Posts Tagged ‘Prism’

Bottom Feeders: The Ass End of the ’80s, Part 70

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As the days go by, I’m learning more and more that my son, who’s now one year old, seems to respond to music. Whenever my wife turns on CMT or I pop on a record, he stops in his tracks, stares at the noise coming out of the big machine, and then starts bobbing his head — actually, his entire upper body — to the tunes.

So, as of last Thursday I’ve decided to play him a “classic” record each morning as we’re getting ready for the day — you know, with the hope that he’ll grow up liking daddy’s music (God help him). I’ve had four opportunities so far and I’ve chosen Peter Gabriel’s So, Arcadia’s So Red the Rose, the Time’s Ice Cream Castles, and INXS’s Kick. He seemed to like Peter Gabriel and was dancing all over the place during “Red Rain” (the first time I’ve ever seen anyone dance to that song). He also bobbed his head quite a bit during INXS’s “Guns in the Sky,” and Arcadia’s “Election Day” had him swaying back and forth. Unfortunately, Morris Day and the Time seemed to do nothing for him, but I still have plenty of formidable years ahead to get my son to blow his funky horn like dad.

Now, back to the ass end of the 1980s, i.e. songs that charted below #40 on the Billboard Hot 100 during the Reagan years, featuring our final week of artists whose names begin with the letter P.

Billy Preston
“I’m Never Gonna Say Goodbye” — 1982, #88 (download)

Billy Preston & Syreeta
“One More Time for Love” — 1980, #52 (download)

Billy Preston’s smash duet with Syreeta, “With You I’m Born Again” puts me to sleep, so if I’m listening to Billy’s singles chronologically, I just never get to these. Man, “With You” must be the slowest ballad to chart in the decade. Not like either of these tunes here are barnburners, either. I’m pretty sure “One More Time for Love” is actually a really good song, but I haven’t been in the right mood to verify that in ages.

Pretenders
“Stop Your Sobbing” — 1980, #65 (download)
“Thin Line Between Love and Hate” — 1984, #83 (download)
“My Baby” — 1987, #64 (download)

Here’s one of those artists that I’m going to learn a lot about by reading the comments. They’re pretty much universally loved, but I, of course, can’t stand their music and think they are way overrated. But as with pretty much every artist I hate, there isn’t one thing I can pinpoint or one moment where I realized it, but there has never been a point in my life where I have cared to hear a Pretenders song. The 1986 #10 hit “Don’t Get Me Wrong” is the closest I come to enjoying one of their songs. I’d be completely content if I never heard any of these three songs again.

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Jesus of Cool: Jon’s Singles File, Vol. 34

Actually, it’s only Volume 2, but who’s counting?

This is an all-Canadian edition of my occasional series sorting through the wreckage of a vinyl collection that focused heavily on minor hits and gone-but-not-always-forgotten acts. The bands featured here shared not only a home country, but also a home city (Vancouver), a bass player (Ab Bryant), and a rockin’ (but not too hard-rockin’) sound that scored them a series of minor U.S. hits before their brief early-’80s journeys to Kasemopolis. Oh, and one other thing: Both these songs skimmed the bottom of the Top 40 during the same weeks in March 1982.

Chilliwack – “I Believe”

I’m pretty sure I don’t have any more voices in my head than the average person, but during the fall of 1981 one of those voices was running a particular phrase on a perpetual loop: “Gone gone gone, she been gone so long, she been gone gone gone so long/Gone gone gone, she been gone so long, g-gone gone gone gone so long.”

ChilliwackChilliwack formed around 1970 and named themselves after a city east of Vancouver, in the Fraser Valley region of southern British Columbia; the name means “going back up” in one of the nearly dead Salishan languages once spoken by the region’s Native Americans. And now that you know that, know this: “My Girl (Gone Gone Gone)” not only wasn’t Chilliwack’s sole American hit, it wasn’t even their first. Four other songs, all major Canadian hits, had charted here during the ’70s – the biggest being the #67 smash “Arms of Mary” from 1978.

None of those songs, however, had inspired anything like this: (more…)