Bottom Feeders: The Rock End of the ’80s, Part 9

Dave Steed July 14, 2010 18

We’ve got a ton more from the letter C this week, as we take a look at the songs that hit the rock charts in the ’80s but never crossed over to the Billboard Hot 100.

Cheap Trick
“Up the Creek” 1984, #36 (download)
“Let Go” 1988, #35 (download)

Definitely one of the best rock groups on this planet, I haven’t been able to get their 1988 hit “Ghost Town” out of my head for months now for reasons that still escape me. I’m hoping “Let Go” which was the first charting single from Lap of Luxury, will help me switch gears a bit. “Up the Creek” from the movie of the same name is however never on my radar. If I remember correctly back in “the ass end” it got some chatter in the comments section and I think there’s a lot of people out there that really dig it more than me.

Chubby Checker
“Harder than Diamond” 1982, #33 (download)

The first time I opened up the Billboard Rock charts and saw Chubby Checker in there, I must admit that I thought it was one of those rumored plants to make sure that no one is copying the book word for word. I of course only know him from “The Twist” (and thanks to the Fat Boys) and wasn’t expecting a rock song at all. There’s not a chance in hell I would have ever been able to tell you this was Checker either. Guitarist from a ‘70s light rock band, sure – but Chubby Checker?

“Harder than Diamond” was from his album The Change Has Come and bubbled under at #104.

Chequered Past
“How Much Is Too Much?” 1984, #50 (download)

This is a great song and why shouldn’t it be based on the status of the members of this supergroup;

Vocals: Michael Des Barres. Ex-husband of Pamela Des Barres, played Murdoc on McGyver, singer in Detective and touring vocalist for Power Station in 1985.

Guitar: Tony Sales. Played with Todd Rundgren and Tin Machine.

Guitar: Steve Jones. Founding member of the Sex Pistols.

Bass: Nigel Harrison.
Drums: Clem Burke. Both the backbone of Blondie.

I’m a little surprised that only this one song charted but then again, I don’t believe I’ve heard their only self-titled album, so while I can’t imagine how this couldn’t have been a success, maybe as a whole they sucked. I’m sure you can tell me, right?

Chilliwack
“Don’t It Make You Feel Good” 1982, #48 (download)

Having only a slight familiarity with Chilliwack I was a bit shocked to hear this much rock out of the group that gave us “Whatcha Gonna Do” and “My Girl (Gone, Gone, Gone)”. I might have to go back and listen to Opus X and get myself reacquainted after this gem.

Christmas
“Stupid Kids” 1989, (Modern Rock) #26 (download)

Another stupid band name, this was Christmas’ only hit single off their album Ultraprophets Of Thee Psykick Revolution.

The Church
“Reptile” 1988, #27 (download)

I never really got into the Church, though they were a decent band. “Reptile” was the follow up to their #24 hit “Under the Milky Way”. I didn’t listen to anything from them after the ‘80s, but if I’m not mistaken, the Church are still together and putting out music.

Cinderella
“Shake Me” 1986, #41 (download)

Man, the more I listen to Cinderella, the more I love them. I always thought they were good and growing up in their hometown of Philadelphia, PA it was hard to get away from them in the ‘80s and early ‘90s but I think now working on the second installment of Bottom Feeders is when I’ve really started to understand exactly how talented they were compared to most of their peers.

“Shake Me” was the first single off their debut Night Songs, which included the monster hit, “Nobody’s Fool”. Even though “Shake Me” wasn’t really their breakthrough tune, it was the best track on the album.

Eric Clapton
“Rita Mae” 1981, #18 (download)
“Catch Me If You Can” 1981, #23 (download)
“Blow Wind Blow” 1981, #24 (download)
“Ain’t Going Down” 1983, #32 (download)
“She’s Waiting” 1985, #11 (download)
“It’s In the Way That You Use It” 1986, #1 (download)
“Tearing Us Apart” 1986, #5 (download)
“Miss You” 1987, #9 (download)
“Run” 1987, #21 (download)
“After Midnight” 1988, #4 (download)

Eric Clapton really isn’t a guy I go back to a whole lot and I think Popdose has convinced me that he’s wasting his talents, but I still seem to like some of the records that most people don’t, like 1983’s Money and Cigarettes, which is a really fun pop record.

I guess it all depends on what you’re looking for from him. If you think he’s wasted talent, then some of the banal pop rhythms that he spit out in the decade are understandably disappointing. But for me, having not grown up listing to his early stuff, the Yarbirds, Cream or Blind Faith, there really aren’t any expectations other than creating good music.

