Chicago - Stone of Sisyphus (Rhino)
Fifteen years after Warner Bros. rejected Stone of Sisyphus, leading to Chicago’s departure from the label and kicking off over a decade of crass, fan-bilking compilations, the band’s “legendary lost” album finally sees the light of day…on Warner-owned Rhino! Hey, why is the record industry in the tank again?

Coldplay - Viva La Vida (Capitol/EMI)
Speaking of “in the tank,” here comes EMI’s great white hope for the second quarter of 2008! Are garish artwork and echoes of U2 enough to keep the label’s top shareholders from having to sell off their third chateaus? Judging from the second single (and title track), the answer is an unqualified “yes.” Judging from most of the rest of the record, on the other hand…

Jason Falkner - Bedtime With The Beatles 2 (Adrenaline)
In which the terminally underrated power-pop superhero follows up his wonderful (and stupidly out of print) Bedtime With the Beatles, offering nine more lullaby renditions of classic tracks from the Fab Four, including “Norwegian Wood,” “Penny Lane,” and — oddly — “Here Comes the Sun.” My daughter can’t wait! (more…)

Meet the rarest of beasts: the heavy metal dance mix.

After the “disappointing” sales figures for Judas Priest’s 1984 album Defenders of the Faith (it merely went platinum), CBS Records gave the band the kind of visionary direction that has made the major labels the shining beacon of business savvy they are today: sell more records. In 1986, that meant ‘add keyboards,’ and Priest, good lads that they were, obliged for their 1986 album Turbo, though whether that was willingly so is not known. Ah, but such concessions are a slippery slope, and one wonders, when the band turned “Turbo Lover” in to the label, if they had any idea that the label would turn around and commission a remix of the track for play in dance clubs.

The move was “too little, too late” on a number of levels. By 1986, rock radio was phasing out the extended mixes that were all the rage two years before – we’re guessing it was those god-awful mixes from ZZ Top’s Afterburner that did the trick – and there wasn’t a club on the planet that was about to give any mix of “Turbo Lover” heavy rotation. The remix was only half the problem, though; Judas Priest was permanently linked to a scene that had simply run out of time. English metal was dead, and not even the bands that were still putting out interesting work (Iron Maiden) could escape it. Casual metal fans were moving on to the Replacements, and the hardcore metal fans hated those goddamn synthesizers. Priest’s goose was cooked before the “Turbo Lover” 12” single left the pressing plant.

In all fairness, the idea of a Judas Priest remix is more offensive than the remix itself. The song is more or less an update of “You’ve Got Another Thing Comin’,” the band’s sole foray into the Billboard Hot 100 (it peaked at #67, which means it will surely be in the ‘J’ episode of Bottom Feeders), with a little “Rebel Yell” mixed in for good measure. In other words, it was not the naked ploy to appeal to clubgoers that, say, “Sleeping Bag” was. It was just a rock song with keyboards, and the 12” mix is just a rock song with keyboards and a longer outro. It also had a hilariously bad video, contained below for your amusement. (more…)