Posts Tagged ‘Mike Patton’

The Friday Mixtape: 6/5/09

Let’s go outside. No, let’s go waaaaay outside!

Erik Sanko – The Perfect Flaw from Past Imperfect, Present Tense (2001)
Eyesinweasel – There She Goes Again from Wrinkled Thoughts (2000)
Gastr del Sol – Rebecca Sylvester from Upgrade & Afterlife (1996)
Godspeed You Black Emperor – Moya from Slow Riot for New Zero Kanada (1999)
Man or Astro-man? – 9 Volt from Experiment Zero (1996)
Melvins – Youth of America from Electroretard (2001)
Of Montreal – Forecast Fascist Future from The Sunlandic Twins (2005)
Palace Brothers – You Will Miss Me When I Burn from Days in the Wake (1994)
Papa M – Over Jordan from Whatever, Mortal (2001)
Rachel’s – Lloyd’s Register from The Sea and the Bells (1996)
Sunny Day Real Estate – In Circles from Diary (1994)
The For Carnation – Moonbeams from The For Carnation (2000)
Tomahawk – Mayday from Mit Gas (2003)
Tortoise – Glass Museum from Millions Now Living Will Never Die (1996)
Trans Am – American Kooter from Trans Am (1996)
Velocity Girl – I Can’t Stop Smiling from Simpatico (1994)

The Friday Mixtape: 5/29/09

This week’s mixtape is Chris Hansen approved! Truly! Would Chris Hansen steer you wrong? By the way, why don’t you head into the kitchen for some sweet tea and brownies?

Emerson, Lake & Powell – Vacant Possession from Emerson, Lake & Powell (1987)
Ennio Morricone – L’estasi Dell’oro from The Good, the Bad and the Ugly [Expanded] (1966)
Firewater – 7th Avenue Static from Psychopharmacology (2001)
Joe Walsh – Rockets from There Goes the Neighborhood (1981)
Jon Brion – Voices from Meaningless (2001)
Mr. Bungle – Vanity Fair from California (1999)
Pinetop Seven – Drying Out from Rigging the Toplights (1988)
Sentenced – No One There from The Cold White Light (2002)
Spock’s Beard – Ghosts of Autumn from Feel Euphoria (2003)
Talk Talk – Ascension Day from Laughing Stock (1991)
Television – No Glamour for Willi from Television (1992)
The Kinks – Underneath the Neon Sign from Soap Opera (1975)
The Rutles – Eine Kleine Middle Klasse Musik from Archaeology (1996)
Utopia – You Make Me Crazy from Adventures in Utopia (1980)

White Label Wednesday: Faith No More, “We Care a Lot”

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Sometimes, writing this series is a dirty job, but someone’s gotta do it.

Faith No More were not at all my thing in 1987. Heck, they weren’t my thing in 1990, when they climbed into the upper ranks of modern rock superstardom with the admittedly awesome “Epic.” I spent the spring of 1987 listening to the Smiths (Louder Than Bombs and Hatful of Hollow, which are pretty much the same album), the Style Council (The Cost of Loving), and Love and Rockets (I drove the guy in the dorm room next to me positively nuts with “Kundalini Express.” Didn’t I, Joe?). Then I went home for a weekend – I probably needed to do laundry, ran out of money, or both – and saw a video on “120 Minutes” for some no-name San Francisco band called Faith No More, and suddenly realized what my life was missing: a chain-gang chorus. I went back to school, perused the 12″ singles at the local record store (SchoolKids, holler), and would you look at that; this group of punkers – there was no hard rock scene within the modern rock movement yet, so for the moment, Faith No More were punkers – made a 12″ mix. Now you’re speaking my language.

Truth be told, the lyrics to “We Care a Lot” are pretty juvenile. They care about Garbage Pail Kids (wow, now there is a dated reference for you) and Transformers, they care about the Army, Navy, Air Force and Marines, and lastly they care about “you people / Yeah, you bet we care a lot.” (Funny how that sort of thing passed for rebellion at the time.) Its energy, however, was infectious, as was that one-note bass line in the verse and the aforementioned chain-gang “We care a lot!” vocal. The 12″ mix, which is not credited to anyone, doesn’t mess around too much; a bit of echo added to the kick drum in the opening, a backwards turntable-type bit leading to a drums-only break, and what sounds like an airplane landing on the recording studio during the second verse. It’s the kind of sound that kills speakers, which is likely why I never heard this mix in the clubs. (more…)