Bottom Feeders: The Ass End of the ’80s, Part 85

Dave Steed January 6, 2010 57

feeders52

Ssssssssssssstop the relentless surge of Bottom Feeders songs by artists whose names begin with the letter S, you say? Never! Here are more singles that charted below #40 on the Billboard Hot 100 in the 1980s.

Amii Stewart & Johnny Bristol
“My Guy/My Girl” — 1980, #63 (download)

Better than Sister Sledge’s “My Guy” or Suave’s “My Girl,” which both charted in the ‘80s. Maybe it’s because we’re getting a two-for-one here? There are certainly better versions of this tune/these tunes, but Amii & Johnny’s is a keeper.

Dave Stewart & Barbara Gaskin
“It’s My Party” — 1981, #72 (download)

Dave+Stewart++Barbara+Gaskin+sgpublicFor the longest time I just assumed this Dave Stewart was the Eurythmics guy, but it turns out he’s a prog keyboardist who’s probably most well known for being in the band Bruford, led by former King Crimson and Yes drummer Bill Bruford. Stewart released this as a one-off single with Gaskin, but then decided he liked working with her so much that he kept releasing singles with her until ’86, when they progressed to full-length albums. They’re still working together today.

I would have, too, after recording this. I can’t get enough of “It’s My Party,” from the keys sounding like old arcade games to the slow and eerie breakdown in the middle abruptly switching to the upbeat pop reminiscent of the original version. This to me is a great example of how you really remake a song: stay true to the original melody but add some originality to it.

Jermaine Stewart
“The Word Is Out” — 1985, #41 (download)
“Jody” — 1986, #42 (download)

I’ve always liked Jermaine Stewart, even if his music isn’t that great. “The Word Is Out” is junk in my book, although “Jody” (written about Ms. Watley) is relatively catchy. But I liked him in the ’80s for what goes down as one of the greatest pop songs of the decade: “We Don’t Have to Take Our Clothes Off.” It’s an absolutely false statement, of course, because bare boobs rock the joint, but it’s still totally awesome. Stewart’s final Top 40 hit in the ’80s was 1988′s Caribbean-flavored “Say It Again,” which is also better than the two songs here.

Rod Stewart
“I Don’t Want to Talk About It” — 1980, #46 (download)
“Somebody Special” — 1981, #71 (download)
“How Long?” — 1982, #49 (download)
“All Right Now” — 1984, #72 (download)
“People Get Ready” — 1985, #48 (download)
“Another Heartache” — 1986, #52 (download)
“Every Beat of My Heart” — 1986, #83 (download)
“Twistin’ the Night Away” — 1987, #80 (download)

Rod_Stewart_casualRod Stewart has been the topic of much discussion here at Popdose. In fact, I believe it was the awesome Redeeming Rod series at the start of 2008 that really got me addicted to Popdose before I became a writer for it.

I don’t know whether it takes an unapologetic fan of ‘80s music like myself to really appreciate the black hole of supposed crap Rod released in the ‘80s, or someone like Matt Bolin taking the time to find the good parts inside the crap, but I stand by the fact that Rod made some fantastic songs in the ‘80s.

Twenty-one songs of his reached the Hot 100 in the decade, including “People Get Ready” with Jeff Beck, which I normally wouldn’t include here since I already listed it with Beck’s name long ago when we covered the letter B, but I did it anyway just to link to the Redeeming Rod post about the song.

I can find at least something to defend in all 21 songs except for the ridiculous faux rapping in “Crazy About Her,” which went to #11 in ’89. I’m not remotely crazy enough to suggest that an album like Body Wishes (1983) is any good, but put those other 20 songs on a disc and you’ve got a great listen in store. And yes, that includes 1986′s “Love Touch,” which is a delightful piece of pop music, a statement I couldn’t make on this site until now thanks to the boss’s hatred of it. (Eighty-five posts in, what’s he going to do — tell me to take a hike?)

