The Ninth Day of Mellowmas: Fats?

Jeff Giles and Jason Hare December 9, 2008 26

Happy ninth day of Mellowmas! Today, we’re sad to say that we’re skewering a truly brilliant artist: none other than Fats Domino. We really didn’t want to, but…well, you’ll see.

Jason: Jeff, I know you’re wondering why I picked this track.

Jeff: Well, yeah.

Jason: I mean, Fats Domino?

Jeff: Fats Domino is a legend.

Jason: He is.

Jeff: Thirty-seven Top 40 singles!

Jason: A brilliant piano player. A fine, fine musician.

Jeff: The man too tough for Katrina to beat!

Jason: A real rootsy musician.

Jeff: A humanitarian, even.

Jason: Go ahead. Start the track.

Fats Domino — Frosty the Snowman (download)

From Christmas is a Special Day (formerly Christmas Gumbo)  Amazon iTunes

Jeff: Hmm. There seems to be some kind of mistake.

Jason: Hey, we have Fats Domino in the studio! I know what we’ll do! We’ll have him sing to a DRUM MACHINE!

Jeff: And take away his piano!

Jason: SERIOUSLY! I mean, the horns are real, so we have that. But that’s about it.

Jeff: Are we sure this is Fats Domino?

Jason: It is! His vocal is okay. He sounds a bit like Shirley Q. Liquor, but the vocal’s not bad. I’m just appalled that they gave him this idiotic track.

Jeff: Ha ha ha! Shirley Q. Liquor!

Jason: I mean, it’s Fats Domino! Show some fucking respect, you know?

Jeff: Damn straight!

Jason: I mean, the bass part is right off a Casio.

Jeff: This is bullshit.

Jason: I agree.

Jeff: I blame Daryl Dragon.

Jason: Fats deserves better, doesn’t he? I just found a blog post where people just gush over this track. How can you gush over this track?

Jeff: This is one of the lamest versions of this song I have ever heard, and it’s a pretty lame song to begin with.

Jeff: I think I found the post you’re talking about. “The Fat Man Plays It Smooth for Frosty.”

Jason: That’s the one.

Jeff: “A nice, gently funky groove”?

Jason: And the version they have there is a bit different. It’s in a different key with a different intro, but the track is exactly the same. Which means either that guy’s version is slow or ours is fast. But the backing track remains the same.

Jeff: I haven’t found any other information.

Jason: I never thought this day would come — a day when a respected, genius artist like Fats Domino would wind up being part of Mellowmas. I’m getting angrier and angrier by the minute. Who produced this? What did Fats ever do to these guys? Can we light their house on fire?

Jeff:Perhaps it’s best if we listen to anything else by Fats Domino.

Jason: Even if it’s not Christmas.

Jeff: Absolutely. I’d rather hear Richie Cunningham singing “Blueberry Hill” at this point.

Oh my God, look at this.

Jason: Wow. It gets stellar reviews! Released in ’93?

Jeff: One commenter describes it as “chocolate frosting on an already yummy musical cake,” or something like that. Fats has awful, awful fans.

Jason: Am I crazy here? Be honest. Because everybody seems to love this, and I don’t get it. I mean, where’s the PIANO?

Jeff: I’ve had it on a loop since we started talking about it, and I’m probably not the best person to judge anyone’s sanity at this point. I’m terribly disillusioned.

Jason: Yeah, I know.

Jeff: Fats cut an entire Christmas album, and this was on it. He must have wanted to do it.

Jason: I’m sorry. I didn’t want to do this to you. Or anybody else.
I love Fats.

Jeff: Well, look at the bright side — everyone else will probably love it.

Jason: Okay. So if our readers love it, are you going to jump to their side or are you standing strong with me on the “what the shit is this?” side?

Jeff: It just started in my headphones again. I’m definitely standing strong. This sucks.

Jason: Thank you. Hippity hop hop.

Jeff: I hope you had massive gambling debts, Fats. Or were behind on your child support payments or something. ANYTHING.

