Posts Tagged ‘Ike Turner’

CD Review: The Rolling Stones, “Get Yer Ya-Ya’s Out” 40th Anniversary Edition

The Rolling Stones - Get Yer Ya-Ya's OutJust when you start to think that Rhino is the only company that knows how to do the box set thing, along comes ABKCO Records with their entry in the definitive statement sweepstakes. In this case the statement in question is in regard to the classic live Rolling Stones album Get Yer Ya-Ya’s Out from 1969.

Exactly how do you build a big fancy box set out of a single disc live album from 40 years ago? Well you start by remastering the original tracks. Then you dig up five previously unreleased tracks from the Madison Square Garden shows that didn’t make the original cut, and make them your second audio disc. The sets by the show’s stellar opening acts, B.B. King, and Ike and Tina Turner, have never been released before, so you make those Disc Three.

You’ll need a DVD, so grab that footage from the Maysles brothers (who also made the tour documentary Gimme Shelter), which includes full-length versions of the five newly released Stones tracks, and some behind the scenes stuff. The songs are great, but the opportunity to see Mr. Watts interact with the donkey with whom he’d eventually share the album’s cover is priceless, and the footage of Jimi Hendrix and Janis Joplin backstage at the Garden is touching. Less than a year later they would both be gone. Watching the Stones and the Dead in a parking lot in San Francisco waiting for the helicopters that would take them to Altamont is simply chilling. Finally, you’ll need a book, and ABKCO have filled their 56-pager with an essay from tour photographer Ethan Russell, and the original Rolling Stone album review by the great Lester Bangs. In between all the words, publish some interesting photos, including one of the album’s original cover. (more…)

Sugar Water: There’s Always a Riot Goin’ On

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The following piece originally appeared as an entry in Popdose’s Most Disturbing Halloween EVER! series.

“Everyday People” entered the Billboard Top 40 on January 4, 1969. Six weeks later it was the number-one song in the country, holding onto the top spot for an entire month. The lead single from Sly & the Family Stone’s upcoming album Stand!, it espoused “different strokes for different folks,” with the group’s leader, Sly Stone, assuring listeners that “I am no better and neither are you / We are the same whatever we do.”

Later that year the “psychedelic soul” band from San Francisco — featuring black, white, male, and female members — played the Woodstock festival, taking the stage at three in the morning on August 17 with inspirational anthems like “You Can Make It If You Try” and “I Want to Take You Higher,” which quickly moved the predawn crowd out of their sleeping bags and onto their feet.

In hindsight, it was as high as Sly & the Family Stone would go.

On January 10, 1970, their first single of the new decade, the double-A-sided “Thank You (Falettinme Be Mice Elf Agin)” and “Everybody Is a Star,” landed in the Top 40, and within a few weeks had become the band’s second chart topper.

Ushering in the era of bottom-heavy ’70s funk dominated by bands like Kool & the Gang, Ohio Players, and Earth, Wind & Fire, “Thank You” featured a harder sound than the Family Stone’s previous hits, with Larry Graham’s percussive thump-and-pluck bass dominating the track alongside Cynthia Robinson and Jerry Martini’s trumpet-and-sax combo. Sly’s lyrics weren’t exactly relegated to the background, but expectations of good-time vibes from the group that recorded “Dance to the Music” tended to obscure lines like “Flamin’ eyes of people fear burnin’ into you” and “Dyin’ young is hard to take / Sellin’ out is harder.”

The lyrics that typically stand out on first listen are the titles of previous Family Stone hits incorporated into the third verse: “Dance to the music all night long / Everyday people sing a simple song.” It comes across as playful — a clever summation of the Family Stone’s triumphs in the decade just ended.

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Mojo’s Cold Shot: Ike Turner, “Jesus Loves Me”

mojologo.jpg“I can’t live forever, how long ya think I’m gonna wait — for forgiveness?” growls Ike Turner in a cut from his 2006 Zoho solo effort Risin’ With the Blues.

Longer than you’re going to live, dude. The man died a couple weeks before Christmas — today we learned it was likely from a coke overdose — leaving decades of controversy in his wake. There’s no apologizing for the abuse a coked-up Ike heaped on Tina, whether he denied or owned up to it. And I hain’t doing it here.

Ike’s asking for forgiveness in this cut, but upon examining the lyrics, we’re not sure what he copping to doing in the first place. Having interviewed him in 2006, my guess is that old Ike felt that he probably crossed the line into spousal abuse more than once. But if he admitted he did Tina any particular wrong, it would have been tantamount to admitting that all the dramatized details of the 1993 Hollywood biopic What’s Love Got To Do With it — based on Tina’s book I, Tina — were true. He was pissed off about a bunch of things Tina wrote, and even more enraged about the creative liberties taken in the screenplay that in his view further heaped exaggeration on top of lies.

Worse yet — at least to Ike — when he signed papers in jail agreeing to let the moviemakers tell his story, he wasn’t consenting to that version of it and felt he’d been deceived. (more…)