Of course, it’s ironic that my two favorites are the least ‘80s-ish of the bunch: “I Don’t Want to Talk About It,” which was on Rod’s 1975 album Atlantic Crossing but wasn’t released as a single in the U.S. until very late in ’79, and “Somebody Special,” from Foolish Behaviour. Then there are the three covers in a row here: Ace’s tune “How Long?,” which was the follow-up to “Young Turks”; the electronic-y take on Free’s “All Right Now”; and the aforementioned collaboration with Jeff Beck for a cover of the Impressions’ “People Get Ready,” from Beck’s album Flash. Skip ahead to Rod’s last song listed here, another cover of the Sam Cooke classic “Twistin’ the Night Away.”

Between those last two covers, we get the awesome “Another Heartache,” which was cowritten with Bryan Adams and Jim Vallance, and “Every Beat of My Heart,” off Rod’s self-titled album from 1986.

Hate on this period of Rod’s career as much as you want — I don’t blame you at all — but he just did what a ton of other artists did during the decade — he changed with the times.

stillsStephen Stills
“Stranger” — 1984, #61 (download)
“Can’t Let Go” — 1984, #67 (download)

Both of these tracks were off Stills’s lone solo record in the ‘80s, Right by You, which was a godawful album. The first half of the album is filled with keyboards and drum machines like you hear in “Stranger” and is more upbeat overall than the second half, which includes the Michael Finnegan sung “Can’t Let Go” and a cover of Neil Young’s “Only Love Can Break Your Heart.” The album is all over the map and has virtually no flow. I’m sure there are redeeming moments on the record and I don’t mind “Can’t Let Go” that much at all, but overall this could have went right by me and I’d have been fine with that.

Sting
“Englishman in New York” — 1988, #84 (download)

Of Sting’s seven tracks to chart in the decade, only this one didn’t make the Top 40 but ends up being my favorite of all of them. It certainly wasn’t the most radio friendly song he ever wrote (about Englishman Quentin Crisp) but its quirkiness is what really intrigues me the most. From that weird sound in the background that kicks in at the start of the chorus (I don’t even know what to call it – it’s just so odd) to the breakdown in the middle that starts out as jazz and ends up being like a hip-hop drum line, it just ends up being an extremely unique sounding song.

Stompers
“Never Tell an Angel” — 1983, #88 (download)

The Stompers were actually a pretty decent band out of Boston that ran into a string of bad luck. They released their debut record which contained “Never Tell An Angel” but the week of release their label – Boardwalk Records – went under. They were bought out by Polygram and the album got repackaged and released in 1984 at which point Polygram had some shifting there as well and the group got very little promotion. Tough break, as the debut record is a solid little slab of rock.

Stray Cats
“Look at That Cadillac” — 1984, #68 (download)

I’ve never been a rockabilly fan but even so I’m surprised I hate the Stray Cats so much. I cringe when I hear “She’s Sexy + 17” or “Rock This Town.” “Look at That Cadillac” is my favorite of the singles, though “favorite” isn’t saying much for me in this case. It was the third single off their second U.S. release, Rant n’ Rave With the Stray Cats, and their final charting song.

Streek
“One More Night” — 1981, #47 (download)

Streek is a band that has eluded me for years. The song was on their debut self-titled record on Columbia and both the LP and 45 for this song are very difficult to find. Other than that, I have no information on the group. Search engines end up turning this into Streak or Street so even that part was a challenge. And all this for a pretty terrible song. I’d love to hear from someone that knows what the deal was with Streek.

Janey Street
“Say Hello to Ronnie” — 1984, #68 (download)

Street’s debut album, Heroes, Angels & Friends isn’t difficult to find these days, but her debut and only charting single “Say Hello To Ronnie” is a lost gem of the decade. The whole record has a rock edge to it and is certainly worth a cheap gamble if you see it around. I wonder back in ’84 how many people saw the title and thought it was about Ronald Reagan.

streets-firstStreets
“If Love Should Go” — 1983, #87 (download)

Streets was a short-lived but pretty damn awesome rock band led by Steve Walsh of Kansas. Walsh didn’t like the direction Kansas was taking with their music in 1982 so left and formed his own band. Streets appropriately titled 1st album was a cool arena rock record. They released a second album in ’85 called Crimes in Mind before Walsh reformed a then broken up Kansas in 1986.

QUICK HITS
Best song: Streets, “If Love Should Go”
Worst song: Streek, “One More Night”

TOP 40 ONLY
Al Stewart (1), John Stewart (1)

Next week: Babs.

