As his career memoirs for Popdose reach their conclusion, Tom Werman reflects on one last big-budget project — and heads East to settle down and get, in his words, “blissed out.”
In this week’s column, Tom Werman recounts the strange new world of the mid-’90s, and his struggles to prove his worth after hair metal fell out of fashion.
Tom Werman’s career retrospective reaches the early ’90s this week — a time when trends shifted, metal sales slowed, and change was in the wind.
It has been over two weeks since I sent the two emails to Dee SniderÁ¢€â„¢s web site and to his publicist. No reply so far, so I guess I wonÁ¢€â„¢t…
The previous installment provided some curious tales of Twisted Sister. An Australian musician/journalist friend of mine named Joe Matera frequently sends me items from the Web that he thinks may…
I called my daughters to talk about Michael Jackson, because I know how important he was to them when they were teenagers. Young people all over the world were saying,…
In his latest column, Tom Werman relives the wild and crazy early ’80s, including some time behind the boards for Motley Crue, a narrow brush with Timothy B. Schmit, and a fateful meeting with some dudes who were not going to take it (anymore).
This week, producer Tom Werman looks back at the early ’80s, and his brushes with acts both legendary (the Blues Brothers, Whitney Houston) and largely forgotten (Stranger).
In his latest installment of The Producers, Tom Werman revisits 1979 and 1980, taking us through projects with Blue Oyster Cult, Molly Hatchet, and Cheap Trick — and up to the eve of a meeting with a certain pair of soul siblings.
In the latest installment of his Popdose series, Tom Werman looks back at a very busy 1978 — including two Ted Nugent albums, some Cheap Trick, and fun with Molly Hatchet.
The last installment prompted a number of responses having to do with a couple of bands that I and some of the readers feel should have been more successful. I…
In this week’s installment of The Producers, Tom Werman revisits the roaring ’70s, including his work with the Nuge, Mother’s Finest, and Boston — and a very memorable brush with the Boss.
He’s been on vacation for two weeks, but now Tom Werman is back with another installment of the series that looks back at his multiplatinum career.
Tom Werman’s ongoing look back at his storied career returns for its fifth installment, in which he is bossed around by Jan Hammer, meets George Harrison and Cheap Trick, and narrowly avoids a brush with Eddie Money!
[Editor’s Note: Earlier this week, a large chunk of this installment was lost in one of the Internet’s many tubes. We’ve since expanded it to its intended length, and are…
The office I was given at Epic was located between the offices of Barry Kornfeld and Sandy Linzer, who were both A&R men and producers, as well. Both had been…
Epic Records was located on the 13th floor of the imposing Eero Saarinen-designed CBS Building, dubbed “Black Rock” due to its black granite exterior. The interior was furnished with fine…
(Editor’s Note: Since Popdose’s earliest days, we’ve been blessed with some of the smartest and most music-savvy readers on the Web — and so, when we unexpectedly made the acquaintance…
[Note: Back in April, as part of Matthew Bolin’s ongoing series, When Good Albums Happen to Bad People, Popdose ran a post that focused on MÁ¶tley CrÁ¼e’s Girls, Girls, Girls….