Posts Tagged ‘Glen Campbell’

The Friday Mixtape: 5/22/09

Hat trick, mama!!

Benny Hester – It’s Over Love from Through the Window (1987)
Erik Norlander featuring Buck Dharma – Lost Highway from Music Machine (2003)
Isaac Hayes – By the Time I Get to Phoenix (Edit) from Hot Buttered Soul (1969)
John Williams – Yoda’s Theme from Star Wars: Episode V—The Empire Strikes Back (1980)
Katatonia – My Twin from The Great Cold Distance (2007)
Mark Knopfler – What It Is from Sailing to Philadelphia (2000)
Paradise Lost – Nothing Sacred from Host (1999)
Paul Steel – Hole in Your Heart from Moon Rock (2007)
The Catherine Wheel – Mad Dog from Wishville (2000)
The Damned – Smash It Up (Parts 1 and 2) from Machine Gun Etiquette (1979)
The Major Labels – Aquavia from Aquavia (2008)
Traffic – Every Night, Every Day from Far From Home (1994)
Under Midnight – Oh Boy from Void (1994)
Urge Overkill – Positive Bleeding from Saturation (1993)

The Three Strike Rule: “The Chris Isaak Hour”

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chrisiUsually, anytime a musical artist performs on a talk show, that marks the end of the program: Letterman, Leno or Conan stroll out to shake hands with the band, and the credits roll. Gone are the days of Johnny inviting band members over to the couch for some chit-chat about their new record. This was just one reason Chris Isaak agreed to star in his new talk show, The Chris Isaak Hour — it gives musicians an opportunity to play two or three songs and then the chance to talk about the work they do.

Each week a guest artist sits down with Isaak on a retro set that looks like something out of a ’50s sitcom. Isaak then interviews them, delving into questions about influences, their careers, and even what gets cooked in the kitchen. The conversations are broken up with performance footage shot on a soundstage. Isaak and his crack band, Silvertone, are on hand to act as the house band, with Isaak generally joining the guests for one or two numbers. On top of hearing musicians comfortably opening up about their lives, you also get to see unique, one-of-a-kind performances, such as Glen Campbell and Isaak singing “Rhinestone Cowboy” or Isaak and Trisha Yearwood performing their new song, “Breaking Apart.”

Just as he does on stage, where he allows his singing companion the room to perform and breathe, Isaak is never quick to interrupt his guests with his own thoughts. Instead, he adheres to the motto that the show is about them and what they have to say. While each episode opens with a short skit that usually includes Isaak’s funnyman drummer, Kenny Dale Johnson, the rest of the show is pretty straightforward. Although filmed entirely on a soundstage with no studio audience, the show has the deliberate feel of a live music variety program, with old black and white footage of people applauding between songs. It’s that tongue-in-cheek, wink-wink type of charm that makes Isaak so appealing. (more…)

Bottom Feeders: The Ass End of the ’80s, Part 13

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This past week I was like a pig in shit. Nine tracks from Chinese Democracy were leaked and I couldn’t be happier. See, Guns n’ Roses are my Led Zeppelin. They’re my Black Sabbath. Appetite for Destruction came out in 1987 when I was 11 and they were pretty much the first hard rock band I had ever really come in contact with. I’m not sure what music my dad liked. I mean, he gave me money to buy records, but I don’t really ever remember him buying anything for himself, so maybe he just liked me enjoying it. I know my mom liked The Moody Blues and Queen, so Queen was probably my first exposure to rock music — but GNR was the first hard rock that I can remember. Thinking about it right now, it was probably pretty cool of my mom to let a preteen listen to Appetite.

I’ve mentioned before how I don’t remember actually listening to much in the ‘80s. But there are two things I remember vividly. The first is coming home from school one afternoon and every hour on the hour huddling around the TV with my friends to watch the MTV premiere of the video for “Paradise City.” And the other was sitting on the back of the school bus and trying to convince all the kids that I had one of the “original” copies of Appetite for Destruction because “Paradise City” was much louder after the whistle on my version.

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