  • dcc

    RANDY OVIEDO: Randy started playing guitar in the early 70's. He later switched to bass and developed a solid style of playing. Some of his early gigs were at the Golden West Ballroom in Norwalk. The group, “High Pressure” later turned into “Ukiah” and then evolved into “Shakee Jake”, a popular Orange County club band. In 1980, he left “Shakee Jake” and joined “Streek”. Shortly after, “Streek” was signed to Badland/ C.B.S. Records. Their album was released in 1981. The single, “One More Night” reached 47 on the Billboard charts. “Streek” included members: Ron Abrams (guitarist, previously played with members of “Ratt”), Billy Demartines (keyboards, former member of “Iron Butterfly”), Daniel Riccardelli (horns), Johnny Bartolotto (drummer, “Shakee Jake”). “Streek” was managed by movie producer, Charles “Chuck” Roven. They played several gigs at Hollywood venues (including the Whiskey, Madame Wong's, The Central, The Troubadour, etc.) “Streek” toured as the opening act for “The Romantics”. Randy also worked with the late Duke McFadden, former keyboardist from the group, “707″, Dave Amato (R.E.O. Speedwagon), Donny Dacus (Chicago) and Jim McClarty (707).

    http://www.myspace.com/mo50rocks

  • http://www.popdose.com DwDunphy

    You know, if you say “Babs” in the mirror three times, she'll bring you flowers… And probably Madame too.

  • bama

    Steed, a great post as always. I'm starting to fear that the end is near for my Wednesdays as “Z” approaches.
    Quick question to you (and perhaps others who have large MP3 collections):
    Is there a way in Windows Explorer or some other PC-based program to make a printable list of MP3's in resepctive files? Obviously it's easy to see, sort, and search them on the computer screen… but how to make a spreadsheet of an MP3 collection? Or at least something to send to the printer?
    Much obliged to Steed or anyone else who can provide guidance.

  • jbacardi

    Just for the record, the cover of “I Don't Want to Talk About It” (originally done by Crazy Horse on their debut LP) was a remake and not the (superior, IMO) version on Atlantic Crossing. Even though I regret how Stewart's career ended up, especially after his '69-'76 glory years, I have to admit that there are more than a few cuts that I like from practically all his late 70's-80's albums. There just aren't enough of 'em.

  • David_E

    That unusual sound in the chorus of “Englishman”? Wood block.

  • http://www.bastardradio.com steed

    You sure about that one? I thought there were only two versions – the Atlantic Crossing version not released until '79 in the US and the remake on Storyteller released in 1990. Did he remake it specifically for the '79 release?

  • http://www.bastardradio.com steed

    First comment. Nice. I knew I could count on you guys. I can cross Streek off my list to find info on now.

    Thanks dcc.

  • http://www.bastardradio.com steed

    Thank you. Sorry, I can't help. My entire collection was painstaking put into an excel spreadsheet by hand, track by track. And I couldn't possibly print it as it won't fit neatly across the page and it would be like 400 pages long. MS office functions aren't my strong suit.

  • jbacardi

    Oh hell, I just went to Wiki and it says that it indeed was a hit in 1979, so I figure it was released as a single from his 1979 Greatest Hits, Vol. 1, with the godawful ugly pink silk shirt cover. It also says that he redid it in 1989, so I bet that's what I'm thinking of. He did a similar hatchet job on another fine Atlantic Crossing cut, “This Old Heart of Mine”, in the late 80s.

    Guess I should do a little research before I pop off, huh! :)

  • http://playitandbedamned.blogspot.com/ rob

    I know it makes no sense it all, but I love “Stranger” by Stephen Stills. I think it was one of my first iTunes purchases. It's way too 80s, its' not like Stills' usual sound, etc., etc. Maybe I just like the hook. I don't know.

    “Englishman in New York” is a great song. And one of the reasons (I think this has already been discussed) is that it's one of the few tunes where Mr. Sumner allows Branford Marsalis to cut loose. It always makes my New York mixes, along with “New York City (You're a Woman)” by Al Kooper.

  • http://www.bastardradio.com steed

    Ha. Just wanted to make sure I didn't miss something. Going through this series has opened my eyes on the amount of single edits and commerical tweaking that was done to records to prepare them for radio. There have been quite a few tracks that I've only known one version of and it turns out I've been listening to an edit or didn't know there was an edit the entire time.

