, #53 (8 weeks) (download)

This is Great White being Great White really. “Call It Rock N’ Roll” sounds exactly like all of their hits which all stick to the rock n’ roll handbook note for note. “House of Broken Love” was the fourth song off …Twice Shy to get airplay and is essentially just a really slow version of Tom Petty’s “Breakdown.”

Clive Griffin
“Commitment of the Heart” 1993, #96 (3 weeks) (download)

Clive Griffin was mostly a session singer throughout his career but when he got his big break, singing the male part of the Celine Dion duet, “When I Fall in Love” he tried to capitalize on it by releasing his own works. He released two discs in 1993 (his second and third albums) and “Commitment of the Heart” was actually written by Diane Warren so he had the firepower to make it but in the end just didn’t have what it took.

Andy Griggs
“I’ll Go Crazy” 1999, #65 (10 weeks) (download)

Before this, I’d never heard of Andy Griggs and for good reason it seems. “I’ll Go Crazy” is a pretty generic, boring country tune of his debut album.

Groove Theory
“Keep Tryin’” 1996, #64 (12 weeks) (download)
“Baby Luv” 1996, #65 (11 weeks) (download)

Groove Theory isn’t a bit of an oddity for the fact that they only had one album, since that happened to 1000 bands in the ‘90s but that “Tell Me” hit #5 and they had two more decent singles after that and still never managed to get another album out. This wasn’t just a one hit wonder. Singer Amel Larrieux had a great voice and the group definitely should have been a bigger hit in the neo-soul movement.

Group Home
“Supa Star” 1995, #85 (5 weeks) (download)

Group Home was a duo consisting of Lil’ Dap and Melachi the Nutcracker that were part of the Gang Starr Foundation (think Wu-Tang Killa Bees but without the talented artists in the stable). The airplay for “Supa Star” almost certainly came from stations that played Gang Starr and Guru at the time at it definitely has a similar feel to the parent group.

Guns N’ Roses
“Yesterdays” 1992, #72 (10 weeks) (download)
“Since I Don’t Have You” 1994, #69 (9 weeks) (download)
“Sympathy for the Devil” 1994, #55 (8 weeks) (download)

I love GnR – always have, always will, no doubt in my mind. But looking back now especially after their induction into the Hall of Fame, their output after Appetite for Destruction really wasn’t that impressive.

I don’t think I even knew that “Yesterdays” was released as a single. It fits nicely on “Use Your Illusion II” but by itself really isn’t that impressive. And I am certainly saddened that we all had to be subjected to “Since I Don’t Have You” and even worse is that it led off The Spaghetti Incident? making that hard to listen to right from the start.

Continuing with the covers concept was a weak version of the Stones’s “Sympathy for the Devil” from the Interview with the Vampire soundtrack.

Guy
“I Wanna Get with U” 1990, #50 (15 weeks) (download)
“Let’s Chill” 1991, #41 (15 weeks) (download)

Even if you’ve never heard of Guy you can clearly hear that this is a Teddy Riley group. (Teddy Riley sighting, ya’ll!). The two tracks here were off Guy’s second album (The Future) which at the time featured both Riley and Aaron Hall to go along with Aaron’s brother Damion. “I Wanna Get with U” may sound like so many other of Riley’s tunes but it as well as all those other New Jack Swing tunes still get me on my feet, dancin’ like a fool.

Jasmine Guy
“Another Like My Lover” 1991, #66 (10 weeks) (download)

Speaking of New Jack Swing, Whitley Gilbert everyone! Jasmine Guy was probably one of the better singers among the acting crowd that decided to dip their foot in the musical pool. I certainly thought she’d have more than one album to her credit when this came out, however I always would have thought “Another Like My Lover” would have been a top 20 hit the amount of times I heard it back in the day.

Her debut album was produced by Full Force but the single was written and produced by Timmy Gatling, one of the original members of Guy. So one of the dudes from Guy wrote songs for Jasmine Guy. Nice.

Guys Next Door
“I’ve Been Waiting For You” 1991, #42 (11 weeks) (download)

Guys Next Door were five kids from the Saturday morning NBC show which aired from ’90-’91 after Saved by the Bell. Though it only lasted one season, the Guys were loved by teenage girls everywhere and eeked out this smooth R&B tune that just missed the top 40. Guess they weren’t loved that much.

G-Wiz
“Teddy Bear” 1993, #73 (11 weeks) (download)

“Teddy Bear” is kind of laughable but certainly typical for the R&B of the time. This is another one of those tracks that I must have heard every hour back in 1993 so to see it at #73 is baffling to me.

Gyrl
“Get Your Groove On” 1997, #91 (5 weeks) (download)

And to close out the letter G, we have Gyrl. Completely generic R&B with a typical ’97 hip-hop beat behind it.




  • http://www.discoskonfort.com/artists/drxl/ drxl

    Oh my god! There was a “Macarena (Country Version).” A Bluegrass+Dance music track, actually, according to the Groovegrass Boys wikipaedia page, featuring Bootsy Collins. To make things even weirder, the Groovegrass boys were led and directed by Scott Rouse who was also the man musically behind Jeff Foxworthy’s “Redneck Stomp” so this is not his first appearance on Bottom Feeders!

  • http://www.bastardradio.com steed

    I’m going to have to keep Scott Rouse in mind and do sightings if he starts showing up any more. But yes, I almost broke my rule of simply posting but not going into detail about the bubbling under tunes for this one. Why could this not have hit #99 for even one week!

  • rockymtranger

    Amel has been relatively productive with solo and collaborative projects since then, but she’s never even come close to the success of “Tell Me.” The rest off this depresses me.

  • aaaaa

    Gee I was at TSC/TCNJ in the mid 90s when you were working at the station. I don’t know much of this music and I’m maybe five or six years older than you

  • http://www.bastardradio.com steed

    Certainly Gravity Kills was the only thing we got near out of this group

  • Eric S.

    Hard to believe that “Good Riddance (Time Of Your Life)” wasn’t a single, but I guess that’s one of those songs that really built its reputation over time (especially every year around graduation time). I found it humorous around the time “American Idiot” came out that my daughter’s high school friends would come over to the house and be amazed that I has a whole collection of CDs from a band they were just starting to hear about.

  • Jake89

    GnR hit the top 40 with “You Could Be Mine” “Don’t Cry” “Live and Let Die” and “November Rain”

    “their output after Appetite for Destruction really wasn’t that impressive.”

    O.k… whatever.
    Clearly your misguided or drunk.
    G’N’R, including those songs and those albums are one of the last relics of rock. Real Rock.
    Not like the girly Aerosmith kind (like that crap song “Pink”).
    Pure Rock.
    It was that impressive.

  • Leroy Grey

    The arrival of Gravity Kills was the high point of alt-rock in St Louis. The big discovery from KPNT-FM’s inaugural “Pointessential” local-music CD collections, Gravity Kills was supposed to declare the St Louis music scene, in the way that Nirvana and Smashing Pumpkins turned their hometowns into musical meccas. (I thought GK could have done it, too, when I first heard them.) In the end, Wilco was the most famous band on that CD, Nelly put St Louis on the map, and Gravity Kills is…? (Still dig GK’s first album, though.)

    Anybody got bands that got their shot at the big time with a hometown radio push? Did it work?