Posts Tagged ‘Elvis Presley’

Sugar Water: Break On Through (To Another Side of Acting)

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“A liar lies and a thief steals from you, but a hustler gives you something that you don’t mind parting with your money for. You’re entertained by the meal or the sex or the impression that something is going to happen. You’re given a sense of well-being….” –actor Val Kilmer describing porn star John Holmes, who he portrayed in 2003’s Wonderland

Val Kilmer wants to be the next governor of New Mexico. In fact, as he told the Associated Press in a recent interview, “If I run, I’m going to be the next governor.”

That’s the spirit! After all, Arnold Schwarzenegger had never held public office before he became governor of California in 2003, and by most accounts he’s done an admirable job in that post. But Schwarzenegger was always more of a movie star than an actor, and one reason he got to be such a huge international star was because he was a smart businessman (and, by extension, politician). He promoted action films like Total Recall and comedies like Twins with equal amounts of salesmanship and hyperbole, appearing on as many talk shows and in as many entertainment magazines as he could. He knew he wasn’t a great actor, and he knew his fans didn’t want to see him try anything Oscar-worthy, which is why the clip of him playing a pyrotechnic Hamlet in 1993’s Last Action Hero is the best joke in that otherwise misbegotten attempt at melding Schwarzenegger’s two favorite genres. (“To be or not to be,” he says before deciding on “not to be” and detonating the royal castle.)

Kilmer, however, is much more of an actor than a movie star, despite matinee-idol looks and brief brushes with superstardom in blockbusters like Top Gun (1986), in which he played one of Tom Cruise’s rivals, and Batman Forever (1995), where his Batman was overshadowed by Jim Carrey’s Riddler and Joel Schumacher’s campy direction. (To be fair, 2005’s Batman Begins is the only Batman film that focuses more on the title character than the villains. Even last year’s critically adored The Dark Knight gave more screen time to the Joker and Two-Face.) Kilmer decided not to reprise his role for 1997’s Batman & Robin. This probably pleased Schumacher, who returned for the franchise’s fourth installment and told Premiere magazine in ‘97 that “Val is the most psychologically troubled human being I’ve ever worked with. The tools I used to work with him — tools of communication, of patience and understanding — were the tools I use on my five-year-old godson. Val is not just high-strung. I think he needs help. I say this to you only because I have said it to him.”

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Happy Birthday to the King

Elvis PresleyElvis Presley would have been 74 years old today. As famous as he was in life, he’s achieved immortality in death. He may be bigger now than ever. Visitors still flock to Graceland in the hundreds of thousands, and his records still sell very well.

The story of Elvis is the quintessential American story. Poor boy rises to worldwide acclaim, and then allows himself to be destroyed by it. It’s a cautionary tale for anyone who aspires to the heights.

If you haven’t read it, I heartily recommend Peter Guralnick’s majestic two volume Elvis biography, Last Train to Memphis; The Rise of Elvis Presley, and Careless Love: The Unmaking of Elvis Presley. Like all great biographers, Guralnick puts you right into the scene and you feel like you’re taking part in Elvis’ ascension and demise.

Finally, I’m sort of infamous among a few friends for singing along with this song when it comes on the sound system in a club. Truth be told, I don’t merely sing along, but I add my own Elvis moves. It may look funny, but it’s my homage to Elvis, and my favorite Elvis song:

Suspicious Minds (live)

Mix Six: “Vertical Tasting, 1959-2009″

DOWNLOAD THE FULL MIX HERE

Living where I do (the San Francisco Bay Area), the Napa Valley is quite close to my abode.  If you’ve ever been to a winery (or participated in a wine tasting), sometimes they do vertical tastings of wines from various years to highlight how different one vintage is from another.  Since it’s a new year, and I wanted to stay away from a “Best of 2008” mix, I thought I would do a vertical tasting/listening of songs that were released in years ending in the number nine.

As I surveyed the musical landscape from 1959 to the present, I was struck by the way in which a musical style essentially peaks around this time of a decade and then lingers a bit into the new decade only to be eclipsed by another style.  And even though the songs in this mix aren’t necessarily the most popular or most representative of what was going on in popular music, they were popular enough that they reflect the zeitgeist of that particular year.


“I Need Your Love Tonight,” Elvis Presley
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Vintage 1959.

