The Cassingle Vault: Chynna Phillips, “Naked and Sacred”

Jeff Giles January 7, 2008 16

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Chynna Phillips – Naked and Sacred (1995)

Bet you didn’t even know this thing existed, did you?

Don’t feel bad. Chynna’s post-Wilson Phillips coming out party, Naked and Sacred, was one of the biggest duds of 1995, selling fewer than 25,000 units stateside. Given how meekly EMI promoted the album, it’s tempting to believe its release was part of some contractual obligation left over from the dissolution of Wilson Phillips’ EMI-owned label, SBK Records — but then again, as any one who’s actually listened to the album could tell you, the biggest promotional budget in the world couldn’t have saved this turkey.

The problems begin with the single’s title. “Naked and Sacred” (download)? Seriously? Okay, okay — it was written by Rick Nowels, Tom Kelly, and Billy Steinberg, three names synonymous with dopey pop songs, but they usually manage to come up with a hooky melody to Sheetrock over their asinine lyrics (case in point: “Heaven Is a Place on Earth,” which Nowels co-wrote with Ellen Shipley).

No hooks here. And even worse is the boner killer implicit in the title — hey, Chynna Phillips is naked! And…sacred? What? One of these things does not belong, Chynna. If you want to be naked, that’s great, but put the scriptures away. Of course, “Naked and On All Fours” doesn’t roll off the tongue quite as easily as “Naked and Sacred,” but I’m going to go out on a limb and say it would have been a bigger hit anyway.

Thankfully, Chynna gets down to business on the single’s B-side, “Follow Love Down” (download). Yes, it’s unbelievably annoying that she spends half the song trying to “rock out” (and sounding like Lita Ford with a bad cold), but that’s easy enough to forgive, because she spends the other half moaning, singing cheap double entendres, and generally demonstrating that she’s been a very bad girl and might actually need a spanking.

I’m sorry, what were we talking about?

Oh. Right. This shitty single. Well, there isn’t much else to say, really; if you’ve listened to a few bars of one or both of these songs, you’ve heard more of Chynna Phillips’ solo album than most of the rest of the world, which is why Wilson Phillips staged a “comeback” in the early double aughts. (The resultant album, California, might have been even worse than Naked and Sacred, but that’s for another post.) But don’t be sad for Chynna — she’s got her marriage to Billy Baldwin, and their three kids, and those “Hold On” royalties. And hey, it could have been worse — this could have been titled Naked and Carnie.

  • http://www.bastardradio.com Bastard No. 1

    Great post. You are absolutely correct. I had no idea this existed and I never need to hear it again. Both songs are terrible but Naked and Sacred is a joke. The rhyming scheme could have been written by a 6 year old and half the lines aren't even long enough to fill the bar. You'd think after selling as many records as she did, she might have been able to veto this crap and choose another song. Then again, since the b-side is only slightly crappier – maybe she was the one who loved them. At least I'm not going to get this stuck in my head all day.

  • David_E

    Oh god. Naked and Carnie.

    Thank you for starting my day with Chuckle and Retch.

  • http://www.popdose.com DwDunphy

    It didn't help that during her press trek to pimp this thing, she kept referring to the album as her 'love letter to my new husband”, some Baldwin brother and I can't recall which one…

    If she was trying to sell sexuality, mixed messages and off-the-market status sure weren't the way.

  • http://www.deselbybowen.com/parlando/ Scraps

    Bryan Buss at Allmusic leads the (fewer than) 25,000 fan parade:

    “the most consistent album any of the [WP] women have produced, solo, as a duo, or together. Phillips' girlish vocals are more assured than ever, there are hooks to die for, and she is backed by lush arrangements that complement her voice instead of covering up weaknesses like so many productions do. Not one track falters.”

    “Naked and Sacred” is the kind of title that happens when terrible songwriters try to Get Deep.

  • http://www.popdose.com 1Py_Korry1

    Would you say that this is one of the worst solo outings of the 90s for a woman who was with a group?

  • CC

    I'm one of those unfortunate people who knew the song existed. Worse, I own it.

  • http://www.popdose.com DwDunphy

    Oh, I think AllMusic has quite a few bogus opinions. Read some of the reviews of REO Speedwagon albums if you doubt me.

  • http://www.deselbybowen.com/parlando/ Scraps

    Allmusic is chockablock with bogus opinions. They've got a handful of reliable, decently insightful reviewers covering as much of the important stuff as possible, and a crowd of others to fill the vast spaces beneath, who range from knowledgeable specialists to fanboys, publicity hacks, pompous asses, and semi-literate gushers (typified by the agonizingly bad Mackenzie Wilson).

  • http://www.deselbybowen.com/parlando/ Scraps

    Whoops, I replied in the main thread. Grr, threaded comments.

  • Panhandler

    Let's face it… her best work was done in 1987; 3 seconds in front of a locker with Hardy Jenns.

  • trow125

    I remember when this came out — every time I saw the title, I thought it said “Naked and Scared,” which is a much less pleasant scenario.

  • Pat

    Always had a crush on her. She was a fine piece in her day…even with that horrible short haircut. Did you ever see the video for “Naked & Sacred”? Hot!

    I think she dated AOR axe-legend Michael Landau back in late 80's/early 90's and she thanks him in the liner notes of the Wilson Phillips records he played on.

  • http://mulberrypanda96.blogspot.com rwcass

    She performed this song on “Late Show” back in the fall of '95. And that's the last I heard of it until now.

  • http://mulberrypanda96.blogspot.com rwcass

    She performed this song on “Late Show” back in the fall of '95. And that's the last I heard of it until now.

  • http://mulberrypanda96.blogspot.com rwcass

    She performed this song on “Late Show” back in the fall of '95. And that's the last I heard of it until now.

  • Daniel

    I totally disagree with this review and most of the negative comments. l am a big Wilson Phillips fan and thought this was a solid solo debut for Chynna Phillips. Great pop songs for the most part, just a couple fillers here and there. Love Chynna's voice, although it's a bit thin during when she tries to rock out occasionally. Naked and Sacred is actually one of my all time favorite pop tunes, it was even covered by Maria Naylor as a dance song. Love the video, Chynna looked so beautiful and hot.