CD Review: Asia, “Omega”

Dw. Dunphy May 24, 2010 16

Omega is Greek for that which is last, and although it’s a thought I wouldn’t have considered five years ago, that might be the best fate for this recording and the original lineup of the band. Beloved by fans, the reality is that Asia truly is a two-hit wonder — those hits being “Heat of the Moment” and “Only Time Will Tell.” The band’s second album, Alpha, found them coming apart at the seams. By the third, Astra, Steve Howe was off to GTR and Yes Version 200.0. The fourth, a collection split down the middle between “new” tracks and a sort of greatest hits called Then and Now, featured songs written by former Sex Pistols and Partridge Family members (In fairness, David Cassidy’s contribution, “Prayin’ 4 a Miracle,” is a pretty decent tune). By then, the relationships had become so fractious that the only original member to survive in the band would be keyboardist Geoff Downes, occasionally spotted by drummer Carl Palmer. So began the John Payne years, what would ultimately become a second Asia band and a host of other issues.

Let’s stick with Asia One for the moment. A reunion tour went well and an album of new material, innocently titled Phoenix, arrived in 2008. While hardly earth-shattering, Phoenix was interesting and sporadically showed the spark of old. News that the band would hang together awhile seemed promising. Then we get Omega. Sounds anti-climactic, don’t it? From all the sturm und drang and downs and ups, the end result is an album that is so listless and dull that it pains me to even write this. Where is the energy, the musicianship, the arena-ready hooks?

Fault the post-Howe albums if you must, and I know many who look on Astra alongside all of the Payne stuff as being inferior and clunky, but there were some good, if misguided, tunes on almost every album. Maybe not great, maybe not collections for the ages, but there would be at least one or two tracks that weren’t bland. As a matter of fact, as an example of generalized AOR rocking, Astra comes off very well so long as you never look to the lyrics like they’re holding the mysteries of life. That was even true of the mega-selling debut – who took “When I ride the hounds of hell, I twist my foot, I nearly fell!” to be sacred text? Opening Omega is “Finger on the Trigger,” a song so riddled with rawkin’ cliches it could have passed as a parody. I could have overlooked John Wetton singing about how venomous fate has got him by the balls (like I said, cliche) if there was some life to the track. However, everything sounds phoned-in and half-hearted. Clicking down the album, it doesn’t really get any better.

I asked myself what was missing, what was the element that made those early albums so likable despite the inherent cheese quotient, and the answer was Mike Stone. Rather, producer Mike Stone seemed to understand that even if the songs are purportedly intimate and tender, Asia is a big continent, the band Asia is comprised of four prog-rock luminaries with continent-sized egos and, therefore, even those small tunes needed to sound huge and epic. Walls of reverb made Carl Palmer’s drums thunder, echo bounced Steve Howe’s guitar lines like audio ping pong balls from channel to channel, Geoff Downes’ keys were synthetic symphonies and John Wetton was a choir unto himself. It was big for big’s sake, but it was fun, and was more fun the louder you played it.

Mike Stone is no longer with us, but those touchstones of his sound hung in with the band for quite a long time. “I Will Be There for You” from 2004′s Payne-fronted Silent Nation sounds like an Asia song. None of these new tracks do; they sound puny and anemic production-wise, and that leads you straight to shortcomings that were always there but easily disregarded. Even the cover art, usually adorned with a lavish Roger Dean landscape or another artist’s approximation thereof, is grey, drab and looks like it was rendered with a Sharpie marker. All the monolithic qualities we’ve come to expect from an Asia release are stripped out, and if that was an intentional conceptual direction on the part of the band, it didn’t work.

On their first reunion tour, I was excited to see the band play together again. They were tight and they looked like they were having fun. After the show, Downes and Palmer autographed a t-shirt for me and both seemed enthusiastic and excited that so many still cared and loved the group. Omega offers little excitement or enthusiasm for the listener, and if that’s the way Asia One is going to play out, then the album’s title should be prophetic.

Omega is available from Amazon.Com.

  • http://www.hemisphire.com hemisphire

    I also went to the reunion tour, and after listening to some samples of Phoenix took a pass. I would have listened to some of Omega, but they don't stream any music at their site or their MySpace page – unforgivable in this day and age, I don't buy music anymore without hearing some first.

    Which reminds me – how did this not earn the “You Again?” banner?

  • http://www.popdose.com jefito

    I didn't think it qualified because “Phoenix” just came out a few years ago. If I'd been doing You Again? when that one came out, it would have been part of the series for sure.

  • ozarkmatt

    Bwa-ha-ha . . .I had forgotten the “Twist my foot” lyric. Fantastic stuff.

  • http://mostlymodernmedia.wordpress.com Beau

    I actually thought the best Asia song was “Sole Survivor,” mostly because it wasn't a “love” song and therefore wasn't dragged down by their Neanderthal attitudes toward women (“And when your looks have gone and you're alone?” Seriously?) and Wetton's inability to make it seem reasonable that any woman would consider him a catch.

    What I've found most curious about their reunion tour is that they've played locally at The Birchmere, an intimate dinner-and-music place most conducive for singer-songwriters to stop by and play for a few hundred people. It's a terrific venue for Aimee Mann's Christmas show. I can't imagine trying to fit a prog-rock drummer's kit on that stage. Steve Howe must've been in the kitchen.

  • Jefferson

    C'mon! I don't think it's fair to call Asia a 2 hit wonder. I'd say more like a 4 hit wonder. After all, “Don't Cry” and “The Smile Has Left Your Eyes” were both Top 10 hits. I definitely have that soft spot for Asia for sure!