Before Elvis became a mythological figure (or an object of comedic ridicule), his songs of loving and longing were wonderfully solid and, as they used to say on American Bandstand, “Had a great beat and you can dance to it.”  I have to admit, however, that because I’m not a big fan of The King, I hadn’t heard this tune before.  But after repeated listens, I do love the lyric: “I got the Hi-Fi high, and lights down low.”  Clearly, Elvis was not shy when it came to “business time.” (more…)

Steve Foley, Elvis Presley, and America

This past weekend, drummer Steve Foley passed away at the age of 49. Foley, of course, is best known for replacing Chris Mars in the Replacements for their final tour in 1991 after years spent gigging on the local Minneapolis music scene. Upon hearing word of his passing, I found myself revisiting a thought — a concept, if you will — that’s been vying for more space in my mind as of late.

My thought, of course, is that there’s really no less flattering sight than that of the aging rock ‘n’ roll musician. Now, before you respond with a sarcastic “boo-hoo,” hear me out. It’s one thing to show your age in a grey cubicle — as long as they make Dockers in your size, truth be told, you’re still good to go — but a rocker hitting his 40s is a whole ‘nother bag of hammers.

Rock ‘n’ roll’s very inception — or conception, if you will — was a reaction to the stodgy “grown-up” music of the day, and while its first real star, Bill Haley, was already pushing 30 (!) by the time “Rock Around the Clock” appeared in the closing credits of the film Blackboard Jungle and changed the face of popular music forever, rock ‘n’ roll still enjoyed an immediate and irrevocable connection to youth.

For teenagers in America who had long been stuck listening to the same music as their parents, rock ‘n’ roll was something they could call their own. Haley was a huge star, of course, but the proverbial elder statesman soon gave way to much younger idols with whom teenagers could more closely identify, including Elvis Presley, Frankie Avalon, and Ricky Nelson.

Presley, of course, is probably the best example of rock ‘n’ roll’s celebration of youth. After all, while talent surely had something to do with it, it was his youthful bravado and untamed sexuality that made him a star. He had the swagger of a young man who had no idea what he couldn’t do, and America’s teenagers loved every controversial shake of the hips and snarl of the lips. He, more than anyone, made sure that rock ‘n’ roll belonged to the young: he was young, the millions of adoring fans were young, and they saw something in each other that made for a beautiful relationship.

As he grew older, though, he lost touch with his audience and watched as bands like the Beatles and Rolling Stones stole his thunder. His final days were spent as a tired Vegas act going through the motions, lost in a drug-induced haze and utterly alone in a world that, for the most part, had moved on from him years ago. He was 42.

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Mojo’s Cold Shot (Statutory Rock Edition): “Shake, Rattle and Roll”

Originally, this fine blog entry was crafted exclusively for the awesome Popdose Statutory Rock List, but alas, as I am wont to do — such as right here in the far-too-long opener to this week’s Cold Shot, special Statutory Rock Edition — I ran at the keyboard wa-a-a-y too long and we decided to put it in the refrigerator for a few days and save it for this space.

Today, Cold Shot hashes the lyrics of “Shake, Rattle and Roll,” covered by three different acts: Big Joe Turner (1954), Elvis Presley (1955), and Bill Haley & the Comets (1954), which for my money, is one of the dirtiest songs of all time — but since most people equate Bill Haley and early Elvis with quaint old country-billy and the Donna Reed era of pre-acid sock hops and ‘57 Chevys, these horndogs get a free pass.

In the 1950s, teen ‘tang wasn’t just the purview of grizzled old rock stars. It was an uplifting cultural phenomenon that helped break down the color barrier. In fact, one might say it “inspired” some crucial, er, “events” that made America the celebrated ethnic melting pot it is today.

Case in point: Generally considered a lyric that discusses the deflowering of a young virgin, Big Joe sings “I’m like a one-eyed cat, peepin’ in a seafood store/I’m gonna look at you,’till you ain’t no child no more.”

Elvis covered it verbatim in the Sun Records rockabilly style. Together, the most influential black and white singers of the mid-1950s brought together audiences from all walks of life. Note: The original Elvis Sun recording of this cut didn’t make it to commercial release until the 1990s, but he did sing it on TV back in the day coupled with the hastily written copycat followup “Flip, Flop and Fly.” There is no doubt The Pelvis was singing this song at live gigs and getting those gals all wound up. For good measure, Sam Cooke later covered it with the skeeve intact (and we’re not even drilling down deeper into the lyrics, such as the see-through dress issues and just exactly what were they doing in bed before Big Joe et al demands some breakfast).

We will, however, bring up this little gem of a lyric from later on in the cut: “I get over the hill and way down underneath/You make me roll my eyes, even make me grit my teeth.” (more…)