
A homework pass to the first commenter who can identify what inspired this column’s headline – without resorting to the Google (honor system!) – and can tell us why The Man is so unhip.
Class, today’s discussion concerns the first five chapters of Ayn Rand’s symphony of self-centeredness, Atlas Shrugged. I’m not the world’s fastest reader, so I’m sorry to disappoint anyone who’s managed to read ahead of me over the four days since I commenced this adventure in politically contrarian scholarship. But I gotta tell you … and here’s an obscure cultural reference … as I’ve worked my way through 125 pages of Rand’s polemic disguised as a novel, I’ve felt like I had mistakenly picked up the first couple of theme-notebook volumes of Henry Fool’s “Confessions.” (If you don’t get the reference, put the bizarre Hal Hartley film in your Netflix queue.) I’m already wondering if this thing is ever going to end.
That said, I must admit that Atlas Shrugged is far more gripping than I expected it to be – even if, half the time, it’s gripping in the way that a gruesome five-car collision commands the attention of passers-by on the freeway. I’m a sucker for stories full of workplace intrigue and political manipulations, so I’m having a surprisingly easy time tolerating Rand’s endless exposition and the most unfathomable attempts at dialogue I’ve ever read. As for the Objectivism … I suppose if I’m to read one work of delusional right-wing fiction this holiday season, I’m glad it’s this rather than, say, Going Rogue. (more…)


2. X-Men Origins: Wolverine (May 1), starring Hugh Jackman and Liev Schreiber, directed by Gavin Hood.
Various Artists – Dragnet Original Soundtrack (1987)