Or why I want to strangle DCP.
No Concessions
1982, when E.T. phoned home (and Spock, Spicoli, Garp, and The Thing all placed calls).
Hang on for my picks for last year’s best movies. Before, you know, the other thing tonight.
Bob Cashill ponders a few matters on his way to a Top Ten list.
“TCM Remembers,” and a few personal thoughts on the year’s departed.
Al, don’t hang up. We need to talk about these movies of yours.
Clowns! Babies! Crab monsters! And more, from Attack the Block to Zombie.
Bob Cashill witnesses A Separation, experiences Melancholia, and feels Shame.
Bob Cashill returns to the multiplex and ponders “Moneyball,” “Drive,” and “The Debt.”
Bob Cashill isn’t all smiles over the top-grossing adaptation.
Is a movie that’s 90% awful still worth seeing? If it’s (Optimus) prime Michael Bay, yes, almost. Other, less awful movies are also considered.
Robin Wright may be The Conspirator in Robert Redford’s Lincoln assassination film, as Michelle Williams goes west in Meek’s Cutoff.
Bob Cashill takes a look at some of the less familiar chapters from a storied career.
No fooling — Insidious, from the makers of Saw, gets things bumping in the night. Plus, Hilary Swank is The Resident, and the phantasmagorical Santa Sangre, both on DVD.
London’s hottest show is now playing at a movie theater near you. And a former bride of Frankenstein stars in The Tourist, now on Blu-ray.
Who’s that girl? Why it’s Jane Eyre, back again, as a new documentary revisits The Boys in the Band and some Monsters cause trouble on home screens.
Liam Neeson wants to know who he is in Unknown. Characters in Another Year would rather be someone else. Bob Cashill analyzes these identity crises.
Bob Cashill asks if it’s possible to feel bad about a movie that earns an Academy Award nomination. Yes, says sorrowful Way Back star Ed Harris.
Just how depressing are the “holiday movies” that have lingered into the new year? Film Editor Bob Cashill tests for gloom as the star of Blue Valentine and All Good Things, Ryan Gosling, anxiously awaits results.
Tis the season for awards, nominations, and citations. As he makes his own list Bob Cashill separates the naughty (“Black Swan”) from the nice, including an uncloseted Jim Carrey.
Rachel McAdams calls Popdose headquarters to find out what Bob Cashill thought of Morning Glory. He gives her the good and “bang” news.
Bob Cashill takes aim at The Girl Who Played with Fire on DVD, plus, in theaters, the western Red Hill and the mysterious Amer.
A status update on The Social Network tags the Wall Street sequel and Inside Job. But the sensitive may want to defriend the horrific Red White & Blue.
Let Me In is a bloody good translation of the Swedish vampire classic, while on DVD Russell Brand disturbs the peace in a different way in the comedy Get Him to the Greek.
Two years ago I took a friend to see the acclaimed Broadway revival of The Seagull, starring Kristin Scott Thomas. At intermission we got to talking about some of the…
Was this the worst summer ever for movies? Depends on whom you ask. One acquaintance said 2000 was the low point, and stuck to it even when I threw out…
The Tillman Story is an outstanding story of heroism—not, however, the one you were told. Or rather, sold. You remember the official story. How in the wake of 9/11 Tillman,…