No matter how much he loathes it, Texan and musical-firebrand Mark Deutrom forever might be inextricably linked with Melvins, the legendary Gods-of-Thunder quartet whose debut he released on Alchemy 30-odd years ago and, more importantly, for whom he played a mean bass during a good chunk of the 1990s.
But the Deutrom story did not end when he left Melvins circa Honky â€“ no further evidence is needed than his current band, Bellringer, which released a new, one-song single a few days ago, in the egg-still-on-ear moments of the new year.
The song, titled â€œStumble Bum/Triangular Object,â€ centers around something very non-Melvins, an almost jazz-pop lurch with off-kilter drums and a hummable, two-part melody. But, as on Bellringersâ€™ Jettison LP, thatâ€™s just a point of departure. Deutrom, who wrote and produced the piece, is not interested in conventional time, and he darts from one suite to the next with a seeming disregard for transition. It suits drummer R.L. Hulsman, with their rubbery angularities, well and gives the track a weird dimension thatâ€™s inviting â€“ listen to the psych-trance guitars over buzzing bass in one section, get hooked by the bass-drum lurch elsewhere. Deutromâ€™s got the right prescription.
All of this continues to beg the question, though: how many times do we need to write about Deutrom, Bellringer and the solo efforts â€“ which have a pretty rich biography of their own â€“ before we drop the Melvins footnotes? I, for one, like the context but, with tracks like this, Deutrom continues to craft his own epic narratives.