Posts Tagged ‘Bono’

DVD Review: “Rock and Roll Hall of Fame Live”

R&R BoxThere seem to be two camps of people when it comes to the Rock and Roll Hall of Fame: those who feel that rock and roll deserves a permanent place to showcase the important effect it’s has had on popular culture, and those who believe that the intention of rock music was rebellion against the mainstream; that a stuffy old shrine goes against everything the music stands for, and screw you if you don’t agree with them. I belong to the former group, partly because I’m from Cleveland, Ohio and got caught up in the hysteria of bringing the Rock Hall to the north coast, and also because I feel that there needs to be a place where people can look at rock and roll as an art and examine its history. I’ve been to the museum, and could have stayed for days marveling at Hendrix’s guitar and fragments of Keith Moon’s drum kit.

This year marks the 25th Anniversary of the Rock and Roll Hall of Fame and there’s a star-studded concert in Madison Square Garden to celebrate the occasion. In conjunction with the anniversary, Time-Life has released a nine-DVD collection called Rock and Roll Hall of Fame Live. It includes eight discs of Hall of Fame inductions and a DVD featuring some of the performances from the 1995 Rock and Roll Hall of Fame concert that took place in Cleveland. Since the very first induction back in 1986, we’ve seen and heard about the induction ceremonies (usually in New York) that are a gathering of music legends. They get up on stage and perform their biggest hits; give speeches that are sometimes emotional, sometimes raucous, sometimes spiteful, and at the end of the night all of the inductees and presenters come together for one kick assjam session. With this DVD collection, it appeared as if music aficionados — you know, you and I, the people who made these rock stars legends — were finally going to be included in these events, and not just through the chopped-up versions we’ve seen on VH1.

Well, not quite. (more…)

CD Review: U2, “The Unforgettable Fire” (Remastered)

U2 - The Unforgettable FireSo, friends, here we are again to determine whether you need to purchase the latest entry in Island’s U2 remastering series. First a question; what kind of U2 fan are you? Casual or committed? If it’s the latter, you probably need to read further only to enjoy the beautiful prose. You’re going to buy this. Hell, you were probably at the store on Tuesday morning to grab the first copy. It’s the casual fan who needs to make a decision. I’ll try to help you out.

In March, 1984, U2 gathered at Slane Castle in Ireland to begin recording their fourth studio album. The sessions marked their first collaboration with producers Brian Eno and Daniel Lanois. Together, they would create one of the most unique and recognizable sounds in the history of rock and roll. The Unforgettable Fire (Island Records) is the album that marked the beginning of U2’s rocket ride to the top of the world. Propelled by the massive hit “Pride (In the Name of Love),” the band approached the peak of their anthemic glory, a destination at which they would arrive with their next album, The Joshua Tree.

The music will be familiar to most people. In addition to “Pride,” “Bad,” “A Sort of Homecoming,” and the title track have entered the public consciousness over the years. Yes, the remastering, guided by the Edge, does make a difference. There’s a newfound clarity to the recordings, and more separation between the instruments. Larry Mullen’s drumming has been brought to the forefront, and seems more crisp and powerful. The Edge’s guitar chimes more brightly, and Bono may be at his most passionate here. (more…)

The Popdose Interview: Howard Jones

If Howard Jones wasn’t the definitive poster boy for synthpop during the 1980s, he was certainly one of the leaders of the pack, spending many a week in the charts during the course of the decade. We won’t waste our time by listing off every single hit single the man had, but…oh, sorry, perhaps some readers do need a brief refresher course. For those of us who may not have lived through the decade in which Mr. Jones saw his greatest success, we speak of the man responsible for such memorable ditties as “New Song,” “Things Can Only Get Better,” “No One Is To Blame,” and “Everlasting Love.” Indeed, he even managed to maintain his success into the ’90s, scoring a substantial hit in 1992 with “Lift Me Up.”

Although he departed the ranks of Elektra Records not long after the label released his best-of collection in 1993, Jones has continued to release records throughout the years, including Angels and Lovers (1997), People (1998), and Revolution of the Heart (2005); his latest album, Ordinary Heroes, will see release on Nov. 9th, 2009, preceded on Oct. 26th by the single, “Soon You’ll Go.” As part of the pre-release press blitz, Popdose was provided with the opportunity to do an E-mail interview, and it was an offer we could not refuse.

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Live Music: U2, Foxborough, Mass., 9/20/09

U2 - Gillette Stadium

Photo by Nicole M. Vanasse

We’ve got old songs
We’ve got new songs
We’ve got songs we can’t play
We’ve got a spaceship
But we won’t leave without you

With those words, Bono and his friends in U2 launched their rocket ship from its pad in Gillette Stadium to kick off the first show of a two-night stand there. Hours later, I’m not sure that any of us who were fortunate enough to have been in the audience last night have returned to earth yet.

I am what you would call a casual U2 fan. I’ve enjoyed a lot of the music they’ve made over the years. I appreciate the political stands they’ve taken, and the charitable causes that they embrace. All of those aspects of their career were on display last night. Still, this show on their current “360 Tour” was only the third that I’ve ever seen, and my first since the Joshua Tree tour more than 20 years ago.

