Prince’s “Chaos and Disorder” reconsidered.
CD review
The Brooklyn five-piece returns with a hook-filled second album, Good Grief.
Rob Smith explores the expansive live box set by electric jazz pioneers Weather Report.
Is there anything revelatory in the deluxe edition of Led Zeppelin’s “In Through The Out Door?” Yes and no.
Respectful yet decidedly unique, Aisles has found a way to honor and still retain their own voice.
With an exceptional group of collaborators, Riki Michele brings the album of her solo career.
A record born of obligation turns into a career-defining effort.
The band invites you to a soiree in West Germany tonight at 1979.
Justification for the validity of the album format has arrived…from New Jersey.
Before this year closes, here are some more releases we should talk about…
You should not have to wait a quarter century for one of the best albums of the year.
Aigner presents a sophisticated side of folk that traps you with her voice, but keeps you with her wordplay.
After an 11-year hiatus, Enchant return with “The Great Divide”
Popdose premieres the new video, Frankenstein Cannot Be Stopped, from Life In A Blender’s latest album
Fresh, bizarre, intricate, yet not afraid to be a little rude, Life In A Blender’s “We Already Have Birds That Sing” is a short, but punchy trip.
Can an album be reflective, thought-provoking, and kick your butt at the same time?
It’s not cartoon music. It’s not jazz music. It’s Charlie Brown music.
The remarkable new album by Oslo’s Gazpacho blows away the conventions of rock, prog, and the makeup of the “epic” song.
Sometimes “more” equals brilliance. Sometimes more is only more.
Following the releases of new albums by David Bowie, My Bloody Valentine and Justin Timberlake, 2013 might go down as the year of the unexpected comeback (your move, Dr. Dre)….
At a time when albums are teased, hyped, leaked, dissected, discarded and re-evaluated before they are even officially released, it has become increasingly rare to be able to approach one…