A little over a year ago, the possibility of a Phish reunion was the stuff of parking lot rumor and message board postings. When they took the stage at Hampton back in March and played those opening notes to “Fluffhead,” 2009 officially became the year of Phish.
Somehow, between jamming with Bruce Springsteen at Bonnaroo and playing consistently sold-out nights, they managed to record a new album with old friend Steve Lilywhite. Joy is their first studio outing since the weary Undermind back in 2004. (more…)
Somewhere between Burlington and Denver, Asheville and Brooklyn. In a Between the Rainbow bus, the disco van, and the drum circle. Beyond the hula hooping sistas and the guy with the didgeridoo. Just past the hemp jewelry, the h3tty crystal wraps, the miracle seekers, the dreadies with the ice cold sammies and kind veggie burritos, you might find intrepid writer J.J. Colagrande. He’s been on the road for a long time and he’s taken his experiences on Phish tours, at the music festies, and in the vibrant culture and community that goes along with it into his first novel, Headz.
Headz is a rambling, ambling read – told through the point of view of different characters – “Heads” themselves from all over the country. Their collective paths all leading to Soldier Field for “Oracledang” — and what’s “Oracledang,” you ask? Why, it’s only the biggest festie of them all. (more…)
Welcome back to Test of the Boomerang. Happy Spring Equinox!
The folks over at Lostpedia offered up an interesting tidbit about the recent Lost episode “La Fleur.” Could the names of the three Dharma-ites at the beginning of the episode — Jerry, Phil and Rosie — be a reference to Jerry Garcia, Phil Lesh and “Rosie”?
Phil and Jerry, brownie eating 1970s hippies, seem to be references to Phil Lesh and Jerry Garcia of The Grateful Dead. Rosie may be a reference to the reoccurring symbol of roses in Grateful Dead songs and art…
“We now return our souls to the creator, as we stand on the edge of eternal darkness. Let our chant fill the void in order that others may know. In the land of the night the ship of the sun is drawn by the grateful dead.”
Even the most casual viewer of Lost can see that the show is rife with symbiology and archetypes found in myth and folklore, like the Grateful Dead’s music and lyrics — song-poems culled from the shadows of the American campfire as well as the cosmic realms beyond. A familiar tale of survivors waiting to be rescued turns into something far more complex. A jugband from Palo Alto decide to go electric and it becomes one of the longest and strangest tales of them all. (more…)
Sherman, set the Way Back machine for that balmy summer of 1996! Jerry Garcia had been gone a year, and a lot of lonesome folks had hitched their wagons to the sound-carnival that was Phish.
The Vermont foursome rented out an abandoned air strip in upstate New York for a weekend of music, music and more music. They called it ‘The Clifford Ball‘ and it became the blueprint for every summer festival that would follow in its wake.
Rhino has released a seven-disc set of the whole shebang just in time for Phish’s 2009 reunion. If you didn’t score tickets to Hampton, this just might help ease the sting. Trey, Gordo, Paige, and Fishman have never really been much to look at, so the important thing here is the music. In 1996, arguably, Phish were at the height of their powers. There’s a fantastic mix of new (at the time) and old songs here. The band is tight, in the pocket, and totally playful. Every note played that legendary weekend has been captured in a brilliant 5.1 stereo mix. From the soundcheck to the mini acoustic set to the 3 a.m. improv jam the band performed on the back of a light-encrusted flatbed truck.
It’s all wrapped up in a very cool package that includes some Clifford Ball postcards and stamps. Fire up your own kind veggie burritos, put some Magic Hat #9 in the fridge, and camp out in your living room with this great package from Rhino. (more…)
Chris Darrow’s first paid gig was playing bluegrass with David Lindley on the streets of Disneyland in the early 1960s. The duo went on to form Kaleidoscope — a Middle Eastern-inflected psychedelic combo — and released a pair of cult classics before Darrow headed out on his own to become a hired gun for everyone from Leonard Cohen to the Nitty Gritty Dirt Band. In the early 1970s, he released a pair of solo albums: Chris Darrow in 1973, and Under My Own Disguise the following year. The good folks at Everloving Records are releasing both as a double-LP box set that also includes the CD version.Darrow is a crack player and picker, and these two discs are brimming with equal parts country blues and starry bluegrass. Delightfully obscure and chock full of that California cowboy melancholy that so many great records are steeped in. It’s great stuff from a brilliant producer who has been hard at it for a long time. Fans of the New Riders of the Purple Sage, CSNY, David Grisman, Dave Alvin, or just good ol’ California roots music will really find something to enjoy here.
Akron/Family together with Ben Harper, Howlin’ Rain and others are performing a special Tribute to Chris Darrow at the (legendary) McCabe’s Guitar Shop in Santa Monica. For tickets and more information, go to Everloving Dot Com. (more…)
Phil Lesh has just released a free Soundboard recording of the Phil Lesh and Friends concert at the Warfield in San Francisco, May 13th of this year. That was the first night of the run to close out the historic theater before being renovated and re-opened by new management. Fitting, since so many historic Dead and Dead family shows went down in that beautiful place. Myself, I saw everybody from Sonic Youth to The Allman Brothers there.
May 13th was the night that the band played the first two Grateful Dead albums in their entirety – 1967’s self-titled debut and 1968’s Anthem of the Sun. Bob Weir sat in that night as well for vocals and some serious jamming. A fantastic night of music and it’s all available here! (more…)