There has been much talk about the size of the current production. The band has been criticized by their peers and in the press for spending an enormous amount of money on the staging in the midst of such difficult economic times. Guess what? Once the music begins, all of that is immediately forgotten. What U2 has created is a truly thoughtful multimedia experience. This is not just smoke and mirrors for their own sake. Everything has meaning and depth, and the technology is breathtaking. The sound was as good as I’ve ever heard in a stadium setting, and the band was in top form musically. (more…)

Book Review: Andrew Mueller, “I Wouldn’t Start From Here”

51r0mzqu-dL._SCLZZZZZZZ_[1]Andrew Mueller, I Wouldn’t Start From Here: The 21st Century and Where It All Went Wrong (U.S. edition, 2009, Soft Skull)
purchase from Amazon

I Wouldn’t Start From Here is aptly titled, because you should skip Robert Young Pelton’s introduction. It’s a rant on how Americans need to read this book because we are all so lame and hate foreigners. Pelton has all the charm of someone who bought a copy of Let’s Go Thailand and a backpack the summer before law school, and now wants everyone to know how worldly he is because he smoked dope with a bunch of Canadians at a hostel on the Khe Sahn Road.  Well, if Americans hate funny things so much, why did we elect as our president a self-described “skinny kid with a funny name,” the son of a Kenyan, with a grandmother and half-siblings who live in a more-or-less traditional Kenyan village?

And yes, Robert Young Pelton had to know about the election when the introduction went to press, because Andrew Mueller writes about the revelry of November 4, 2008 for this edition. (The book was originally published in 2007 in Australia.) So skip his introduction, unless you are an American who believes that you are superior to all other Americans because you sometimes read the news on Guardian.co.uk. (more…)

How Bad Can It Be?: “Across the Universe”

Hey, you! You dig the Beatles, right? ‘course you do! That’s because you belong to some subset of the umbrella group Human Being With A Soul. So, enjoying the music of the Fab Four as you do, you rushed right out to theaters to catch director Julie Taymor’s gonzo Beatles fantasia Across the Universe, right? ‘course you didn’t! That’s because you also belong to some subset of the umbrella classification The Movie-Going Public; and nobody from that demographic appears to have bought a ticket.

Well, not exactly nobody. The movie, which cost $45 million to make, did a worldwide gross of $25 million, playing on les than a thousand US screens at the height of its release. So, at a guess, it managed to scare up an audience of terrifying Beatles lifestylers, the friends and families of its cast and crew, and possibly Ringo (although he’s been pretty busy of late, apparently). Peter Frampton was allegedly ejected from a matinee engagement for shouting at the screen: “Ha! It’s not so easy, is it?”

You see, Across the Universe is an attempt to uncover — or impose — a narrative thread on a string of beloved standalone pop songs. Or, as the DVD box coyly puts it, avoiding the B-word altogether, “Within the lyrics of the world’s most famous songs lives a story that has never been told… until now.” It’s a bit like Mamma Mia, or (God help us) that legendary, coke-addled career-killer that was 1978’s Sgt. Pepper’s Lonely Heart’s Club Band.

It would be bad form to speculate on what kind of drugs Julie Taymor is on, but she is surely possessed of the kind of batshit visual imagination that gets a director labeled as “visionary.” She came out of experimental theater before being tapped to bring Disney’s The Lion King to Broadway; that show was a commercial and artistic triumph, assimilating the techniques of the avant-garde — masks, puppetry, mime — into a mainstream family entertainment. Her first film, Titus, was a bloody, perverse revenge tragedy with eye-popping visuals. (more…)

Hooks ‘N’ You: The Devlins, “Drift”

Has this ever happened to you?

You’ve bought a new album. You put it on and hit “play,” and as it’s playing, you find that you’re enjoying it well enough, but it’s not really grabbing you…until, suddenly, the album hits a particular song, and – bam!you’re in love. You play the song again. Damn, that’s good. And now that your ears are open, you find yourself wondering if the remainder of the album is just as good, so you let it continue playing…and you find that, yes, it is! Then, you realize that you need to go back and start the record over from the beginning, since you weren’t really paying enough attention when it first started….and, holy crap, you must’ve been drunk or something, because it’s so obvious to you now that this entire album is brilliant!

That, in a nutshell, is what I experienced when I first heard The Devlins’ “Alone in the Dark,” and it’s how their debut album, Drift, became one of my favorite albums of 1993.

Devlins Drift

“Alone in the Dark” is, for my money, one of the sexiest and most sensual songs ever written. It has been included on many a mix tape over the years…though, of course, the only one that matters is the one I made for my wife when we first started dating, and any claims to the contrary are damned dirty lies. (Today is our seventh wedding anniversary, as it happens. Happy anniversary, sweetheart!)

It’s a song which begs to be on the soundtrack to a romantic movie, playing as the couple you’ve been rooting for throughout the entire film finally comes together, and if you don’t believe me, just read these lyrics:

I feel the storm, but it’s so strange
To feel desire without the pain
And I feel your eyes search my soul
For sometime sacred, for something more than you need

Your words are lost, but there’s no aim
It’s pure emotion that holds this flame
And the rain will fall and touch your heart
It’s pure devotion, alone in the dark

So tell me what you feel
Tell me every little thing
Tell me all that you are now
And tell me what it’s like to see
From your own heart
Now I’ve got you…alone in the dark

Goosebumps, I tells ya. Goosebumps!

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