Posts Tagged ‘Ted Nugent’

The Steel Horse Archives: Damn Yankees, “Where You Goin’ Now?” (1992)

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631b828fd7a08c190e430110.L[1]Damn Yankees
Title: “Where You Goin’ Now?”
Album: Don’t Tread
Release Date: 1992

Why You Remember Them: For a guy who expends so much effort trying to sustain an image as such a carnivorous, twitchy Amurcan, Ted Nugent is responsible for an unusually high amount of sissypants cotton-candy girl songs, many of which delivered by a band inexplicably named after a vivacious Broadway musical. To call Damn Yankees a “supergroup” would imply a world where that word could include someone from Night Ranger, yet here we are: Aside from Nugent, the group included Styx’s Tommy Shaw, looking like the Eurythmics dude that wasn’t Annie Lennox (what? too soon?), Night Ranger’s Jack Blades and Michael Cartellone, one of Lynyrd Skynyrd’s 400 drummers but a guy who had the sense to forge a second career in painting. “Where You Goin’ Now” isn’t even the Damn Yankees song most often played as the soundtrack to trembling hands fumbling their way around bra straps in the early ’90s — that would be the execrable “High Enough” — but thinking that the last two songs anyone gave a damn about were these would probably turn me into a goofball hunter/reality-show cartoon too.

Album Sales To Date: The band’s self-titled debut went double-platinum in 1990; Don’t Tread went platinum? Really? Jesus wept. (more…)

Bottom Feeders: The Ass End of the ’80s, Part 64

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First of all, I must give some props to the King of Grief, who decided to turn Bottom Feeders into a radio broadcast for a few hours last Tuesday. You can check him out every Tuesday over at KPFT. Great set list, even if he did play Meco’s “Ewok Celebration.”

Secondly, it’s really bugging me that in Garry Sharpe-Young’s A-Z of ’80s Rock book there are hundreds of groups that never released an album in the ’80s. Seems that to get in this book all you had to be was the ass wiper for Pretty Boy Floyd for a week and that was enough to make you an ’80s artist, despite the fact that you only released one demo in 2003; I had to weed out the non-’80s to get to the stuff the book is really supposed to be about. On the same note, I also purchased A-Z of Doom & Gothic Metal and there was a little box in the corner of the front cover that said “CD of 14 power metal tracks included.” I love me some power metal, but I can’t possibly understand why I’d buy a book on doom metal and get a power-metal CD with it. How about 14 tracks of doom and goth? Do I have to buy the power-metal book to get the doom CD?

And finally, I can now say I have something in common with Jermaine Jackson: Back in 1996 I caught a foul ball at a Philadelphia Phillies game. On Sunday night, Jermaine Jackson caught a ball at a Los Angeles Dodgers game. I guess “Blanket” is going to get a new toy from Uncle Jermaine.

And now, get ready for a little Wango Tango. Wango Wango. Tango Tango. Here’s the second and final week of the letter N, as we check out more songs from the bottom three-fifths of the Billboard Hot 100 during the 1980s.

Juice Newton
“Dirty Looks” — 1983, #90 (download)
“A Little Love” — 1984, #44 (download)
“Can’t Wait All Night” — 1984, #66 (download)

Juice_NewtonAfter talking about Anne Murray two weeks ago it was mentioned that I either liked blondes or MILFs growing up. We have three ladies in a row here to figure this out, because, frankly, I’m not sure myself.

I don’t recall ever being hot for a sip of the Juice. One place she looked like a hippie and the next some 24-year-old vixen (like on her 1984 Greatest Hits album). I do recall, however, listening to a ton of her music. Or I guess I should say listening to a few songs quite often, because really, after she hit #7 in 1982 with “Love’s Been a Little Bit Hard on Me,” I couldn’t remotely give you even one bar of any other song. But geez, “Queen of Hearts” was a staple of many of my childhood days. Listening to it again right now, I kind of dig “Can’t Wait All Night” though it’s certainly different than her normal country-pop tunes — maybe too different, as it became her last hit on the Hot 100. She still had seven more Top 10 hits on the country charts, though, right through the end of the decade.

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Mix Six: “Supergroup … or Superdud?”

DOWNLOAD THE FULL MIX HERE

On paper, it sounds like a moneymaking formula: take individual members from successful bands, put them together in a supergroup to make music, record the magic, and watch album sales go through the roof.  Yes, the Supergroup can, at times, be seen as a crass money grab, and at times it is.  However, there are other times when the result of these ventures bears some tasty fruit. Now, people’s taste being what they are, it’s going to be an argument without end as to which of the groups represented here are Supergroups or Superduds.  I certainly have my opinions, but don’t let that dissuade you from defending or slamming the six in this mix.

