Twenty-five years ago today, the beat was born. It was the sound of young adults from Louisville — a sprawling collection of collaborators, most of them close friends since childhood…
Louisville
Man, that’s devastating! If the reverb-drenched guitar on this record’s second track doesn’t move you to tremble with tears, then the soaring strings on “M1” surely will. Pianist/composer Rachel Grimes…
I cannot stop listening to The Painted Bird / Amidst, a carefully self-released affair that is, without question, the most riveting and enveloping record I’ve reviewed in months. How’s that…
Pat Metheny and Charlie Haden’s pristine and bright-eyed collaboration on the 1997 Verve LP Beyond The Missouri Sky (Short Stories) is a decent point of departure for Jacob Duncan’s The…
In this fine, first edition of Welcome To Pittsburgh, a new, somewhat-irregular Popdose column dictating the independent musical pulse of the Rust Belt’s cultural capital, we find ourselves saddled with…
It’s hard to believe We Only Said operates nearly 4,100 miles outside Louisville, once- and always-home of post-rock icons Slint and Rodan. They just sound so downright Louisvillian. But so…
Before Louisville was associated with Palace, though after, I suppose, Hunter S. Thompson chronicled its seedy decadence during the Derby, there was Squirrel Bait, a nascent punk group of area…