Posts Tagged ‘Winger’

You Again?: Winger, “Karma”

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If Kip Winger hadn’t been around to make music in the ’80s, someone would have had to invent him.

Prettier than Lita Ford, with teeth whiter than Utah, the most perfect hard rock name not ending in “Dokken,” and a gift for the kind of leering lasciviousness that sounds about as dangerous as milk (and sounds great on the radio besides), Winger entered the charts in 1988 like Wilt Chamberlain joining the NBA in 1959 — in other words, with so many unfair natural advantages that they should have created an entirely new league. Seriously, “Seventeen”? Winger was like a meticulously stubbled, hair metal version of Chuck Berry, reducing rock & roll to its key thematic components (specifically, young girls and the gross older dudes who love them) while still allowing room for a little flash. His music bore the strong scent of Velveeta, but people have been buying that shit since 1918. Other bands might have made double entendres more successfully (see: “Cherry Pie”), but none of them had the same combination of pop-grounded metal and cheerleader good looks (see: any picture of Jani Lane). If he had played his cards right, Winger could have been one of the all-time legends.

But noooooooooooooooooooooooooooooo. (more…)

Death by Power Ballad: Winger, “Headed for a Heartbreak”

Everything you’re about to read is apocryphal. No proof exists that anything that follows is true. But I heard it from someone, who heard it from someone, who likely heard it from yet another someone, who should know. Here goes:

When then-Alice Cooper bassist Kip Winger met model Rachel Hunter in the late ’80s, at a party for some long-forgotten leather codpiece manufacturer, the clear blue mid-afternoon southern California sky darkened in seconds. Lightning touched down thither and yon, drifting toward the party, eventually making a rough circle around the pair about ten yards in diameter. Klieg lights materialized out of thin air, training their intense beams at the couple. Someone (probably Paul Stanley) produced a disco ball and tossed it high in the sky, where it was struck by a bolt of lightning, sending tiny shards of mirrored glass down toward them, shards that turned into sparkling glitter dust as it entered their new, unique atmosphere. The party for the long-forgotten leather codpiece manufacturer was over, but the party for Kip and Rachel had just begun.

They rented a room at the Continental Hyatt House on the Sunset Strip for a long weekend, enjoying three days of room service and round-the-clock study of the Kama Sutra, as well as free HBO. In fact, Kip was the only one of the two who left the room all weekend, on a run to the local apothecary to purchase additional 24-packs of prophylactics. (Imagine being the poor housecleaning attendant emptying that wastebasket after they checked out.) (more…)

The Steel Horse Archives: Prologue — Step Inside, Walk This Way

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With the exception of whichever one Mase was in, perhaps no musical genre has endured a swifter or less celebrated mainstream extermination than Hair Metal, whose predominant 1980s celebrants – generally uncomplicated fellows who came to town with nothing more than hearts of gold, dreams of fame and lady makeup – wanted nothing more than to have a good time, even if you couldn’t get one to write a decent lyric about it by electro-shocking him in the shoulder pads.

Once that floating naked baby record and the flannel people materialized, of course, such bands couldn’t do much but struggle to quote-fingers evolve (anyone remember Poison’s gospel-tinged ode to individuality “Stand?” Pfft.), but surprisingly, most fans resisted the abruptly spiritual carpe-diem stuff emerging from the very same people who just minutes prior were panting out songs like “The Hunter” and “Wanted Man” and “Slip of the Lip” and “You Are The Saint, I Am The Sinner” while thrusting, into the MTV cameras, anything attached to them that was thrustable. Eight minutes later “Beavis and Butthead” put a dingus named Stuart in a Winger T-shirt and the coffin was closed. For a while.

Because these days, a great many hairtacular bands have circled their wagons on the middle-tier nostalgia package-tour circuit looking, if not to conquer the Earth, to at least ruin some more of its ozone. These are the lucky ones, of course, as some are surely moving used cars in Lexington, some are assembling weird simulacrums of their former bands and releasing “Chinese Democracy” and still others are smacking their noses into parts of the Tony Awards. It’s a mess, is what I’m saying. But regardless, somewhere on its plummet down from the wild ’80s schmaltz-glitz years of Bon Jovi, Poison, Motley Crue and the 250 bands that started with W, hair metal — and this was really nice of it — forgot to die. (more…)

Dw. Dunphy On… Recovering From Performer’s Bias

A friend of mine told me I needed a severe attitude adjustment. At first, I didn’t know what she was talking about: “What’s wrong with my attitude?”

“You’re the only person in this room not having fun,” she said. She was right. We were in the midst of a typical Friday night crowd at the local watering hole. I don’t drink, but I don’t think that had any bearing on my state of mind and, if anything, if I was a drinker my negative view of the situation probably would have been worse, not better. On the stage, which seemed to be the size of a backyard pool’s diving board, was a cover band. Not just any cover band, mind you, but an ’80s hair metal band, complete with poofy, sprayed-up manes held together with gypsy-print bandannas and the whole “we are gonna Rock YUH” schtick — I think the lead singer even did Axl’s snake shake a couple of times.

And the audience ate it up. No question that the booze was indeed flowing, so there was a degree of liquid indoctrination happening, but their momentary adoration was not completely fueled by firewater. And here’s the thing: in spite of the inherent cheesiness of trotting out Europe’s “The Final Countdown” like it was something worth trotting, the band could play. The singer could sing. It wasn’t like they were incapable, so why were they leaning on the crutches of Winger, Poison and Slaughter?

Weeks before, I mentioned to someone that the only time karaoke is really fun is when the participants are drunk. Look, there’s a little truth to that, isn’t there? I barely can handle listening to the real Mariah Carey sing, so why would I get any pleasure out of listening to an amateur imitating her competently? Stumbling for words and attempting to reach those hellspawned high notes until her poor little head nearly burst like a festering zit…well, that might be more entertaining. Still, that was a snipe there, and in retrospect I realize that maybe I do need an attitudinal chiropractor to wrench my crap back into alignment and help me not be such an old, opinionated crank.

I’ve met people in cover bands over the years, and even though many have been of the “Du-ude!” variety, they had a clear notion of where they were on the entertainment totem pole, and where they weren’t, meaning that few harbored illusions of becoming stars in their own right. One once said to me, “I’m not here to be a rock star, I’m here to channel a rock star. People don’t come here to see me if they come at all for the music. They come to see through me to whoever and whatever I’m singing tonight.” It was a very honest statement, a knowing statement. This guy worked at a mortgage firm at the time, before the term ‘mortgage firm’ had the same effect as ‘baby killer.’ Deskside number-crunching was what paid the bills, and he knew it. Saturday night at the beachfront joint with the tiki lounge was for fun, it was escape, and it was a brief moment for this guy to think about the might-have-beens. (more…)