Lost MP3 of the Week: Bob Seger, “Night Moves”

One of the most astounding things about art, and especially music, is the way a self-centered thought or experience contained in a medium can ignite a chain reaction of independent yet similar thought, ironically turning the originator’s selfishness into a wide-spread and no-longer singular experience. It is this ability to tap into a well of personal history that makes something like Bob Seger’s “Night Moves” a respected work, though it still gets dubbed a guilty pleasure more often than it deserves.

Bob Seger, “Night Moves” (download)

Seger said with “Night Moves” he was aiming to capture what it was like growing up in his “neck of the woods.” In doing so, he captured what it’s like to grow up in general, the urgency of youthful passion, being bold, reckless and impatient. Through touching on something so intensely personal, he touched on something universal: memorable firsts. First kisses, first loves, first… you know.

It’s nigh impossible to listen to Seger reminisce and not do the same — similar to how, in person, if someone brings up their first time, the desire to share the sordid details of one’s own sexual rites of passage circles around the room. Like a young Bob Seger, the song possesses a straightforward charm that almost masks its forceful brutishness. That same smirk-like smile pushing its way, almost unconsciously, to the face of the listener, unable to avoid the mental path it has set us all on.

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  • I really want to support Seger, and he'll often provide a reason why I should like him as with this song, but then he'll hit me with a "Shakedown" and it just feels all wrong.
  • Seger can be hit or miss with me, too... but this song... oh man. kills me. Also, "Roll Me Away," although I can give or take the rest of The Distance.
  • outsidecounsel
    Seger is an interesting artist-- he worked like a dog for years, touring and playing Midwest venues ranging from bars to arenas, and then he broke through to a wider national audience with "Live Bullet". That might have been it for him-- at the time live albums were a popular way to pick up a career retrospective when you didn't want to be bothered buying an artist's earlier sides (often you couldn't find them anyway). Unlike Peter Frampton, whose live album was the effective end of his career, Seger then released the best album he ever made-- and released a couple of decent sides after that. Sure now his music sells trucks, but for a guy who was making a living playing frat houses not so long ago, cashing those checks has to feel pretty good. You know Jello Biafra wishes one of his songs was selling something.

    There really isn't a bad, or even a weak cut on Night Moves, but I can't listen to it. It is close to being a nearly perfect rock'n'roll album-- maybe it is perfect-- but it is so universal that its pleasures have all been revealed, and now it is boring.
  • Live Bullet was actually what he gave the record company instead of Night Moves, because he wasn't finished with it yet. It worked out well because plenty of people were doing live albums, and they got a record when they wanted one, and he got more time to work on Night Moves.

    Though I think Live Bullet broke him through more, I think it's generally considered that Night Moves is what really broke him through, fueled by this song.
  • mojo
    ousidecounsel: Very very well put. Seger has two careers, early garage-rocking mofo transitioning to a rock-country cheeseball, with Live Bullet being the dividing line. I just happened to have rediscovered that record in the last month after leaving it alone for (gasp) 20 years. That guy, at that moment, caught lightning in a bottle, didn't he?

    I will write up in a future lo-fi Mojo his obscure but slammin' BOb Seger System "Ramblin Gamblin Man," which the SBB did on live bullet. This song, sadly, falls on the bad side of my Seger fence. But Taylor, I still love you, and from here on out you don't have to like all the songs about which I rhapsodize, either. You're the only one on this blog who gets that free pass. Giles, for example, is required to love every single thing I even mention in passing in emails.
  • How can you call this bad Seger?! Sigh.
  • mojo
    As Groove Armada puts it in the title of that phenomenal big-beat record, "If Everbody Looked the Same (We'd Get Tired of Looking At Each Other)." And in this case, reading their blogs.
  • mojo
    Meaning, if we all had the same opinions, it'd be boring. I rejoice in our differences. That's what makes this blog a beautiful place.

    (dunno why I needed to clarify myself, but I'm comment-sated now. I think.)
  • I'm with you there... but I still don't understand how you can not like this! I feel like this is almost exempt from most music snob hatery.
  • JonCummings
    I still remember "Night Moves" very fondly. For a kid hitting adolescence in 1977, it was basically an instructional manual--something to shoot for. It wasn't until "Stranger in Town" that Seger became so overexposed I couldn't stand him for awhile. Between the overplaying and Tom Cruise's underwear, I still can't listen to "Old TIme Rock and Roll."

    The segue of "Travelin' Man" into "Beautiful Loser" on Live Bullet is one of rock's great moments.
  • Malchus
    Man, Taylor, what you wrote was poetry. Great song. Even better tribute to it.
  • Awe, shucks, Malchus. Thanks.
  • Bob
    Excellent post, Taylor.

    Bob Seger was an important part of my adolescence, but he took a big hit in my book with the "Like A Rock" Chevy truck commercials. (Actually, I should be harder on John Mellencamp and his "This Is Our Country" commercials, because he should have learned from Seger's mistake.)

    That said, your take on the song was perfect. "Night Moves" meant a lot to me when it was released, and it's high time that I forgive Bob for the Chevy commercials.
  • Unfortunately in this day and age, everyone's got a song in a car commercial. Can't blame Seger for keepin' up with the times, I guess.
  • Miguel
    Yea you can blame him, because back then no respectable artists really had songs in car commercials.
  • I was not one for Seger's heartland ways at the time, but when I listen to these songs now, I see their wisdom. I'm still amused at the idea of this song being lost, though. Had you grown up when I did, you could have called this column "Inescapable MP3 of the Week."
  • well, this is definitely one of the less "Lost" of the "Lost Mp3s." In this particular instance, "Lost" means "haven't listened to in the last 3-6 months."
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