“Sole Survivor,” Asia (download)

Back when Asia made their debut in the early ‘80s, they were touted as the next big thing that would define rock music for the decade.  Think about it: you take a little bit of Yes, Emerson Lake and Palmer, and King Crimson, put them in a blender of sorts, serve up the contents  and … what do you think you’re going to get? Go ahead and insert a 40-Year-Old Virgin joke here. (more…)

The Producers: Ted Nugent Babysits, a Meaty “Free-for-All,” and Tom Werman’s “Greatest Misses”

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The last installment prompted a number of responses having to do with a couple of bands that I and some of the readers feel should have been more successful. I thought that before we continued with a little history, I’d give Popdose readers some titles from what I consider my “Greatest Misses.” For those who would like to explore a little, these are songs I produced that I consider outstanding in one way or another, but which never really saw the light of day. By checking these out, you may even discover an obscure band whose music you really like.

Mother’s Finest (covered in installment # 7) – “Truth’ll Set You Free” and “Mickey’s Monkey

The Producers – (covered in installment # 7) — “What’s He Got,” “She Sheila,” “Life of Crime,” “Dear John,” “Back to Basics.”

brownsvillestation-airspecialmyfrontcover1Brownsville Station – “Who Do You Love” – A 1979 remake of the classic Bo Diddley tune recorded with the Record Plant Remote truck in the basement of the band’s manager’s office building in Ann Arbor, Michigan. The lead guitar, played by the late Cub Coda, is an original Sears Silvertone, and the speaker was built into the actual guitar case itself. I think this version is every bit as good as George Thorogood’s, which is now a classic rock radio staple.

Krokus – “School’s Out” – I did one Krokus LP in 1986, and I invited my daughter’s 5th grade class into the studio to sing on this classic Alice Cooper song.

Love / Hate — “Why Do You Think They Call It Dope?” This is a wonderful song from a band I discovered in a San Fernando Valley rehearsal studio and brought to Columbia Records in 1989 — more about them in a future installment.

LA Guns — “Rip & Tear.” I did one album with this band in 1989, and there will be more about them in a future installment. (more…)

The Producers: Tom Werman, Chapter Seven

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ted_nugent_-_free_for_all1When I became involved with Ted Nugent’s recording, I spent quite a bit of time in Atlanta. We were recording at The Sound Pit, a nice little studio in downtown Atlanta owned by a man named Mike Thevis, who apparently had something to do with pornography, and who also apparently spent some time in prison as a result. I never met Mr. Thevis, but I did become very friendly with the house engineer, Tony Reale. Tony was a great engineer with a very agreeable personality. Aside from engineering my early records with Ted, he also mixed the Johnny Nash hit “I Can See Clearly Now.” To a visitor like myself, Atlanta in the Seventies had the feeling of a boom town – we were told that women outnumbered men three to one, and the population was young. There was a buzz about the town, and a festive atmosphere. Anyone who grew up in the South and had a dream seemed to be drawn to Atlanta in order to realize that dream.

The Omni Hotel complex was brand new at that time, and it became my home away from home. My room overlooked the indoor ice rink, and the restaurant on the ground floor (Mimi’s) served great food and was moderately priced (as, it seemed, was everything in Atlanta). The Omni complex also housed the Omni Center, which was the largest indoor sports facility in Atlanta, and which became the largest concert hall in town, as well. When Ted headlined the Omni just after the release of our second album, Free For All, it was the first time I heard “Cat Scratch Fever.” I called my boss in New York the next morning and announced that Ted had finally written a hit single. While CBS Records was having one of its winter mini-conventions in Atlanta, Gregg Geller and I went over to see a band that had been recommended to me. They were called Mother’s Finest, and they were appearing at another major venue in town at the time, Alex Cooley’s Electric Ballroom.

