Posts Tagged ‘Ohio’

Basement Songs: Bob Dylan, “The Times They Are A-Changin’”

basementsongs

dylanMy first couple years in college, after school let out for the summer in early May, I would climb inside my parents’ red GM van and drive down to Athens, OH to visit Matt. Ohio University, where he went to school, was on a different schedule than Bowling Green State University, and Matt’s classes didn’t end until June. There was always one weekend I could drive down and hang out with my childhood friend.

I’ve always loved solo drives through the long stretches of greenery Ohio has to offer. Something about all of that vegetation, all of that life, renews my soul. The drive to Athens takes you through the southern portion of the state; the farther down you travel, the hillier and greener the landscape becomes. With a stack of cassettes scattered in the passenger seat, a couple cans of Coke, and a bag of some greasy, salty snack (generally Bugles — you can’t go wrong with Bugles), the road trip to OU was how I marked the beginning of summer. (more…)

Dw. Dunphy On… Adam Again

In an ongoing series, Dw. Dunphy takes an occasional look back at Christian contemporary music (CCM) of the past and makes the case for a new audience to rediscover the best of it as great, lost pop music.

Next year marks the tenth anniversary of the death of Adam Again’s Gene Eugene. Born Gene Andrusco, he found fame at an early age as a child actor, most memorably as the young Darren Stevens on the TV series Bewitched. Later in life he was able to combine full-blooded funk, rock chops, a love of classic R&B from the likes of Bill Withers and Marvin Gaye, and the lyrics of Leonard Cohen and make it all stick in his version of CCM, probably the most unique and underrated in all of that subgenre’s history.

The band’s second album, Ten Songs by Adam Again (1988), was a bullhorn to staid and button-down listeners that this probably wasn’t their dad’s idea of Christian rock. If the cover of Withers’ “Ain’t No Sunshine” wasn’t an indicator, the groove of “Tree House” and the sheer mournful weight of the closing “The Tenth Song” certainly was. Homeboys (1990) went even farther in describing through song some of the city’s dark side as the title cut detailed memories of a relatively happy childhood, even in the worst of landscapes. Gaye’s “Inner City Blues” gets a respectful but certainly not pedestrian run-through. The funk of “The Fine Line” tends to deceive. Listen to the lyrics about a man trapped inside his drug addiction and you get a vastly different impression than the fat party groove might impart.

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Basement Songs: Peter Gabriel, “Excuse Me”

basementsongs

carOn Sunday mornings, I’d drag my ass out of bed and wander over to the cafeteria to replenish my fluids and put some food in my stomach. After that, maybe I’d take in the Browns game or listen to music on the headphones. This was the routine in spring semester, 1989 — even though the spring was a far-off, distant thought as winter dragged its feet on its way out. My favorite Sundays during my freshman year of college were the ones in which my friend Dan and I would venture into downtown Bowling Green to idle away the remains of the weekend. It wasn’t a long walk, but the inclement weather of northwest Ohio made these trips seem like they lasted for hours. Dressed sloppily in sweatpants or jeans so grungy they practically did the walking for us, hair askew and crammed under a baseball cap, and bundled in our down coats, we’d trek off campus.

Dan and I shared similar tastes in music and movies. At the time, he was one of the few Peter Gabriel fans I knew (real fans, anyway — beyond So and his few other hit songs). Dan introduced me to Gabriel’s first self-titled solo album (referred to as “Car”). From the rain-covered windshield on the cover to the cryptic lyrics to the brooding music, everything about the Car album captured the essence of those overcast days walking into town with the wind blowing, a wind so biting it cut through the many layers of clothes you wore. At times, it hurt to move. I will never miss the Bowling Green wind. Thanks to Dan I became enthralled with songs like “Modern Love” and “Humdrum.” Dan was particularly fond of the deep cut “Excuse Me,” which when I hear it now only reminds me of him and our Sunday walks.

North Main Street is the main drag of downtown Bowling Green, a long street of storefronts that were, at the time, made up of independent mom-and-pop shops. In the late ‘80s, you could still find a used bookstore or a locally run drugstore. On our way into town Dan and I would talk about anything under the sun: the cute girls in band, the movies we liked or hated, our classes, and the prospect of rooming together next fall. Going into the city wasn’t so much a shopping trip — it was more the building of a friendship. (more…)