  • steve

    Amii Stewart actually recorded “My Guy/My Girl” twice – once with Johnny Bristol (hit #63 in the U.S. in 1980) and again with former Wham! bassist Deon Estus (hit #63 in the U.K. in 1985). Sadly, the Estus version is the one included on Amii's greatest hits album (thus making it easier to find), and is also the one included here. The Bristol version features Johnny's distinctive baritone (think how he sounds on “Hang On In There Baby”). I prefer the Bristol version – Estus sounds too much like a girl when he sings. If you could find a copy of the “real” Amii Stewart/Johnny Bristol song I think you'd like it even more than you like this one.

  • http://popdose.com MatthewBolin

    Dave-thanks so much for the shoutout on the Redeeming Rod series! I should get back to looking for some more tracks from the last three decades to continue the series, though the minty fresh taste of ass that was Soulbook has made it hard to get motivated.

    Also love “Englishman in New York”. It's not surprising it wasn't a top 40 hit, considering the jazz/hip-hop breakdown and the solo sax vamp after a false fadeout (which I think was kept in tact on the single). ….nothing like the sun was a really good album overall.

    I thought that Stills cover looked familiar, and then I remembered that a similar theme was used just six years later by Crosby Stills and Nash: http://www.amazon.com/gp/product/images/B000002

  • http://www.bastardradio.com steed

    Son of a … totally right here. I have the Bristol version on 45 – I've heard it but clearly don't remember it as it didn't even occur to me that this wasn't the correct version. I'll hunt it down in MP3 form and get it up.

    Thanks steve.

  • http://www.bastardradio.com steed

    How the hell did a cover with Hot Dogs on it never show up on a worst cover list?

  • AEM

    Bama:

    Here's what I did:

    Go to DOS command prompt and change directory to the folder with your MP3 files.

    At the command prompt type (without the quotes):

    “dir > files.txt ”

    This creates a text file in that folder called files.txt (or whatever you want to name it) that lists all of the files and sub-folders in that folder, which can then be read into excel.

    I don't know a way to have it automatically look in every sub-folder without going to that sub-folder in DOS and creating a new list for each sub-folder, but this may save you some time in creating your spreadsheet.

    AEM

  • http://theisleoffailedpopstars.blogspot.com/ Nasty G

    OK, so THIS week is a pretty blah one for me, unsurprisingly. But I must make one comment about the late, great Jermaine Stewart, and that is that I disagree with you on the songs here. They are my two faves by him, even more than WDHTTOCO, and I was never into “Say It Again”. But glad you appreciate him, as sometimes his voice can verge on grating. Plus, considering his 'predisposition', shall we say, it's not surprising he'd sing about having more fun with a girl who keeps hers clothes on. ;) Oh, and I'm digging “It's My Party” as well, so thanks for that!

  • kingofgrief

    Man, two BFs I've been waiting for in the same post…and one gets Best Song! I rediscovered “If Love Should Go” on my personal YouTube BF odyssey over a year ago. I say “rediscovered” because I'd heard it a few times back in the day before it slipped my memory radar…but the chorus (and the “once bitten twice shy” line) brought it right back. Funny how Walsh ditched Kansas over musical direction, yet there's little difference in style between “If Love Should Go” and “Fight Fire With Fire”.

    “Never Tell an Angel” was introduced to me through the same YouTube trek, and I liked it enough to bid on (and win) the Polygram reissue of their album (and friend them on MySpace). Has anyone else noticed how the pitch decreases slightly somewhere towards the middle for the rest of the song? My vinyl does the same thing. I'll have to run it through CoolEdit Pro and see if I can't bring it up to speed (rim shot). This song is begging to be medleyed with “(Your Love Keeps Lifting Me) Higher and Higher”.

    I have two Stewart and Gaskin CDs from the early 90s. Their rendition of “Subterranean Homesick Blues” netted a few curious phone calls on the show last spring. “It's My Party” is truly a wonder, and there's a nice collab between Stewart and Colin Blunstone of the Zombies on “What Becomes of the Brokenhearted” from the same period.

    I'd have to give “Englishman in New York” Meltie honors; it made the AC rounds here in Houston. Nothing Like the Sun was the first CD I purchased for myself…December 26, 1987.