I think it’s fair to say that this band, about whom we knew nothing in advance, fairly incinerated the stage. Fronted by a tiny package of dynamite named Joyce Kennedy and her husband Glenn, this was basically a black hard rock band, years before the days of Living Colour. The bass player, Wizard, went on to play bass for Stevie Nicks. He was a tall, grinning man whose physical dominance made the bass guitar appear as a toy in his giant hands. He just slapped that instrument silly. The drummer and lead guitar player were white, but in this band, the music was really dark gray – their main influence was Zeppelin, but with a very high funk quotient. (more…)

How Bad Can It Be?: “Ted, White, and Blue: The Nugent Manifesto”

Thank God for Ted Nugent. Seriously. The guy is a true patriot, and he has strong notions about America and what makes her great, which he lays out in his new(ish) book Ted, White, and Blue: The Nugent Manifesto (Regnery Publishing). By articulating his proudly conservative beliefs, he has done a great service to all patriots, no matter what their political persuasion. This is a book that everyone who loves America needs to read — even liberals. Especially liberals.

Because Ted Nugent is a brave man. Ted says exactly what’s on his mind, and that takes courage. Conservative commentators are often taken to task for substituting canned talking points for critical thought. Well, I’m here to tell you, people: Ted Nugent is not using canned talking points as a substitute for anything. When he trots out a well-worn anecdote or turn of phrase — spotted owls, “take the next boat to Cuba,” welfare = racism, love it or leave it, “more guns equal less crime,” and on and on — he leaves no box unchecked, and he’s 100 percent sincere about all of it.

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One Day in Your Life: March 18, 1978

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March 18, 1978, is a Saturday. Deposed Pakistani prime minister Zulfikar Ali Bhutto is convicted of murder and sentenced to death. Before their annual banquet, members of the fire department in Frostburg, Maryland, ring the firebell 111 times to honor the members who have died fighting fires since the department was founded 100 years ago today. In the NCAA men’s basketball tournament, Kentucky wins the Mideast Regional final over Michigan State, 52-48. Leon Spinks, who upset Muhammad Ali to win the heavyweight boxing championship in February, is stripped of the title for refusing to fight Ken Norton, who is declared champion. Future NBA player Brian Scalabrine and future NHL player Jan Bulis are born; author Leigh Brackett dies, shortly after turning in a script for The Empire Strikes Back. Although she will receive a writing credit, practically none of her words or ideas will make it onto the screen.

Lindsey Wagner of The Bionic Woman is on the cover of TV Guide. This morning, CBS broadcasts the final original episodes of the Robonic Stooges, an animated kids’ show reimagining Larry, Moe, and Curly as crime-fighting robots of the future. Tonight, it’s the final episode of Kojak. On NBC, Jill Clayburgh hosts Saturday Night Live with musical guest Eddie Money, whose debut single “Baby Hold On” has been on the radio for about a month.

A 15-year-old girl in Illinois buys a copy of the Bee Gees’ Children of the World; looking at the cover, her father declares that the Bee Gees look “like long-haired hippie gangsters.” On the latest Billboard Hot 100, the long-haired hippie gangsters hold down the top two spots with “Night Fever” and “Stayin’ Alive.” Samantha Sang is next with “Emotion,” a song the Bee Gees wrote, produced, and sing on; Andy Gibb’s “(Love Is) Thicker Than Water,” a former Number-One song, is at Number Five. The lone interloper at the family reunion is Eric Clapton, whose “Lay Down Sally” has sneaked up to Number Four.

The Jerry Garcia Band plays Washington, D.C., U2 plays Limerick, Ireland, and Yes plays Los Angeles. The second California Jam concert is held in Ontario, California. Headliners include Ted Nugent, Aerosmith, Heart, Foreigner, Santana, Frank Marino & Mahogany Rush, Dave Mason, Rubicon, and Bob Welch, who brings out surprise guests Stevie Nicks and Mick Fleetwood. Nearly 300,000 fans show up, but critics focus on the generally substandard quality of the performances and the extravagance of the backstage amenities some performers demand, from pinball machines for amusement to plates of M&Ms with the yellow ones removed.

In Wisconsin, a young music geek misses all of this. He’s gone to the state basketball tournament to watch the Class A finals, although not before catching hell from his parents when they discover him trying to sneak a bottle of his favorite liquor along. For some reason, they let him go anyway.

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Death by Power Ballad: Tommy Shaw, “Lonely School”

Maybe eight or ten years ago, if you’d wanted to make some pretty decent money on a minimal investment, all you had to do was find a CD copy of Styx guitarist Tommy Shaw’s 1984 solo debut, Girls with Guns, at a yard sale or in the used bins at your local strip mall record store (you remember them, don’t you?), then turn around and put the copy on eBay.  I once saw a one go for upwards of $200, and it made me longingly recall the time I saw a $10 used GwG at the Keystone Music Exchange and didn’t pull the trigger on the purchase.  And my fists shake with rage at the memory once again.