Jason: I’m afraid the reason was like, “I love Christmas, and I think the technology in some of these new 48-note Casios is just stunning.”

Jeff: Sigh

Jason: Or “I love Christmas, and I thought, who needs real drums? Or bass? Or piano?” I’m just sad now.

Jeff: It’s starting again.

Jason: I’m going back to watching a video of “Ain’t That a Shame.”

Jeff: I’m going to claw my headphones off and go lie down for awhile. Thanks for passing this along, you fucker.

Jason: Hippity hop hop, buddy.

  • http://schiing.terjefjelde.com terje

    Engineer Steve Reynolds said “It's like Fats Domino entertaining you in his own living room.” Too true.

    This was Domino's first major-label studio album since 1968. Now ain't that a shame. Still, despite its obvious drawbacks, it's probably the best thing you've posted so far. The wrapping's kind of tacky, but the style is pure Fats.

  • http://mostlymodernmedia.wordpress.com Beau

    Sounds like a Casio in demo mode. Or with the magic “one-finger accompaniment.”

    Insert your own “one finger” punch line here.

  • mojo

    Two thoughts:

    1) Quality of music aside, I am sad to see Fats here. He's a legend and paid his dues. We've worked so hard to give his peers such as Bo Diddley and Chuck Berry their due on Popdose this year–for good reason, they've put up with a lot of garbage in their lives and even though they don't hit home runs every time they go in the studio, the world owes them more than they owe us.

    Plus, even through cheezy early-90s Casio, he is creating rockin' New Orleans tuneage with a backbeat far from the Velveeta pap of your previous victims like Manilow and Mike McD. You can't stop the rock from him. But Michael Bolton, you guys showed, freezes the rock dead in its tracks.

    2) On the flip side, Ike Turner started out on keyboards, played on some of rock's greatest early records, before he picked up the guitar and shaped its use for all the players who came after–both as an arranger and performer. He's right there with Fats and the other early great keyboardists making rock out of R&B's ashes.

    That being said I got his last album and interviewed him and although it wasn't Casio bad, it was too digital in the fake-acoustic keyboards with too many synth pads. It was fake blues put out by a legend, and there was no excuse for passing it off as quality material. Of course I did not discuss my displeasure with him, because suggesting “You can do better than that, you know!” might have led to the ass-whippin' I was asking for.

    I guess I'm saying, with all the Garth Brookses and Dolly Partons and Boltons/Manilows etc. out there cranking out what seems to be annual Christmas records to the Buick/Cadillac/Oldsmobile crowd, you guys have a lot more deserving targets than good old Fats, who deserves a break. If you can find an Ike Turner Christmas album, for instance, you could pummel him and I'd not object…

    Do I get flamed for taking Mellowmas seriously? I guess I'll find out!!!!

  • http://www.popdose.com jefito

    I won't flame you. I also resisted including this song in this year's lineup, but Jason made a very persuasive argument, which is that it's terrible. My love for Fats remains undiminished, but I wish I'd never heard this song.

  • http://www.facebook.com/profile.php?id=679113018 MichaelWSP

    I'm sad

    No Doubt

    That Fats

    Sold Out

    Ain't That a Shame,

    My tears fell like rain.

    Ain't That A Shame

    Casio's to blame.

    Thank you! I'll be here all ze week!

  • mojo

    Agreed. You are a master of comments diplomacy.

    Now where did I set down that Super Big Gulp of my signature Christmas beverage, eggnog & Sterno?

  • http://www.popdose.com Ted

    My favorite part of the song: from 2:27 to the end.

  • http://garagerock.wordpress.com edmur

    While the backing music is pure casio cheese, and the arrangement little better, I actually like Fats' “reading” of the song. His vocal delivery is sublime…

  • eddie

    try Fats again at Easter time… his rendition of “Easter Parade” is most excellent

  • http://popdose.com MatthewBolin

    If by “sublime” you mean sounding like he had one too many eggnogs…

    I'm sorry, but what is with the one bar pause after the first line of each stanza? That may be his decided “reading”, but it sounds BAD–herky-jerky. It catches you off guard, and seems more like someone who forgot the words the first time through, and then decided to keep doing it so the entire song would be similar.