    I can tolerate Rod up to (and including) “People Get Ready”…his work got too digital and shiny (like most pop music of the period) in the late 80s. (Notable exception: Unplugged…and Seated, though I can do without the line about “Maggie May” being as old as Rachel Hunter.)

    I can't decide which Top 40 Only candidate is more deserving, as they're both fine, overlooked songs. However, the only clip I can find of John Stewart's “Lost Her in the Sun” is part of a live medley from '89, so “Midnight Rocks” wins by default.

  • kingofgrief

    I had a coworker who inherited a Live It Up tour shirt from a friend's father. He wore it more as a CSN fan than as an admirer of the album itself.

  • http://www.popdose.com DwDunphy

    Now's as good a time as any to pull back the Popdose curtain. Steed is probably one of the hardest working dudes on the staff. It's rare that he doesn't have at least three Bottom Feeder articles written and queued up, and that doesn't count any extra pieces he might contribute (and not to give too much away, the man has a doozy in the pipeline.)

    If you think you'll be going through withdrawals once the letter Z has come and gone, the rest of us here will probably be just as jittery.

  • http://www.bastardradio.com steed

    Ha. Yeah, from Jermaine's perspective I guess you're right – clothes on probably worked just fine. I hear you on the voice – for some reason it never bothered me though.

    There's a week or two in the letter T where I think you're going to have fun.

  • http://www.bastardradio.com steed

    “Never Tell An Angel” was my second choice for Best Song of the week – I love that track. Need to listen to it more often though – doesn't come up in rotation very often.

    I've never heard anything else from Stewart and Gaskin (no desire too either despite loving this track)

    Overall, I think this is the best week in a while.

  • http://www.bastardradio.com steed

    Barring any unforseen setbacks, May 12th, Post #103 will be ZZ Top. Just wanted to finally reveal that.

    And thanks DW – I need to finish the final part of that doozy you speak of so I can get it out the door.

  • http://www.bastardradio.com steed

    Oh, and I keep forgetting. To the readers that sent me a Christmas gift by the way of song(s)…thank you. Much appreciated.

  • http://www.popdose.com jefito

    I don't want to think about what's going to happen around here after Bottom Feeders ends its run. I'm going to wear all black for at least a month.

  • David_E

    And play Violator?

  • http://www.popdose.com jefito

    I hadn't thought of that, but it makes perfect sense.

  • Russ

    Record companies did lots of tweaking in the 80's for singles. But this was actually more of a cost-cutting move because lots of 70's singles had portions, and at times the entire track, re-recorded specifically for the single (beyond the usual hatchet-jobs to shorten the track for Top 40 airplay). This still happens on occasion, but in the 70's it was a lot more common. At least WEA started putting (LP Version) on the singles in the 80's to help obsessive completists.

    My personal “Why bother” edit is the US 45 of Elvis Costello's This Year's Girl where about 4 seconds is excised from the into – it's a long intro so I can understand editing it but why so little? The other day I heard Don't Stand So Close To Me on an 80's station, the entire intro was taken off and it starts cold; never heard any Top40 station do that to the tune when it was current.

  • jonnythefriendlylawyer

    Wait, that Dave Stewart wasn't THAT Dave Stewart? Damn, I never knew that! Somewhere I have the 7″ of this song — it's got old Barbara in an excellent super-cheesy Aladdin's lamp genie kind of pose happening.

  • http://www.bastardradio.com steed

    That's what I said too when I realized THAT wasn't THAT.

    That cover is creepy really…what, with Dave Stewart in boxing gloves and helmet – holding a sword?

    http://farm4.static.flickr.com/3614/3630283727_

  • JB

    I forgot about the sword!

  • bama

    Interesting and creative way to go about it, AEM!
    I think a .txt file would do the trick.
    Isn't it weird that MS doesn't have a solution for this. It sure would be easier to spot duplicates and to communicate resources with others to have a simple list function.

  • CGW

    Hopefully some book editors have contacted you by this point. I don't know any, or else I'd help. Jeez, it's so much more lively that Joel Whitburn lists!
    I'll have to guess what your next project is…
    It's unlikely you'll do the same project for the 70's, as it's not your self-proclaimed genre…

  • EricL

    You could make a case for the poster of the tour inspired by the song title “Englishman in New York” as one of the best rock posters of the decade. http://www.postergiant.com/mi751.jpg

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  • http://www.bastardradio.com steed

    I can 100% guarantee you that if there's another project, it won't be the 70s.