  • Tyler Woods

    Your review is the Worst that I have read (dreadful). This CD has been getting stellar reviews . I feel strongly that you are way off on this one. You “liked” Phoenix, and the overwhelming consensus is that Omega is “much” better. This is hands down the best produced recording that I have heard this year ( so far). Please , put some headphones on, listen just one more time, and Pay Attention………………….Tyler Woods

  • Gillan is God

    Great album, clueless review.

  • BC

    I'm wondering if we heard the same album. I mostly expected OMEGA to be, well, sort of loose and devoid of great melody like PHOENIX was (with some major exceptions, with all due respect). It's tight, packed with great melodies, and the mix/production is the best this band has seen in decades.

  • Patrick Doolin

    Contrary to the opinion propagated above (see REVIEW), the latest ASIA album, “OMEGA”, is an impressively strong, lean set of 12 new tracks performed by an obviously re-invigorated and inspired foursome. This album is a reminder why fans have been responding to the reunion of the original ASIA lineup since they toured and released the brilliant “Fantasia – Live in Tokyo” DVD / CD set (2007). The arrival of “PHOENIX” (2008), this lineup's 1st full studio album of new material since 1983's 'ALPHA', was a joy to hear. Even though it often leans toward slower, ballad-esque pieces, it has its heavy, “big” moments.
    “OMEGA” really pushes things into higher gear— kicking off with the “classic” piece, “Finger On The Trigger” (originally recorded in 2006 by John Wetton and Geoff Downes on one of their two CD's under the name 'ICON'), we find a lean and powerful band. John Wetton's voice is as strong, rich and commanding as it ever was, and on this set, is arguably better showcased than ever. I agree that ASIA doesn't saturate their mixes with reverb these days– that was, after all, a very “80s” thing, (and something Mike Stone managed to do tastefully). But their sound is still largely defined by its size— the powerful rhythmic pairing of Palmer's kit and Wetton's bass; arrangements filled out by the rich textures of Downes' keyboard creations, and Howe's inventive guitar lick trajectories all come together to create the unique sounds that are the original ASIA. Add to that Wetton's distinctive voice and, to quote an old YES song, “We have heaven” !!! One ASIA “trump” card is Wetton's trademark layering of harmonies, which shine in full glory on tunes like “Light The Way” and “Holy War”.
    In terms of 'hits', ASIA falls into that category known [at least back when] as “AOR” (album-oriented rock). The fact they wound up with Billboard top-10 'pop' hits feels more like accident than record label posturing. Regardless, if ANYBODY from the 1980's had top-10 hits these days, ASIA would no doubt have hits in “Finger On The Trigger”, “Listen, Children”, “Light the Way”, and the so-called “bonus” track, “Emily”.
    And Roger Dean's artwork is very much in line with his “classic” past covers. It was artistic choice to use less chroma in the tiger-themed cover, though it does sport some blue and red. The tone is more toward blacks and whites, which i feel nicely complements the generally leaner tunes.
    'OMEGA' is wonderful, and thankfully the name doesn't imply anything final. (Hello– 'ALPHA' was their 2nd album, not their first). It seems more like the band just enjoys continuing a theme with their album titles. I'm grateful to have new music from the original four, and hope I get to see them “live” on their current tour.

  • Asiadragn82

    How could you mention you watched them play, got an autographed t-shirt and at the same time trash their new release? You're contradicting yourself.

  • Teo

    I like Asia Featuring John Payne,so I'm not exactly going to knock these comments on the vitality of the ORIGINAL Asia.

  • Jenkinshouse55

    I saw Asia live for the first time last night. Wow, what a show! They were my favorite band when I was 12 and I’ve always had a soft spot for them. But I never bought anything or even tried listening to their later material after I was so disappointed by Astra. I hadn’t listened to the new songs before going to see them last night, but I was impressed with the new songs and thought they fit right in with their vintage material. However, listening now to the album, the production doesn’t quite compare to their vintage material. I think this review is right on when he mentions Mike Stone as the missing element. It’s not that Asia should have to try to sound like BIG 1982, but that they were at their best when they did, and Omega, though the songs are quality don’t quite cut it on record. I wonder if they recorded to analog etc… Oh well, live they were amazing!

  • Tyler Woods

    You say you have just seen them last night, and you are “just now” listening to Omega for the first time ? That is quite the short time span. I suggest listening a few more times and soak it in a bit before you give an educated review.

  • Rht3

    What kind of slop of a review is this? What is this clown listening to because it sure isn’t Asia Omega. This set is earning rave reviews from fans and critics alike. Dude, if your thing is Adam Lambert, don’t bother blabbering about real classic musicianship that you apparently cannot appreciate.

  • Mmb22

    я в восторге от музыки , от текстов, от вокала……………….. здоровская музыка!!!!!!!!!!!!!!!!1 я её обожаю!!!!!!!!!!!!!!

  • JLeathe1

    I knew I would enjoy Omega after I heard several advance tracks through YouTube last May. But it lacks the consistency of Phoenix, and nothing will ever touch their 1982 debut. It rates better than Alpha or Astra, although both had good material — enough for one album. About half of Omega sounds like Asia the band, and the rest like a better than average John Wetton solo project.

    P.S. Steve Howe did not go back to Yes permanently until 1995 — Trevor Rabin was the primary guitarist during the Asia & GTR years, with 90125 and Big Generator.