Molly Marinik reviews Bloody Bloody Andrew Jackson, the new historical musical satire about America’s most emo president.
“Come play with us forever and ever and ever.” Kelly Stitzel invites you up to room 237 to listen to The Shining‘s epically creepy soundtrack.
If you’re holding your breath for the day MTV starts playing music videos, let it go. It’s never going to happen, not while the dreaded Snooki-beast is running around, trying…
30 Rock went back to its Saturday Night Live roots for a live broadcast. Scott Malchus takes a look at everything that went right for the Emmy Award winning series on Thursday night.
The Popdose staff curates this mix to be a companion through the headlong rush to the winter solstice.
In Warren Ellis and Cully Hamner’s Red, Paul Moses is a monster. The former CIA operative who can’t escape the memories of the acts he did in the name of…
Dave Steed presents 10 more of his favorite metal albums in his ultimate quest to get you to listen to 300 headbangers!
Angie Mattson impressed Ken Shane when she opened for Justin Currie on his first solo US tour. Does her new album deliver on the promise of that performance?
Alas, poor Buckley. We knew you not. And here are some more cartoon characters that took the big dirt-nap.
As a disastrous new show stumbles toward Broadway and “Glee” rebounds from its worst episode, can issues of religious belief inspire decent musical theatre? Jon Cummings has his doubts.
Although I considered Carptree’s previous album Insekt (2008) to be one of that year’s best, even I had to admit it was a pretty dark series of songs. The combination…
Splice (Warner Bros., 2010) Remember that old Chiffon margarine ad campaign about what happens when you try to fool Mother Nature? It gets a creepy, CGI-enhanced spin in this thriller…
With both schemes still performing at better than 80% for the season, Gamblor and Son of Gamblor have agreed to take a breather and have just 4 bets this week.
Solomon Burke was known as the King of Rock and Soul. When he died last Sunday, he left behind a long string of soul classics. Ken Shane remembers.
Piping hot pizza and piping hot … organ music? Way Out Wednesday presents “At the Organ Grinder, Vol. 2,” plus a chance to help out a little friend of mine.
Maturity tends to be the dirtiest word in pop music. Fans of good pop seldom equate it with being “redolent with the heady fragrances of adulthood,” but more likely, “old…
The Hangover: Extreme Edition (Warner Bros., 2010) No, you didn’t fall asleep for ten years — Warner Bros. really is double-dipping with The Hangover, a movie that only came out…
Time once more for CoCSJ, now with an extra comma at no cost to you, in which I opine of comics and graphic novel releases of recent vintage, most of…
Things have been problematic for the post-Neal Morse era of Spock’s Beard. They’ve produced some good songs during this time, but never a full album that gelled completely. The closest…
In conjunction with our mini-series 50CCM50 (check out the first installment here), Popdose is giving away a unique prize to a lucky reader, but be warned – it is not…
Dave Steed features more rock songs that had their 15 minutes of fame in the ’80s and the smokin’ hot Nancy Wilson.
The Increasingly Poor Decisions of Todd Margaret is full of lies, awkward moments, and a few good laughs.
With Red about to hit movie screens, Jeff Johnson takes a look back at other aging movie characters who kicked some major ass.
“The Cleveland Show” has many of the same traits of its parent show, “Family Guy.” It’s funny, controversial, but it also has a lot of heart.
The Secret of Kells (Flatiron, 2010) The surprise feelgood story of last year’s Academy Awards, this beautiful tribute to Celtic lore went from small Irish film to Oscar-nominee overnight —…
Dave Steed reviews new albums from Killing Joke, Monster Magnet, Earth, Grave Digger and more.
A status update on The Social Network tags the Wall Street sequel and Inside Job. But the sensitive may want to defriend the horrific Red White & Blue.
There was an exciting, albeit brief, period in the early 1990s where bands of limited resources but unlimited ambition managed to not only get their records out to the public,…
What if the Beatles had never broken up…and their best solo tracks ended up on Fab Four albums?
John Lennon’s traumatic teens, and the birth of the Beatles, get the little-British-art-film treatment. But can it work both as cinema and as Beatleography?