The first three tracks here are credited to “Eric Clapton and His Band” and can be found on 1981’s Another Ticket. I really like “Rita Mae” the most out of the three but his cover of Muddy Waters’ “Blow Wind Blow” is for those who like the straight up Clapton blues.

“Ain’t Going Down” was off the aforementioned Money and Cigarettes album. It’s one of my favorite Clapton songs along with the bigger hit from the album, “I’ve Got A Rock ‘N’ Roll Heart”.

“She’s Waiting” is an otherwise boring track from the more guitar oriented Behind the Sun. Clapton put some great guitar solos on the album but it was also quite slicked up and synth-filled as you hear on this track thanks to a slew of superstars guests – like the producer and drummer on this one – Phil Collins.

Then there’s “It’s In the Way that You Use It” originally from the Color of Money but then put as the lead track off his 1986 album August. It’s always used as my example of the most known track that never hit the Hot 100. If I didn’t know it, I would certainly have figured this was a top 10 hit for him, but in reality it didn’t even bubble under, but at least hit #1 on the rock chart.

The other three songs from August that hit the rock charts were also produced by Phil Collins, “Tearing Us Apart” with Tina Turner really being the only one that’s worth listening to. “Miss You” and “Run” are relatively generic.

And finally “After Midnight” is a new version of his classic hit – the very last track on the four disc Crossroads box set of all his best work.

The Clash
“Police On My Back” 1981, #21 (download)
“Hitsville U.K.” 1981, #53 (download)
“This Is Radio Clash” 1981, #45 (download)

We talked about it back with Big Audio Dynamite that I just either never liked or never really “got” the Clash. Songs like “Police On My Back” written by Eddy Grant were cool but as a whole I just never found enough stuff enjoyable – a perfect example being “Hitsville U.K.” which just has zero appeal to me.

“This Is Radio Clash” was a one-off single that was never included on a studio album but has appeared on greatest hits sets throughout the years. I’ve often heard it referred to as the U.K’s first hip-hop song.

Quick Hits
Best Song: Eric Clapton, “It’s In the Way That You Use It”
Worst Song: Eric Clapton, “Run”

Songs That Also Appeared in the Hot 100
Cheap Trick (6): “If You Want My Love”, “Tonight It’s You”, “The Flame”, “Don’t Be Cruel”, “Ghost Town”, “Never Had A Lot To Lose”
Chicago (2): “Stay the Night”, “Along Comes A Woman”
Chilliwack (2): “My Girl (Gone, Gone, Gone)”, “Whatcha Gonna Do”
Toni Childs (1): “Don’t Walk Away”
Choirboys (1): “Run To Paradise”
The Church (1): “Under the Milky Way”
Cinderella (6): “Nobody’s Fool”, “Somebody Save Me”, “Gypsy Road”, “Don’t Know What You Got (Till It’s Gone)”, “The Last Mile”, “Coming Home”
Eric Clapton (5): “I Can’t Stand It”, “I’ve Got a Rock N’ Roll Heart”, “Forever Man”, “See What Love Can Do”, “Pretending”
The Clash (2): “Should I Stay Or Should I Go”, “Rock the Casbah”

  • http://www.bullz-eye.com DavidMedsker

    It wasn't until years later that I realized how much “Let Go” cribbed from the Beatles' “If I Needed Someone.” I still like it, though. And reading the IMDb bit on Up the Creek makes me want to see the movie.

    “This Is Radio Clash” = awesome.

  • jack

    Up the Creek (the movie) had two Animal House alumni: Tim Matheson and the guy who played Trout in it. It also had the girl who played Scott Baio's girlfriend on “Charles in Charge” as the love interest. It used explosions in a way that recalled Caddyshack (from four years earlier). It's certainly not a classic, but not horrible. I can't believe it's not out on DVD yet, but it's supposedly available on Netflix streaming, oddly enough.

  • thefxc

    Aw, c'mon, you can give Christmas a little more dap! They were a great, quirky band, something of an indie/Paisley Underground hybrid-if you're nostalgic for 80s college radio you'll enjoy them. All of their albums are fine, but Ultraprophets is great. (I have no idea if it's still in print, but I strongly recommend “Richard Nixon” and “This Is Not a Test.”) After they broke up, the group's vocalists became more famous as members of Combustible Edison.

  • http://www.bastardradio.com steed

    In print? That I'm not sure of but I would anticipate that it's not – but it's not hard to find – picked it up maybe 6 months ago for less than a $1.

  • Matracas

    I'm sorry but I won't be the one to tell you more about Chequered Past. To this day I have yet to listen to their only recording since I've been a Blondie fan ever since I opened my ears to Pop music (and got past my introduction to Pop Music thanks to The Monkees) and am curious as to what the whole record sounds like. Still today I bang my head against the walls because back in 1983 I had this vinyl in my hands and didn't buy it since I was low on cash (I was just out of grade school).