  • Don Karnage

    Just one thing – is Jermaine actually singing to a woman? He does sing “A man wants to be approached cool and romantically”, which sort of implies he's singing to a woman, but that's pretty much your only hint. Then again, I don't think those on this side of the fence are less predisposed to getting naked before getting it on, so maybe your interpretation makes sense…

    I ended up getting some bizarre comedy/prank phone call/avant-garde CD once that had some bizarrely drawn art work all over it. The back cover featured a drawing of two youngsters, Fruit Pie the Magician, and Twinkie the Kid sitting around the campfire, playing guitars, toasting marshmallows…and singing “Girl, I'm not a piece of meat – stimulate my brain”. It was so odd, I Xeroxed that picture and taped it to my wall.

  • Don Karnage

    Although it wasn't technically one of your PopDose songs, I'll link you this this story of mine, explaining why “Love Touch” is such a painful song. For me, anyway.

    http://www.ruinedmusic.com/2006-just-give-me-a-

  • eddie_w

    Hi Bama…Do you use iTunes? If so, another option you have is to export your music library or any particular playlist to a .txt file that includes all iTunes track info, including the full directory path of each file. Highlight the list you want to export, then right click and choose Export. It will create a tab-separated .txt file, which you can then import into Excel, etc. Hope this helps!

  • eddie_w

    You're right, Dave, this is a great week. I hadn't heard those Stompers and Streets tracks before, but I'm really digging them.

    I love Sting's whole Nothing Like the Sun album. When I first got the cassette, it took me forever to even get past the first track (“The Lazarus Heart”), because I kept playing it so many times over and over. But, “Englishman in New York” is probably my second favorite track (I was always a fan of the “I like my toast done on one side” line…that's how we made toast in our family growing up, and it's still the way I prefer it).

    As for Rod's 80s stuff, my hands down favorite is “Infatuation”…I remember liking the video (the black and white one, with Rod as a voyeur with a camera until the old guy punches him and he ends up on a carousel (?)). “Young Turks” is great too, although I remember my junior high self being confused at the time what the title meant in relation to the song's lyrics.

    As the others have said, I'm already mourning May 15th. BF is always one of the highlights of my week, and I am constantly in awe of the work you put into it. As always, thanks!

  • http://www.bastardradio.com steed

    Ha, that's funny. Well, you know…except for the pain. I like the, “Phil Collins telling some guy Billy not to lose his number”

  • http://www.bastardradio.com steed

    I was always confused at “Young Turks” as well – I think due in part to the fact that after the word “Young” he constantly says “Hearts” instead of “Turks”.

    I agree with you on Nothing But the Sun. I've soured on Sting over the years a bit so I don't go back much anymore, but that album is really good.

  • kingofgrief

    Even the Becky Lamb?

  • http://www.bastardradio.com steed

    It's the thought that counts. :)

  • bama

    I will try that, too! It definitely would help to have extra info, especially tab separated.
    It's crazy that we are reduced to dos prompts and txt files to get this done!
    My Mp3's are tagged correctly (thanks to some suggestions by jefito a year or so back), but it's tough to get a handle on the full grasp of the collection without a print out.

  • http://www.popdose.com jefito

    Whoa — I helped you tag your library? Awesome!

  • breadalbane

    Like the Stompers track, but I sure hope Hall & Oates AND Jackie Wilson got some royalty cheques out of it.

  • Pingback: A Batch of Rod Stewart Including His Cover Of…”People Get Ready”…Plus Some Stephen Stills, Streets, Sting and More. « Rock God Cred

  • David

    I know it's been a long time since the letter B, but you had the My Guy/My Girl duet listed there for Johnny Bristol. Was that the correct track, or was that also the Stewart/Estus version?

  • http://www.bastardradio.com steed

    Oh now see – I try not to do the tracks twice – but I never looked back to see if I included this one before. I didn't think I had. Damn, could have avoided exposing myself twice. I'm assuming that was the Estus version as well as I don't seem to have the Bristol one on MP3 (or if I do, I can't locate it)