Posts Tagged ‘Dierks Bentley’

Popdose Contest: Win Tickets to See Dierks Bentley!

Look at Dierks Bentley, readers. So handsome. And we have it on good authority that he’s sitting on this motorcycle, thinking, “Man, I sure wish I could have some Popdose readers at my concert on August 18th at the Tabernacle in Atlanta, GA. I’d even give ‘em two free PRIORITY ACCESS tickets, courtesy of our friends at Samsung and AT&T.”*

Dierks, we’re here to make your sexy wish come true.

On August 18th, Mr. Bentley will be performing in Atlanta as part of the Samsung AT&T Summer Krush Series, and we do indeed have two totally free PRIORITY ACCESS tickets for you!

To win, all you have to do is connect Dierks Bentley to this dude:

Richard Kind!

That’s TV’s Richard Kind. The two are connected by a certain affiliation, and it’s not their hairdresser. Wikipedia is your friend, people.

Enter the contest by e-mailing Robert Cass with your answer. A correct answer will be chosen at random on Sunday, August 17th. Please don’t enter if you can’t make the concert; it makes us angry, and you wouldn’t like us when we’re angry.

We’ll be offering tickets to future Samsung AT&T Summer Krush shows, including Darius Rucker and Maxwell, so check back soon! And click below to find out more about the Summer Krush series!

*Note: Dierks Bentley may not actually be thinking any of the above. But he sure is handsome.

CD Review: Buddy and Julie Miller, “Written in Chalk”

Buddy and Julie Miller - Written In ChalkIt certainly wouldn’t be accurate to say that Buddy and Julie Miller have bad luck. After all, each of them has had wonderful career as songwriter and performer. They’ve each had fine solo albums. A variety of country artists have had success with their songs, including Lee Ann Womack and Dierks Bentley.

Buddy has played guitar on tour with Steve Earle, Emmylou Harris, and more recently Robert Plant and Alison Krauss, and he’s produced albums in the studio he built in their Nashville home for Allison Moorer, Solomon Burke, and Jimmie Dale Gilmore. Together, Buddy and Julie have played inspirational shows all over the country.

But back to that luck thing. Written In Chalk (New West Records) is only the couple’s second album together. The first, Buddy and Julie Miller, was released exactly one week after September 11, 2001. Then, just days before this new album was released, Buddy was admitted to a hospital in Baltimore complaining of chest pains. He needed immediate bypass surgery, and though he’s coming along fine now, he is temporarily unable to go on the road to support the new album. Buddy and Julie are people of faith, and it’s their faith that has sustained them through setbacks and success.

This was supposed to be Julie’s next solo album, her first since 1999’s Broken Things. Most of the new record was finished, when her brother died tragically, causing the recording process to come to a halt. They tried to get back to it, but it wasn’t working. Meanwhile Buddy was working on his own Grammy-nominated Universal House of Prayer, and producing other artists. Finally, the circumstances were right for Written In Chalk to come together. At least two of the songs on the new album are songs that were originally intended for Julie’s solo album, songs that I heard her perform as long as five years ago.

As you might expect, Written In Chalk reflects the sorrow that the Millers have had to cope with in recent years. Julie in particular has a knack for crafting the most heartbreakingly beautiful songs that contain not one ounce of self pity. That’s great songwriting, and it’s especially evident on the magnificent “Don’t Say Goodbye,” a tribute to her late brother that features harmony vocals by Patty Griffin. Julie is also featured on a lovely tribute to June Carter Cash called, simply, “June.” (more…)

New Radio Roundtable: 3/6/09

newradioroundtable

Do not be alarmed! Do not adjust your set! Chartburn hasn’t gone away — it’s just sharing space with some more Friday features, including the the New Radio Roundtable, in which your intrepid Chartburn panel discusses some of the songs going for adds at various formats. And away we go!


Adult Contemporary: Airborne Toxic Event, “Sometime Around Midnight”

Zack Dennis: This song takes itself way too seriously. The band has some terrific buzz, and aside from an excess of gloss, they seem to be pushing the right buttons on the alternative pop machine. But after listening to it a couple of times the excess of emotion starts to wear thin for me.

Beau Dure: In the beginning, I figured this was a bad Explosions in the Sky impression. By the end, I thought it was a pretty good Joy Division impression. I’d tone down the chiming guitar at the beginning, but beyond that, it’s an impressive track. The jealousy builds over the course of the song and boils over at the end, and the singer handles the material far better than most of the fifth-rate Eddie Vedder clones in rock these days.

Dw. Dunphy: I wouldn’t turn this off if I heard it on the radio. It’s equal parts Explosions In The Sky and Arcade Fire, but I kept waiting for the sky to open up on this and only got shouting. Still, with a name like Airborne Toxic Event, I was expecting something much…crappier. We’ll call this a pleasant surprise, if nothing more.

David Medsker: You could usually tell the crappy bands from the good ones by their names alone, but the line is getting blurrier by the day. I wrote off ATE by their name too, and then I heard the album and thought, “Shit, these guys are good.” What am I going to use as a benchmark now? Does this mean I actually have to listen to everyone first before making a judgment on their talent? Fuck.

Jeff Giles: Californian singers who try to sound like they’re British always piss me off; in fact, I still haven’t forgiven Billie Joe of Green Day. But I’ve always been a sucker for rock ‘n’ roll that at least makes the effort to try and sound majestic, and this track gets pretty huge (definitely in an Explosions in the Sky-type way — good call, Beau). Also, Pitchfork gave their album 1.6 out of 10, so I’m inclined to give the band the benefit of the doubt.

Zack: I take umbrage to this song being compared to anything Explosions in the Sky. Their songs go through a variety of changes (tempo, volume, chord structure, atmosphere) while all the Airborne Toxic Event song does is build some tension and get a bit louder. (more…)