Netflix’s run of befuddling PR moves continues with the launch of Qwikster.
Bonfire by Childish Gambino Childish Gambino, the moniker for actor Donald Glover, has emerged as one of the most exciting young talents in music. With a unique blend of hip-hop…
Survivor’s “Ever Since the World Began”: The Ultimate Wedding Anthem? Rob Smith discusses in “Death by Power Ballad.”
Kelly Stitzel reviews the recent DVD release of the inspiring documentary about the life of octogenarian New York Times fashion photographer, Bill Cunningham.
Bob can’t just give advice to the myriad young acts who don’t read his columns. He has to present it with awkward metaphors about high school, which he probably learned from the movies.
Kim Fields, who you probably know better as Tootie from “The Facts of Life,” scored a minor hit with 1984’s “Dear Michael,” dedicated to the King of Pop.
Fall is coming so get happy, dammit. Here’s a mix to help you along.
Relive the glory days of Twisted Sister with the release of their 1983 Marquee club shows.
Popdose’s resident simian sage returns with advice for a certain hotshot guitarist…
Gamblor looks to bounce back from a disappointing first week of bets with big bets on the New Orleans Saints and Buffalo Bills.
You’ve heard all the big hits from Detroit, Memphis, and New Orleans. How about Allentown, PA? That’s the home of Jay & the Techniques who hit it big in 1967.
Jeff Giles decides whether to love or H8 a new CW show and Scott Malchus looks at two of NBC’s highly touted new comedies.
The strength of The Office’s season seven is how the rest of the cast stepped up, making Carrell’s exit with four episodes remaining just little bit easier to swallow.
Naomi Watts grinding? Dennis Hopper huffing? David Lynch jamming? Doesn’t sound so strange now, does it?
OMD’s dark electronic sounds were right in step with New Order and Depeche Mode, and yet “Electricity” couldn’t find an audience on either side of the pond over three releases.
On the surface, it wouldn’t seem like these two bands have a lot in common, but look beyond that: These mainstays of classic rock radio into a Deathmatch were both from LA, did mountains of drugs, and screwed anything that crossed their paths. Both were laughed at by the critics but still loved by millions of people whose tastes haven’t changed since they were old enough to know better. Both had good guitarists, shitty drummers, and lyrics that alternated between pomposity and narcissistic misogyny. So which group is more evil? Leave it to the Popdose staff to answer the question. It’s a Popdose Deathmatch: The Lizard King vs. The Cryptkeeper. Let’s get ready to…ah, fuck it.
Bridesmaids, one of the surprise hits of this past summer, is coming out on DVD and Blu-ray September 2oth. The raunchy comedy, co-written by Saturday Night Live’s Kristen Wiig, produced…
Another Wednesday, another batch of AM Gold for your listening pleasure. This week rolls on with the third installment from 1964.
Today, Johnny Bacardi takes a look at Sarah Michelle Geller’s much hyped return to television and her new series, “Ringer.”
Fates Warning guitarist Jim Matheos reunites with original singer John Arch for a headbanging new Not-Really-Fates-Warning-But-Maybe-Even-Cooler album.
Exploring the whip appeal of one of the most prolific hitmakers of the ’80s.
More easily than most rock stars, Peter Gabriel has settled into his inevitable role as an elder statesman. He’s an exception, in the youth-obsessed industry of pop, in how freely…
Sometimes, an album has such a great title that you just have to buy it.
America’s first soul singer was lost in 1964 before his abilities as a writer, arranger and defacto producer could become more widely appreciated.
In which the staff is on the receiving end of some begging, and responds childishly.