Posts Tagged ‘Paramore’

Mix Six: “Rain”

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Here in the Golden State we really only have two seasons:  wet and dry.  Okay, if you factor in mudslides, firestorms and earthquakes, we have five seasons that us Californians, um, enjoy during any given year.  It’s always quite comforting on a warm October day when someone reminds you that it’s earthquake weather, or when the weather report includes how acrid the air is because there’s a fire burning out of control somewhere.  Yeah, it’s not all beaches and movie stars in California, but one thing that’s always welcome here is rain.  We don’t get nearly enough to supply the water needs of the state, but when it pours, there’s a kind of underlying comfort that you can flush your toilet or take an extra minute or two in the shower without the water police reminding you how much we need to conserve.  Alas, the rainy season hasn’t quite started. Oh, we’ve had a few storms, but nothing that will add significantly to the snow pack in the Sierras, fill the lakes and reservoirs, or allow me to hose down the back patio without feeling guilty.

In the realm of music, though, rain has been a popular theme for decades.  Sometimes it’s a metaphor for redemption, sometimes misery, and sometimes it’s not a metaphor at all — sometimes, it’s just a song about rain.  So, here we go with six songs that, for me, are a not-so-subtle rain dance to the weather gods. (more…)

Mix Six Six Six (‘09)

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Last year, I was feeling all boo hoo about the fact that no one, and I mean no one comes to our house on Halloween.  Call it fear of strangers with candy (who might shove a razor blade in that Snickers bar, or snap off a hypodermic needle in that family size peanut butter cup), or, more realistically, it’s the fact that I live in a condo complex where the motto is “A place for the newlywed … and the nearly dead.”  Yeah, there really aren’t any kids around here, so we just gave up buying candy for those non-existent trick or treaters.  So, that leaves me with you, dear reader and lover of the ye olde Mix Six, to spoil you with musical treats. So grab a mug of bitches brew and get ready for a Mix Six Six Six for ‘09!

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“Freaks Come Out At Night,” Whodini (Download)

You can’t always start out a mix with a top of the hour cooker.  Nope, sometimes you gotta dig a little deeper and find a song that signals the keynote of the mix in a “deep cut” kind of way. Sure, this tune by Whodini has a pretty long shelf life because, well, the title of this song pretty much guarantees that it’s going to end up on a Halloween mix.  And look: it did! (more…)

CD Review: Paramore, “brand new eyes”

It’s easy to hate Paramore. With her diminutive stature, big vocals, and perpetually scrunched-up face, singer Hayley Williams comes across like a younger, snottier version of Avril Lavigne — an impression that the band’s 2007’s breakthrough album, Riot!, reinforced perfectly. A tightly wound ball of angst and righteous teen anger, Paramore’s music is the perfect soundtrack for emotional adolescents of all ages — and that, coupled with an appearance on the Twilight soundtrack, has helped make them one of the few legitimate breakout bands on the rock end of the radio dial. They’ve also been one of the industry’s more heavily scrutinized acts, thanks to their decision to sign one of the first major “360″ deals. Bottom line: if your tolerance for Hot Topic bubblepunk is low, you probably burned out on Paramore a long time ago, and are greeting the release of the band’s new album, brand new eyes, with rolled eyes.

But here’s the thing: Paramore isn’t really worthy of your scorn. I wasn’t particularly fond of angst even as a teenager, and now that I’m in my mid-30s, I’m just about allergic to it — but even if you can’t identify with the “me against the world” melodrama that fuels much of the band’s music, it’s awfully hard not to respect them for at least having a pulse. Silly lower-case title aside, brand new eyes glows with a combination of pop songwriting savvy and ragged, messy intensity; even if she seems to see the world in black and white, Williams has a ferocious set of pipes, and she — along with guitarists Josh Farro and Taylor York — has a gift for leavening aggression with bright, easily memorable melodies. (more…)

Mix Six: “Oh So Middle School”

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Do you remember you middle school years?  For old codgers like me, middle school was called “junior high” and yes, it was also den of conflicting emotions, big changes in bodies, self-awareness,  crushes, and for some, the beginning of a love affair with music that shaped one’s tastes for years to come.

My daughter is in the thick of it right now. Middle school friends, cliques, status symbols (Thank the cellphone gods I signed up for unlimited texting), fretting over hair, clothes, makeup, and gossiping about boys.  But music is very important to her as well.  I know she likes some of the music I enjoy, but that’s starting to change as she charts her own course and develops her own tastes that reflect her generation.

I gave her a texting assignment a few weeks ago, and it was pretty simple:  Have her friends text in three of their favorite songs, bands, or singers. She sent out a mass text to 20 of her closest friends, and most couldn’t peg a particular song they liked, but they sure had opinions on favorite band or singers.  There was a lot of overlap, and some editing by yours truly, but what follows is a pretty good unscientific sample of the middle school soundtrack in a San Francisco/Bay Area suburb.


“Fences,” Paramore (download)

Granted, this band has been around for a few years, but having a song featured on the Twilight soundtrack has propelled Paramore from “Yeah, they’re kind of cool” to the cusp of superstardom.  While many of their songs have an unremarkable pop/rock sound (to me, anyway), “Fences” stands out in part because of the infectious Cure/”Love Cats”-inspired bass line. (more…)