As the days go by, I’m learning more and more that my son, who’s now one year old, seems to respond to music. Whenever my wife turns on CMT or I pop on a record, he stops in his tracks, stares at the noise coming out of the big machine, and then starts bobbing his head — actually, his entire upper body — to the tunes.
So, as of last Thursday I’ve decided to play him a “classic” record each morning as we’re getting ready for the day — you know, with the hope that he’ll grow up liking daddy’s music (God help him). I’ve had four opportunities so far and I’ve chosen Peter Gabriel’s So, Arcadia’s So Red the Rose, the Time’s Ice Cream Castles, and INXS’s Kick. He seemed to like Peter Gabriel and was dancing all over the place during “Red Rain” (the first time I’ve ever seen anyone dance to that song). He also bobbed his head quite a bit during INXS’s “Guns in the Sky,” and Arcadia’s “Election Day” had him swaying back and forth. Unfortunately, Morris Day and the Time seemed to do nothing for him, but I still have plenty of formidable years ahead to get my son to blow his funky horn like dad.
Now, back to the ass end of the 1980s, i.e. songs that charted below #40 on the Billboard Hot 100 during the Reagan years, featuring our final week of artists whose names begin with the letter P.
Á¢€Å“IÁ¢€â„¢m Never Gonna Say GoodbyeÁ¢€ — 1982, #88 (download)
Billy Preston & Syreeta
Á¢€Å“One More Time for LoveÁ¢€ — 1980, #52 (download)
Billy PrestonÁ¢€â„¢s smash duet with Syreeta, Á¢€Å“With You IÁ¢€â„¢m Born AgainÁ¢€ puts me to sleep, so if IÁ¢€â„¢m listening to BillyÁ¢€â„¢s singles chronologically, I just never get to these. Man, Á¢€Å“With YouÁ¢€ must be the slowest ballad to chart in the decade. Not like either of these tunes here are barnburners, either. IÁ¢€â„¢m pretty sure Á¢€Å“One More Time for LoveÁ¢€ is actually a really good song, but I havenÁ¢€â„¢t been in the right mood to verify that in ages.
HereÁ¢€â„¢s one of those artists that IÁ¢€â„¢m going to learn a lot about by reading the comments. They’re pretty much universally loved, but I, of course, canÁ¢€â„¢t stand their music and think they are way overrated. But as with pretty much every artist I hate, there isnÁ¢€â„¢t one thing I can pinpoint or one moment where I realized it, but there has never been a point in my life where I have cared to hear a Pretenders song. The 1986 #10 hit Á¢€Å“DonÁ¢€â„¢t Get Me WrongÁ¢€ is the closest I come to enjoying one of their songs. IÁ¢€â„¢d be completely content if I never heard any of these three songs again.
Á¢€Å“ControversyÁ¢€ — 1981, #70 (download)
Á¢€Å“1999Á¢€ — 1982, #44 (download)
Á¢€Å“LetÁ¢€â„¢s Pretend WeÁ¢€â„¢re MarriedÁ¢€ — 1983, #52 (download)
Á¢€Å“Irresistible BitchÁ¢€ — 1983, #52 (download)
Á¢€Å“AmericaÁ¢€ — 1985, #46 (download)
Á¢€Å“AnotherloverholenyoheadÁ¢€ — 1986, #63 (download)
Á¢€Å“If I Was Your GirlfriendÁ¢€ — 1987, #67 (download)
Á¢€Å“Hot ThingÁ¢€ — 1988, #63 (download)
On the other hand, bring on Prince! While the Pretenders are pretty much universally loved, Prince is pretty much universally considered a dick based on all the stories IÁ¢€â„¢ve read about him. But he’s my favorite artist ever, so I have no complaints. Prince provided me with my favorite concert ever back on his Musicology tour. I have 707 Prince songs on my iPod (thatÁ¢€â„¢s not counting his artists or songs he wrote but didnÁ¢€â„¢t perform), which is far and away the largest number of any musician. And one of the things I loved about Prince singles is that the B-side was usually some unreleased track. Even in the Á¢€Ëœ90s with CD singles, heÁ¢€â„¢d release remixes and alternate takes galore for each single. And then thereÁ¢€â„¢s the untapped vault of what is probably hundreds of great songs that pop up every now and then in various places.
As for the tracks in this series, Á¢€Å“1999Á¢€ is an interesting one to include here, as it went to #12 in June of Á¢€â„¢83 (only 12?) but in late Á¢€â„¢82 only managed to go to #44. It wasnÁ¢€â„¢t until after Á¢€Å“Little Red CorvetteÁ¢€ hit that Á¢€Å“1999Á¢€ then became a bigger hit unto itself.
Á¢€Å“LetÁ¢€â„¢s Pretend WeÁ¢€â„¢re MarriedÁ¢€ is one of my favorite tracks from 1999 (1982), but not the most radio friendly. I have to assume thatÁ¢€â„¢s partially why DJs flipped the 45 over and played the B-side, Á¢€Å“Irresistible BitchÁ¢€ Á¢€” though itÁ¢€â„¢s not like thatÁ¢€â„¢s radio friendly either.
