Posts Tagged ‘Steve Berlin’

The Popdose Interview: Raul Malo

It’s nice to see Raul Malo back in the spotlight. The onetime Mavericks frontman hadn’t exactly gone quiet, but over the last several years his big voice has been muted somewhat by label difficulties and diffident promotion (not to mention an underwhelming reunion with his former band). Fortunately, that’s all changed with last week’s release of his new album, Lucky One, which is receiving a welcome reception from critics and a nice push from his new label, Fantasy. (Yes, that Fantasy Records, which is now part of the Concord Music Group and is building a nice little stable of Americana artists to go with prodigal — if not fortunate — son John Fogerty.)

Malo co-wrote every track on Lucky One, which brings together the myriad influences that have long kept his work so interesting. The swinging “Moonlight Kiss” is equal parts Bob Wills and Dean Martin, and recalls the jazzy sound Malo brought to a set of classic-country covers on his last album, After Hours. (That disc had been Malo’s third consecutive covers album, and followed a collaboration with legendary producer Peter Asher that had the misfortune of being released by the Sanctuary label just before it collapsed in 2006.) Another key track on Lucky One, “Lonely Hearts,” allows Malo and producer Steve Berlin (Los Lobos) to immerse themselves in their beloved Latin rhythms. Then there’s a pair of big ballads, the epic and haunting “One More Angel” (inspired, if that’s the word, by the death of a friend’s daughter) and the lovely “So Beautiful,” which is proving a highlight of the sets on Malo’s current tour.

Malo rolls into Austin for SXSW gigs this Thursday and Friday, 3/19 and 3/20. Popdose caught up with him last Friday as he was preparing for a show in central California, on the heels of a two-day whirlwind through SoCal’s two Houses of Blues and a Wednesday-evening stopover to perform “Lucky One” on the Tonight Show.

Was that your first late-night booking in awhile? And more important, did you get to hang out with the kid from Superbad [fellow guest Christopher Mintz-Plasse]?
Yeah, it was my first time with Jay Leno … actually my first late-night show as a solo act. I did get to meet him – he’s a real nice kid. Of course, later that night my boys were like, “Dad, you hung out with McLovin!” I was an instant hero. (more…)

Hooks ‘N’ You: Bounce the Ocean, “Bounce the Ocean”

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I been in the right place, but it must have been the wrong time.Dr. John

Boy, if that doesn’t sum up the self-titled debut/swan song of Bounce the Ocean, I don’t know what does. Picture it: Washington, 1991. Hawk Bjorn and John Utter are surrounded by the burgeoning world of grunge, but choosing to follow their muse rather than the trends of the day, they produce an album of glossy, harmony-laden pop music that would’ve sounded more at home on the radio in 1981. They still managed to score a decent-sized radio hit, though, thanks to the album’s opening track, “Throw It All Away,” and another song “Wasting My Time” earned them at least a little bit of airplay, though it admittedly did so without ever actually charting.

You’d like to think that it was a testament to the quality of their work (because, wow, those harmonies are fucking incredible), but really, when was the last time quality had anything to do with a song becoming a hit?

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In truth, the band had been working their way up through the ranks for a while, first getting some exposure by getting their music placed in the Patrick Dempsey flick Some Girls (1988), then by getting signed to Private Music, a label that had previously been known solely for its new-age artists (Yanni, Suzanne Ciani) but in ‘91 was getting ink in the music trades for securing Ringo Starr for their roster. It was probably the Private Music connection that did the most for their profile, but a high profile can only do so much when the music you’re making isn’t anything remotely like what “the kids” are listening to. In fact, looking back, it’s somewhat ironic that the band’s big-nosed labelmate was actually playing more to current musical trends than the members of Bounce the Ocean were, since Starr’s album featured a cover of the Posies’ “Golden Blunders” and had Andy Sturmer and Roger Manning from Jellyfish providing harmonies.

But, really, who’s complaining?

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