Posts Tagged ‘The Rolling Stones’

Exit Music (For a Campaign): Hillary Clinton

Hillary Clinton boarding planeIt’s the end of the road for Hillary Clinton’s campaign. A few signs lately have pointed towards Hillary finally packing it in, and after Barack Obama sweeps up enough of the black vote in the urban strongholds of Montana and South Dakota today to claim victory in these final two primary states, it’s likely that Clinton’s campaign will offer a formal concession. Hillary’s last-ditch effort to convince the DNC’s Rules and Bylaws Committee to seat Michigan and Florida’s entire slates of delegates with full voting status (and award all of said delegates to her) failed, and her pitch to undecided superdelegates over the last month has mostly been falling on deaf ears. By the end, her surrogates’ statements about the which states “mattered” and specific, irrelevant ways the popular vote could be tallied to produce a slim lead for Hillary were beginning to insult everyone’s intelligence.

The nomination is decided by delegates. In the primary process, the total popular vote is no more critical to the outcome of the contest than passing yardage is to the outcome of a football game. Having Hillary attract superdelegates based on an absurdly subjective interpretation of which votes to count would be like seeing Green Bay Packers coach Mike McCarthy persuade the NFL that his team should represent their conference in the Superbowl because, even though his team had a lower number of points than the Giants in the NFC championship game, they forced more fumbles and had a higher field goal kicking percentage and would be a stronger matchup against the Patriots.

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Hey, You Kids Get Out of My Yard!: Holdin’ Out for a Hero

When I was a kid, my heroes were, at the very least, deserving of adoration. The Beatles, Rolling Stones, Cheap Trick, Dan Pastorini (the one non-musician of the bunch) — the one thing they had in common was that they were immensely talented at what they did. Some would say that they were among the very best, and thus, they seemed bigger than life to me and the millions who adored them. I was inspired by them and what I perceived to be their dedication to the craft. I also admired their shrewd understanding that a fair bit of marketing went a long way, too.

Of course, the music world is not just full of legendary artists such as those named above. For as long as there have been artistes, there have been those whose marketing overshadowed their artistic endeavors. I’m thinking along the lines of C.W. McCall, Taco, and — oh, what the heck — Sigue Sigue Sputnik.

Such one-hit wonders would invariably come out of nowhere, dominate the airwaves for every last second of their fifteen minutes of fame and then, thankfully, disappear into pop oblivion. The respectable artists who were temporarily swept aside to make way for this brief dalliance with the latest “here today, gone tomorrow” pop confection would then return to their rightful place on radio playlists and the ship would right itself.

I mean, acts like Tiffany, Sly Fox, After the Fire, and others had their success, but it was always understood that they’d go away. That’s what one- or two-hit wonders did. It was understood.

But then something weird happened.

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