    Fats may be a legend and an originator, but a sub-par performance shouldn't get bonus points because of who is giving it.

  • http://www.popdose.com jefito

    Mr. Bolin speaks the truth. Amen!

  • WHarrisBullzEye

    I will second the complaint about the one-bar pause – it's not clever; it's just off-putting – and, yes, the musical backing is definitely straight out of the Casio playbook. But I still love me some Fats. If you've never heard his covers of “Lady Madonna” or “Everybody's Got Something To Hide Except Me and My Monkey,” you're missing out. And I highly recommend Rick Coleman's “Blue Monday,” a well-written and enthralling biography which gives you Fats' history inside and out.

  • http://www.popdose.com DwDunphy

    Engineer Steve Reynolds said “It's like Fats Domino entertaining you in his own living room.” He probably meant “nursing home bedroom” because the only image this rendition conjures in my mind is a sad, lonely Antoine making the best of the crappy Casio his ineffectual grandkids dumped in his lap last Christmas, for the whole of the fifteen minutes they spent with Grandpere Fats on the holiday. He's got a flame in his heart that they'll be back this year, coming to hear what he done cooked up for them, but they're not coming. Not at all.

    For Christmas dinner, Fats gets a plate of turkey, two ice-cream scoops of mashed potatoes covered in a gravy that has already begun to skin over, limp, grayish stalks that once were green beans and, as a “special treat”, strawberry flavored Ensure to wash it all down. The temps start running down the halls, shutting the doors to the rooms. That can only mean one thing: someone didn't make it all the way through another holiday. Fats eats a brownish paste off a spoon. It tastes like Stove Top stuffing. It looks like crap.

    Fats plinks a tune from his Casio, now too sad, lonely and scared to actually try to “tickle ivories”, he lets the presets do all the work. He flips on the TV, watches Jimmy Stewart and Donna Reed dance into the pool for the thousandth time in his life and breaks down into low, almost unheard sobs. No one is there to hear him, so they might as well not exist at all.

    Point of this story is: I hope you're all happy. Look what you've done to Fats.

  • Old_Davy

    While all the previous offerings were pretty hilarious – or in the case of Judy Collins, totally inappropriate, today's musical gift was just sad.

    You know, this could be a killer cut with real musicians playing real instruments, but the computerized backing track sucks all the life out of it. This tune could use a musical defibrillator.

    Sad indeed.

  • Old_Davy

    DwD, your post made me want to poke my eyes out with a candy cane.

  • http://www.popdose.com DwDunphy

    The inspiration to Pixies' “Gouge Away”… True story!

  • Bob

    Dude, that rocked! I'll be sure to catch your next show.

  • http://mostlymodernmedia.wordpress.com Beau

    Wait, wait, wait … Mellowmas songs are supposed to suck?

    Uh oh — this changes everything.

  • Curt

    I haven't felt this violated since hearing Paul McCartney do the theme from “You Only Live Twice.”

  • http://www.jasonhare.com jasonhare

    Wow, Jeff, way to throw me under the bus!

    I see where you're coming from, Flucke, all the way. When I pick my Mellowmas candidates, I usually have my iPod shuffle through all my holiday songs. This song came on and I instantly hated it, without even knowing who it was. For me, this kind of comes back to the Stevie Wonder Argument — do we forgive him his trespasses post '80 because of everything he gave us beforehand? I don't respect him any less, but a bad song is a bad song.

  • http://www.popdose.com jefito

    I didn't throw you under the bus! I said you were right!

  • Curt

    Fuck, it's “Live and Let Die” – I really thought I had totally repressed that memory…thanks a lot!

  • Curt

    Fuck, it's “Live and Let Die” – I really thought I had totally repressed that memory…thanks a lot!

  • Curt

    Fuck, it's “Live and Let Die” – I really thought I had totally repressed that memory…thanks a lot!

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