Á¢€Å“AmericaÁ¢€ is one of my favorite Prince tracks from Around the World in a Day (1985). And a lot of people forget about the awesome Á¢€Å“AnotherloverholenyoheadÁ¢€ from Parade (1986), the soundtrack to PrinceÁ¢€â„¢s directorial debut, Under the Cherry Moon. The B-side to that song, Á¢€Å“Girls & Boys,Á¢€ is one of the best songs on that record.
Both Á¢€Å“If I Was Your GirlfriendÁ¢€ and the super-funky Á¢€Å“Hot ThingÁ¢€ were off the near-perfect double album Sign o’ the Times (1987). Á¢€Å“Hot ThingÁ¢€ is interesting because it was originally the B-side of the #10 hit, Á¢€Å“I Could Never Take the Place of Your Man.Á¢€ But unlike Á¢€Å“Irresistible Bitch,Á¢€ it didnÁ¢€â„¢t chart at the same time. Instead it became a single in its own right after the run of its flip side ended.
One of the great things about Prince is that there really is no general consensus on what his best album is. 1999, Purple Rain (1984), and Sign o’ the Times are all so good, that thereÁ¢€â„¢s a decent split between the three of them. And for me, his best album didn’t arrive until the Á¢€Ëœ90s, when he released what’s been dubbed “The Love Symbol Album” (1992), the unpronounceable symbol becoming his moniker in the coming years.
Á¢€Å“Turn On Your RadarÁ¢€ — 1982, #64 (download)
While nothing could follow up the mighty Prince in my mind, at least this isnÁ¢€â„¢t a half bad tune. Prism seemed to be 100 different lineups over the years, originally brought together by two recognizable names: producer Bruce Fairbairn and Jim Vallance, best known for his work with Bryan Adams. The first single (Á¢€Å“DonÁ¢€â„¢t Let Him Know”) from their 1982 album Small Change was written by Adams and Vallance and went to #39. Á¢€Å“Turn On Your RadarÁ¢€ was the last song released from this Prism, with a new Prism formed just one year later with Bill Champlin in it, among others.
Á¢€Å“What She Does to MeÁ¢€ — 1981, #61 (download)
So who do you think gave the Producers their first contract? Well, of course itÁ¢€â„¢s Tom Werman, who cleverly titled his Popdose series the same. The Producers were an awesome band from Atlanta, Georgia, who got a ton of love from the southeast, but not enough everywhere else to make a lasting impression.
Á¢€Å“Living in a DreamÁ¢€ — 1987, #57 (download)
Right now you’re probably saying, Á¢€Å“Holy shit, Pseudo Echo had a song besides ‘Funky Town’?Á¢€ And then you’re probably saying, “Holy shit, this sounds a lot like ‘Funky Town.'” Well, itÁ¢€â„¢s true that the group wasn’t technically a one-hit wonder, and yes, parts of “Living in a Dream” do sound a whole lot like Pseudo Echo’s big hit cover song. Their 1985 album included Á¢€Å“Living in a Dream,Á¢€ but not Á¢€Å“Funky TownÁ¢€ — that is, until it got rereleased in ’87. After that they took a few years off before releasing Race in ’89, which was more rock oriented (and flat-out sucked). Be sure to watch the video below, because the single version of the song featured in the video has a totally different structure than the version offered for download.
[kml_flashembed movie="http://www.youtube.com/v/F0KGF8lg6Dc" width="600" height="350" wmode="transparent" /]
I was introduced to the Butler brothers for the first time around 1988 or 1989, I guess. The same two guys that first turned me on to the Cure also pumped the Psychedelic Furs into my brain as well. Though they did have four hits, I suppose they are more of a cult favorite now despite all four songs (Á¢€Å“Heartbreak BeatÁ¢€ being the other) being excellent. Unfortunately, album-wise, I think their creative peak was 1981’s Talk Talk Talk.
Surprisingly, I actually like both of these songs very much. I think the thing that shocked me is that up until last year when I pulled out a Pure Prairie League album (for reasons I donÁ¢€â„¢t understand) I had no idea the singer was country superstar Vince Gill. Not that PPL was a balls-out rock band or anything, but Vince certainly went an even softer, gentler route for his solo material.
As I do with every post, itÁ¢€â„¢s time for me to learn something as well. Á¢€Å“I CanÁ¢€â„¢t Stop the Feelin’Á¢€ charted in 1980. I own the 45, which says itÁ¢€â„¢s from the album FirinÁ¢€â„¢ Up, which I don’t own (since I can probably find it in any dollar bin, I should). But Firin’ Up has the track listed as Á¢€Å“I CanÁ¢€â„¢t Stop This Feelin’,Á¢€ according to PPL’s official site. Even more confusing is that Wikipedia says “I Can’t Stop the Feelin'” was a Á¢€Å“single onlyÁ¢€ release. I listened to the 45 again, and Gill sings Á¢€Å“I canÁ¢€â„¢t stop this feelin’Á¢€ in the chorus just like in the MP3 offered for download. So whatÁ¢€â„¢s the deal with this song — is the album version any different?
Best song: Prince, Á¢€Å“ControversyÁ¢€
Worst song: Pretenders, Á¢€Å“Stop Your SobbingÁ¢€
TOP 40 ONLY
Pretty Poison (2); Maxi Priest (1)
Next week it’s onto the letter Q, with the best “lost” track of the entire decade!