Posts Tagged ‘Molly Ringwald’

Basement Songs: Otis Redding, “Try a Little Tenderness”

OtisThe Aut-O-Rama Twin Drive-In Theatre located in North Ridgeville, Ohio is like any drive-in you might imagine. One large parking lot with two giant screens and a snack bar and arcade building centrally located. There is a playground area for younger children and flea markets are held on the grounds every Sunday morning. Opened in 1965, I’m glad to say that the Aut-O-Rama is still independently owned and continues to screen double features throughout the summertime. During my formative years in the 1980s, my circle of friends had a pretty good routine: pile as many people into a car loaded with lawn chairs and a cooler, and pay for as few as people as possible, even hiding kids under blankets on the floor, in the hatchback or even the trunk. Cars parked to face the screen of the movie paid for, but that never prevented any of us from turning around and watching the other feature when bored. Once you tuned your AM radio to the special frequency that allowed you to hear the movie’s soundtrack, it was time to settle back in your semi-comfortable vinyl chair, or possibly the backseat of the car, open your beverage of choice and enjoy the show.

The delight of the drive-in was the social factor. Rare was the night when a group of teens actually watched the entire movie. No, you went to the Aut-O-Rama to hang with your friends, maybe score an illegal beer, and possibly try your first cigarette or Swisher Sweet. You also went to the Aut-O-Rama to wander the parking lot with that girl or boy you had a huge crush on and sit with them on the merry-go-round getting to know each other. If by some chance you were lucky, you kissed in the front seat, navigating the steering wheel and gear shift, or better yet, you moved to the back seat where hands could wander in the darkness and occasionally you peeked your eye open to see what was happening in the movie. (more…)

John C. Hughes on John Hughes

My bio for Popdose when it first appeared in January of last year began thusly: “John C. Hughes calls himself such to differentiate himself from the other John Hughes.” A lame joke, but one based in truth. Ever since I was 16 years old, I’ve heard the following from people after they hear my full name for the first time: “You mean, like the director?”

I wish.

The other John Hughes was responsible for a huge formative portion of my life, and that’s no exaggeration. The man introduced me to National Lampoon, he was the cool older brother whose music I’d listen to, he was the guy who made me believe I could escape small-town Ohio and make a living — get this! — doing something creative that I loved. I mean, after all, we even had the same name, so I could do it too, right?

I remember when Sixteen Candles opened. The Avon Lake Theater in Lorain County, Ohio, was included in a nationwide promotion where you got a free Sixteen Candles T-shirt and poster if you came to see the movie on your actual 16th birthday. That was enough for me — the movie opened on May 4, 1984, and I turned 16 on the 16th.

I had no idea one little teen movie could have such an impact. I loved everything about it: the paper-thin plot (Sam’s parents forgot her birthday!), the realistic cadence the characters used when they spoke, and the music. My Lord, the music …

John Hughes and I must’ve been related somehow. We had to have been. Thompson Twins. Paul Young. Spandau Ballet. Wang Chung. Orchestral Manoeuvres in the Dark. Psychedelic Furs. Yello. Sigue Sigue Sputnik. Seriously — have you read the stuff I write about?

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Soundtrack Saturday: “Pretty in Pink”

I’m going to guess most of you have seen Pretty in Pink (1986), but if you haven’t, I’m sure you have a good reason — like being totally lame.

I kid, I kid. You’re not lame. (Or are you?)

Of all the movies John Hughes wrote, produced, and/or directed, this one just might be my favorite. I had wanted to see it in the theater when it was first released, but I was only eight, so that never happened. I did, however, get to watch it many times on video and cable and could probably recite every line of dialogue by the time I was 12.

Written by Hughes and directed by Howard Deutch — who also directed Hughes’s Some Kind of Wonderful (1987) and The Great Outdoors (1988) — Pretty in Pink is the story of Andie Walsh (Molly Ringwald), a high school senior “from the wrong side of the tracks” with a new-wave fashion sense, an unemployed father, and a best friend, Duckie Dale (Jon Cryer), who’s madly in love with her.

Rich preppy Blane (Andrew McCarthy) makes a visit one day to Trax, the record store where Andie works, and the two do some serious flirting. After a few more flirtatious encounters there and at school, he finally asks her out.  The two attempt to start a romance but encounter judgment and resistance from their friends, including Blane’s best friend, Steff (James Spader), who secretly likes Andie; Steff’s girlfriend, Benny (Kate Vernon); and Duckie.

Things get especially rough after Blane asks Andie to the prom, and once Steff gives him the hard sell, Blane backs out of taking her. Heartbroken, but refusing to let the “richies” get the better of her, Andie decides to go to the prom anyway — by herself. But once they’re both there, she and Blane realize they do love each other and want to be together in spite of their friends’ objections.

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