“Lonely School” was the second single off the record, a follow-up to the album’s more raucous title track, and it’s notable for containing just about every element that Shaw hated in Dennis DeYoung’s music, the primary reason he left Styx.  It’s a keyboard-heavy tune, for one thing; the guitars (Shaw’s stock in trade) mainly provide bits of color here and there, until the solo break after the second chorus.  There are key changes aplenty — into and out of every chorus, to be exact — which serve to adhere the verses to the chorus with a kind of musical Elmer’s or Scotch tape.  The background vocals —”ooh’s” and “ah’s,” mostly, give the overall track a kind of Mr. Mister-ish feel (a full year or two before any of us had heard of Mr. Mister.  Then again, I’ve never seen Tommy Shaw and Richard Page in the same room.  Hmmm …).

(Oh, and ignore the tom-tom percussion that opens the song; no one in rock should be allowed to use the things, with the exception of Neil Peart, who makes them sound like a hailstorm, a headhunter block party, and the march of an advancing army, because he’s Neil-fucking-Peart.)

In truth, “Lonely School” lacks any obvious full-on rawk bombast, the kind Shaw was exposed to daily in Styx and would absolutely master with Damn Yankees (”High Enough,” anyone?  Huh?  No takers?  Bummer).  Indeed, one might be tempted to wonder what’s so powerful about this particular ballad.

In one word: potential.

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When Good Albums Happen to Bad People: Ted Nugent, “Cat Scratch Fever”

At least in the mind of the man himself, Cat Scratch Fever is the work of the baddest mofo alive. A dude who will take your little ones crossbow hunting for bison in the surly woods of Michigan, take out a beaver or two with a semi-automatic, then serenade everyone around an open campfire with his bullet-deflecting rock and roll magic. To a great many more people, though — perhaps the majority of Americans, now that we no longer think fringe jackets and peach fuzz mustaches are de rigueur stylings for a job interview — The Nuge lies somewhere between a pathetic asshole that’s cool to make fun of, and that strange uncle that you don’t acknowledge is even a blood relation. A cursory glance at the man’s life instantly reveals the major levels of hypocrisy, idiocy, and in some cases, blatant criminality.

-Nugent is so cartoonish in his continued belief that “stoned, dirty, stinky hippies” and homosexuals are totally responsible for the ills of America that at times it seems that he could be a covert liberal in disguise as a Republican. He has stated that George W. Bush is not conservative enough, and that the problems the U.S. has had in Iraq are because we didn’t “Nagasaki them.” In August 2007, he threatened Barack Obama and Hilary Clinton at a concert, telling them to “suck on [his] machine gun.” He later directed a similar threat to both California senators, Barbara Boxer and Dianne Feinstein.

-The Nuge’s one admitted vice is women. When he’s not threatening to assassinate them, he’s fucking them. He likes a lot of them, and he likes them young. In fact, in order to once avoid likely statutory rape charges in 1978, he bought off the parents of his 17-year-old girlfriend, so that they would sign over the rights of legal guardianship to him, and he could continue to sleep with her without consequences. He also admitted a British newspaper in 2004 to cheating on his second wife and having a child out of wedlock with another woman in 1994. Of course, by the time he admitted to “being a prick” for his actions, he had already been sued twice by the mother of his child for child support. (more…)

Lists You Didn’t Ask For: Consumer Safety Edition

Earlier this month New York attorney general Andrew Cuomo reported that he had sent his staff to 1,000 pharmacies across the state in March, April, and May and found more than 250 that were selling expired milk, eggs, baby formula, and over-the-counter medication. The two biggest culprits were the CVS and Rite Aid chains. So what else have these drugstores not been telling consumers?

1. CVS-brand sparkling water gets its sparkle from Darfurian children’s tears. (White Lion, “When the Children Cry” [download])

2. That lawn chair you bought in the “seasonal” aisle? Someone had sex on it. (The Band, “Rockin’ Chair” [download])

3. Whenever you bought an impulse item at the front counter in 2000 and 2004, your name was added to a GOP database of potential swing voters most likely to vote for George W. Bush. (Everything But the Girl, “Politics Aside” [download])

4. Expired baby formula mixed with expired teeth whitener will totally get you high. (Glen Phillips, “I Want a New Drug” [download])

5. The security camera adds 25 pounds. (Joe Henry, “Fat” [download])

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