Posts Tagged ‘Jerry Lee Lewis’

My God…It’s Full of Awesome: Ronnie Milsap, “She Loves My Car”

There come times in the pop culture universe where an item is so solidly packed with cheese, befuddlement, and WTF? moments that it falls in upon itself, spiraling into a wormhole in the space-time continuum, and emerging out the other side as something incredibly awesome. It is hard to define: like pornography, you (a) know it when you see it, and (b) may feel the need to wantonly pleasure yourself because of it. This new series gives examples of these mind-blowing moments. And who better kick off this series than….country legend Ronnie Milsap?

As previously mentioned in Part 60 of Dave Steed’s awesome Popdose series “Bottom Feeders: the Ass End of the ’80s,” Ronnie Milsap’s “She Loves My Car” was an excellent little 1984 ditty that was his only single not promoted to country radio in his career. A blatant attempt at crossover chart success, the song only peaked at #84 on Billboard’s Hot 100, but I couldn’t tell in Los Angeles: they played the HELL out of this song on local Top 40 station KIIS FM, probably because the video was set in Los Angeles. And the video…oh man! That’s the reason why we’re here today. This is a big slab of shameless 1980s cheese, slathered in dated pop culture references and blended until insane. And yet, somehow the end result is much, much more than just the sum of its parts — so much more that I told the head of our little consortium (Jeff Giles, y’all) that we needed more than just Captain Video to deconstruct its magnificence: We needed a whole new series. And like a funky Picard, the man said “make it so.” And with that, we commence: (more…)

Versionality: “Stagger Lee”

About a month ago, while I was working on my Soundtrack Saturday post about Shag: The Movie, I tweeted that I never got sick of hearing Lloyd Price’s version of the blues folk song “Stagger Lee,” which is what Annabeth Gish and Scott Coffey’s characters dance to during the shag dancing contest at the end of the movie. In fact, I think I listened to it about 20 times just in the few hours it took me to write that post. The first time I’d ever heard any version of “Stagger Lee” was while watching Shag, and every time I hear Price sing it, I think of that scene and just want to put on my shaggin’ shoes and go to town. (Okay, so I don’t really know how to shag, but whatever.)

Seeing my tweet about my love for Mr. Price’s “Stagger Lee,” the lovely Jeff Giles asked if I’d ever heard the version by Chris Whitley & Jeff Lang. I replied that I hadn’t, and within the hour an MP3 was waiting in my in-box. After listening to it and telling Jeff how much I liked it, a discussion about some of the other versions of the song began, ultimately leading to the idea of this feature, which I hope continues with the thoughts of members of the talented Popdose staff on other oft-covered songs.

Now, much has been written about the Stagger Lee story and even about the many versions of the song; I’m certainly not going to try and rehash everything for you here. Instead I’d encourage you to read this and this, and if that’s not enough Stagger Lee history for you, there’s always Wikipedia. Rather, what I wanted to talk about here is what I love about the song and its many renditions.

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We Wuz Robbed! Great Number 2 Hits of the ’50s

Last year, in the midst of compiling my “Worst Number One Songs of the Rock Era” series, I began contemplating the sad, sorry fate of those records that have come up just short of the top slot on Billboard’s pop charts. After all, nobody celebrates even the greatest, or biggest-selling, #2 hit as a colossal achievement, the same way even the worst #1 hit ever (“Honey”?) is honored. You don’t see Fred Bronson compiling five editions of The Billboard Book of Number 2 Hits, do you?

Put it this way: “Waiting for a Girl like You” sat at #2 for 10 weeks in 1981, behind a bunch of fat guys doing aerobics. “I Want to Know What Love Is” got to #1 for two weeks in 1985. A quarter-century later, which song is considered Foreigner’s biggest hit?

So, beginning this week we honor some of those great songs that, for whatever reason, never got that Casey Kasem drumroll on American Top 40. And when I say “for whatever reason,” I mean it: Sure, many times a single has simply been blocked by a bigger, better rival, but heaven knows there have been plenty of payola/cocaine/label/radio shenanigans through the years that have kept a deserving song from ascending to glory. As I explored last year, the Top 40 has never been a perfect beast; who knows how many times a single has gotten stuck at #2 because some program director’s girlfriend just adored those cute Osmond boys?

Today we start with five singles that never reached the top during the post-“Rock Around the Clock” 1950s. But first, a brief explanation of my methodology for including records in this survey. Initial choices were based on quality; if one’s first response to a song title is “I can’t believe that didn’t make it to #1,” or if a #2 single seems (in retrospect) infinitely better than the song that screwed it out of the top spot, it’s here. Beyond that, over the course of the survey I’ll feature some singles that topped out at #2 during the latter stages of another song’s extended run in the top spot, figuring things might have been different if it weren’t for some amount of programming inertia at radio. After I identify my picks for each decade, I’ll list some other #2s and open the comments section for debate on who got shafted the worst.

Here we go! (more…)