    Sharing of this record will be appreciated.

    Matracas
    Monterrey, Mx.

  • smf2271

    Yes, the Church are still putting out music, and while I haven't heard anything they've done recently, I hung on a little longer than most, well into the '90s, but I thought they never really equalled the consistency of 1988's “Starfish” and 1990's “Gold Afternoon Fix,” both excellent pop albums. Those two albums were actually the departure from the norm for the band, whose typical style is less slick, less upbeat, more experimental. After 1990 they went back to doing what they typically do, but in my opinion, the Church are that rare band who were better when they sold out.

    I forgot all about “This Is Radio Clash!” As I've been collecting and listening to songs that reached the UK Top 40 but never charted here (to be included someday in the “Bloody End of the '80s,” with your permission of course) I've found that they really were 2-3 years ahead of us. A quick scan of a UK Top 40 chart in 1980-81 will typically show artists like The Clash, Madness, Duran Duran, Spandau Ballet, Ultravox, XTC, the Stray Cats, Kim Wilde, Adam Ant… reading more like 1983-84 in the U.S.

  • kingofgrief

    I suppose we'll never see a proper digital release of “Up the Creek” as long as Rick Nielsen considers it one of his worst compositions (per Wikipedia). Makes it sort of a Holy Grailette.

    I wonder if Christmas were ever mockingly referred to as Xmas? Listen to “Stupid Kids” again and see if you get it. (I like it, it's just not exceptionally original.)

    I leave you with the original “Police on My Back”, which I have in vinyl-ripped mp3 form if anyone's interested. I'm gonna plow through these Clapton tracks and see how many I actually save.

  • Jonny the friendly lawyer

    Saw Chequered Past at the Ritz in NYC circa 1983 or so. They were…okay. They had energy and chops, definitely had the look down, but that was about it. Somehow less than the sum of the parts, I guess. They were famous, sure (except for Des Barres, the weak link and a relative unknown), but not for fronting their bands or for writing great songs. It was fun to see them but they just weren't that great. It's no surprise they never went anywhere together. So, you didn't miss that much, brother!

  • The Man I Used To Be

    Great choice for having Clapton supply both the best and worst song of the week. Bloody WMMR in Philly used to play each and every one of those Clapton songs into the ground. I cringe within seconds when I hear even a snippet of an 80s Slowhand track. In hindsight, those MOR “Home of Rock N Roll” stations were the devil.

    What no Clash love? A vital band.

  • http://www.popdose.com DwDunphy

    I remember Michael Des Barres primarily from WKRP In Cincinnati. He played the lead singer of the punk band Scum Of The Universe.

  • slappyfrog

    Clapton is dog.

  • Old_Davy

    Chilliwack released a terrific album in the 70's called “Dreams, Dreams, Dreams”. I've never seen it on CD, but the LP (on Mushroom – Heart's original label) is well worth seeking out.

  • Keith

    I'm a huge fan of Cinderella's “Long Cold Winter” – an unsung, blues-drenched, pop metal classic. Best experienced track for track, start to finish, loud. I've been carting around the Up The Creek OST on vinyl for years because Cheap Trick's title song is so awesome. Too bad Rick isn't as fond of it as I am.

    I'm glad to hear Choirboys “Run to Paradise” was a hit – really great song worth seeking out.

  • WHarrisBullzEye

    Let's not forget that he was also chosen to replace Robert Palmer as frontman for The Power Station. Not that it proved to be a terribly memorable relationship.

  • http://www.popdose.com DwDunphy

    Thinking about that Power Station album makes me sad. That was too good a collaboration to have just ended with one recording. Did Des Barre ever do anything in studio with them or was he strictly on tour?

  • Keith

    I recently sprung for The Power Station's 20th Anniversary reissue – worth it for the bonus mixes alone and the DVD featuring the only live performance of the original lineup: Saturday Night Live. Tony Thompson was such a powerful drummer. It also contains the sole recording featuring Des Barres – a track from The Commando soundtrack. Most of the original group got back together for the second album, Living in Fear, right before Robert Palmer and Tony Thompson died. I own it on CD but barely listen to it – long overdue for a dusting off.

  • Xenatreks

    chubby is awsome rock, he should have made a comeback w/that good tune!!!

  • http://mikecasey.net/so-how-did-meat-loaf-get-his-nickname MikeCasey

    Really enjoyed this post and your approach to the music of my youth! Ah, the 80s! Thanks for the laugh!